Category Archives: Entertainment

Rumour Has It (Single Review) – Adele

Adele - 21 - album cover

Contrary to popular belief (and hope), the next single off Adele’s album (and only album selling anything nowadays), 21, is not Set Fire To The Rain but Rumor Has It.

I can hear the disappointment resonating all the way to where I’m sitting as I write this. But do you really need to be? Simply, no.

Starting off with an infectious drum beat to the hum of “ohohohs,” Rumor Has It sets itself as a rhythmic smash from the get-go. “She, she ain’t real,” sings Adele in a raspy voice. “She ain’t gonna be able to love you like I will. She is a stranger. You and I have history or don’t you remember. Sure, she’s got it all. But baby is that really what you want?”

The first part of the first verse ends with Adele’s voice resonating with no music behind, leaving a subtle echo that will hook you. “Bless your soul, you got your heads in the clouds. You made a fool out of you and boy she’s bringing you down. She made your heart melt but you’re cold to the core. Now rumor has it she ain’t got your love anymore…”

And then she breaks into the repetitive yet highly infectious chorus: “rumor has it, rumor has it, rumor has it…” all to the echo of the word rumor.

The second verse starts with another phase in the “rumored” relationship. “She is half your age but I guess that’s the reason that you strayed. I heard you’ve been missing me. You’ve been telling people things you shouldn’t be, like when we creep out and she ain’t around. Haven’t you heard the rumors?”

The second verse then continues with its second part, which is structurally similar to that of the first chorus: “Bless your soul, you’ve got your head in the clouds. You’ve made a fool out of me and boy, you’re bringing me down. You made my heart melt, now I’m cold to the core. But rumor has it I’m the one you’re leaving her for.”

And then she goes into a second repetition of the chorus before going into the song’s bridge, accompanied with a change in pace and melody, proclaiming “people say crazy things. Just cause I said it, don’t mean that I meant it… Just cause you heard it.”
Then she breaks into one final repetition of the chorus before ending the song on a chilly note: “but rumor has it he’s the one I’m leaving you for.”

The thing about Rumour Has It is that it is, yet again, very different from almost anything else o radio currently and that is always something positive in my books when a song is done well. And in this case, it is most definitely done well. The buildup, the story arc Adele subtly presents… All of it works to deliver a song that is both catchy and insane.
It’s very hard not to get hooked by the repetition of the drums at the beginning and the gospel-effect of the background “ohohoh.”

Rumour Has It is a song that serves two purposes. Adele said of the song that it’s about all the useless talk people say without knowing the truth and how it ends up hurting relationships, be it mere friendships or a love relationship. In itself, the song presents you with three arcs, represent three facades of Adele. You have the scorned Adele, the played Adele and the player Adele. You have Adele falling to the rumors of her man going with another girl. Then she decides to take him back, revealing at the end that she was playing him. And the awesome thing? It could all be a simple unfounded rumor. After all, rumour has it…

Listen to Rumour Has It:

Midnight in Paris – Movie Review

Presenting Woody Allen’s latest cinematic offering, Midnight in Paris is magical – be it in its plot or its effect on you as a viewer.

The moment the movie starts, you know you’re in for a ride. Flashing scenes from the breathtaking French capital, from Versailles to its rooftops. From the Louvres to les Champs-Élysées… it’s all there, to a backdrop of true Parisian music. That opening scene sets the tone of the movie: this is a feature from Paris, to Paris, about Paris. And it doesn’t disappoint.

Gil (Owen Wilson) is a highly successful Hollywood screenwriter on a vacation with his fiancée, Inez (Rachel McAdams) in Paris. Despite his job being very lucrative, Gil doesn’t feel satisfied. He is trying to write a novel about a man who works at a nostalgia shop and has no idea why he can’t truly connect with what he’s writing. He feels out of place in the the world of 2010. His dream world is a rainy 1920’s Paris. Inez disagrees.

On one fateful night, as a Parisian clock strikes midnight, a slightly drunk Gil hops in an old-fashioned peugeot that takes him to meet people he had never thought he’d meet: Scott F. Fitzgerald, Ernest Hemingway, Cole Parker, etc… He sits with these giants of his favorite epoque and discusses with them his life, his hopes, his fears. He also meets Gertrude Stein (Kathy Bates) who gives him some valuable advice about his novel. And while in her study, he looks at Pablo Picasso painting his mistress Adriana (Marion Cotillard).

A relationship soon develops between Adriana and Gil, as he “time travels” to see all of his idols night after night, all after the clock chiming midnight.

Owen Wilson delivers a credible performance as an aspiring novelist, trying to find who he is in the world. His performance is nuanced, especially when he comes off as goofy as he admires his idols of the past. He embodies the Woody Allen-persona to a great extent, as it is the case with most Woody Allen movies that the protagonist is an extension of himself.

But the person that shines the most in this movie is – naturally – Marion Cotillard. Whenever she’s on screen, she steals the scene. It could be her splendid beauty, but I’m sure it’s more her superb acting that doesn’t come off as acting at all. She’s oozing sultriness while staying grounded. She radiates sexuality but manages to be conserved. Just place Cotillard in her natural French element and she’ll give you a tour-de-force breath-taking performance. In a way, she knows how great she is. But she doesn’t dwell on it. She knows she’s stealing every second she is on screen, but she doesn’t let it get to her head, similarly to the city Woody Allen chose to center his movie around.

Other interesting appearances in the movie are made by Carla Bruni, current French president Nicolas Sarkozy’s wife, as a museum curator whom Gil asks: “Do you think it’s possible to love two women at the same time?,” and while Woody Allen has recurrent elements to his movies about infidelity, gorgeous women, etc… his treatment of those themes in “Midnight in Paris” comes off as fresh and sweet, probably helped by the backdrop he uses.

Gad Elmaleh, infamous Moroccan-French comedian, makes a brief appearance as a private detector hired by Inez’s father to check on Gil and his midnight Parisian wanderings.

And out of all the performances by the first rate actors and actresses, it’s Rachel McAdams that comes out short, simply because she has the most underdeveloped character out of the bunch. McAdams gives her best to bring life to her character but to no avail, as Inez ultimately comes off as materialistic.

At the end of the day, “Midnight in Paris” is Paris. It bewitches you, enthralls you, takes you on a magical journey you will not forget. It’s not set in stone, like most of Woody Allen’s movies. Its ending is not resolved, it’s left to be discovered… the purpose of the movie is not to provide answers, as much as to give a general perspective. The movie does give the viewer one message though: live your life fully in your time – there will always be times you think are better. But your time is now.

Stronger (Album Review) – Kelly Clarkson

I’ve been a Kelly Clarkson fan since her Breakaway days. It’s probably her success that introduced me to American Idol – and ultimately my favorite artist Carrie Underwood.

Stronger is Kelly Clarkson’s fifth studio album and the follow up to All I Ever Wanted, which she released in 2009. Two years later, she is on the music scene again: promos, singles on radios and the rest of the shenanigans. But things drastically changed since 2009. Radio is obviously not as receptive anymore even though –  granted – her debut single “Mr. Know It All” was drastically different than the pop jam “My Life Would Suck Without You,” which I prefer.

Does Stronger live up to the hype set up for it by Kelly’s fans, numerous leaks over the course of several months and Kelly herself who stated this is her “strongest” album yet? The answer is a succinct no.

Stronger starts with Mr. Know It All – a song about a guy who thought he knew everything there is to know about the girl but she’s telling him otherwise. As I said in my review of the song, it’s not necessarily a bad song. It’s not what I would have envisioned as a strong debut single and its performance on the charts and iTunes, compared to Kelly’s previous lead single, proves my point so far.

The second song on the album, and the announced second single, is “What Doesn’t Kill You (Stronger)“, the most obvious pop smash on the album. The Nietzsche-“inspired” single has Kelly belting out the chorus at full force: “what doesn’t kill you makes you stronger, stand a little taller, doesn’t mean I’m lonely when I’m alone!”

Stronger then delivers one of its better songs with “Dark Side,” a solemn song about a girl professing to the guy and asking him if he could love her even though she had a dark side: “Everybody’s got a dark side. Do you love me? Can you love mine?”

“Honestly” is another of the album’s better songs – and one of its highlight ballads. You can feel the anguish on the song as Kelly sings: “Would you face me, make me listen to the truth even it breaks me? You can judge me, love me. If you’re hating me, do it honestly.” It’s a song about regret, about a love lost and you can feel the emotions on it. The transition from delicate to intense vocals on “Honestly” is captivating.

“You Love Me” has a 80’s reminiscent beat going for it. It’s Kelly’s reply to a guy who thought she wasn’t good enough for him. “You didn’t let me down. You didn’t tear me apart. You just opened my eyes while breaking my heart. You didn’t do it for me; I’m not as dumb as you think, you just made me cry by claiming that you love me, you love me, you love me.”

“Einstein” is a song with an interesting concept and catchy beat. But ultimately, it comes out as a little silly. It’s basically a giant mathematical equation where Kelly is telling the guy that she “may not be Einstein but I know dumb + dumb = you.”

“Standing In Front of You” has an ethereal feel to it. It’s a ballad that is not as strong as “Honestly.” I found myself enjoying the melody and the tone of the verses much more than the chorus, which has a very subdued feel to it, making the song definitely skippable.

“I Forgive You” is another uptempo. However, unlike the catchy “What Doesn’t Kill You,” I cannot wrap my head around this and it’s not catchy enough for it to stick without me wanting it to. The lyrics are a mess as well. “I forgive you, I forgive me. Now when do I start to feel again? Cause the lights are on but I’m never home. But I’ll be back with a brand new attitude, cause I forgive you.”

The album then proceeds with a “Hello,” a song where the lyrics are quite dark but the melody is a happy uptempo. It’s a song about loneliness – even among people. “Hello, is anybody listening?” Kelly asks. “It’s everyone that’s calling me. Won’t somebody show me that I’m not alone?

On “The War Is Over,” Kelly is facing the guy who doesn’t deserve him telling him that the war between them is over. It’s the perfect song to tell anyone they don’t deserve you. “All I have to say is you don’t deserve me. I’m finally walking away cause you’ll only hurt me,” she sings. “And I won’t let you pull me in because I know you’re gonna win. The war is over, the war is over…”

“Let Me Down” is another highlight of the song for me. Sure, it’s a typical pop song. But it’s insanely catchy. It sticks halfway through your first listen of the chorus and stays there. “You’re only gonna let down. When it counts, you countdown,” Kelly fiercely sings. “You’re only gonna me turn me out. As I burn, you burn out. You’re only gonna make me feel so crazy but when I think we can be something, you go ahead and let me down.”

“You Can’t Win” is about a girl who can’t win when it comes to men, about how everything she does comes back to bite her. It’s a clever little song with an interesting drum-based beat behind it. The cleverest line? “If you’re straight, why aren’t you married yet? If you’re gay, why aren’t you waving a flag?”

The last song on the album’s standard version is another ballad titled “Breaking Your Own Heart” and it has the crystal clear Kelly vocals with her head voice moments that I love. The problem with this song as an album closer is that it goes nowhere and doesn’t serve as a really strong closer. I prefer the verses to the chorus. “Too many tears, too many falls,” she sings, “it’s easier here behind these walls. But you don’t have to walk in the shadows when life is so hard. Breaking your own heart, taking it too far down the lonely road…”

The Deluxe version of the album has four extra songs, one of which being Kelly’s country duet with Jason Aldean: “Don’t You Wanna Stay,” the best song out of bunch – and not really hers. In fact, the closing song on the deluxe version, “The Sun Will Rise” should have replaced “Breaking Your Own Heart” as the closing song on the regular edition of the album.

It could be that I think Kelly’s talent is too great for her to make such an album but I’m definitely disappointed by “Stronger.” The lyrics are more often than not cliched and the melodies too familiar. It could be that after the Adele invasion of US pop radio, I thought someone with Kelly’s vocal chops would make an album of the level of epicness that is in 21 – one that represents her life as it is. But alas, Stronger falls to the same issue with almost every other pop artist today: making an album that is catchy enough while staying artistically relevant. In Kelly’s case, the album has its shining moments here and there. But on the overall, it falls short from expectations, especially after having such high expectations from an artist that I cannot but respect especially after giving the world songs like the epic “Already Gone,” “Because of You,” etc…

While the marketing strategy has not been all over the place as it was with her previous two albums: she is actively promoting it, going on TV shows, countering the leaks with song uploads to YouTube, etc… I hope this album does well on the charts for Kelly because I truly want to see her succeed. Hopefully for her next album, she’ll have enough room to maneuver around the tight boundaries set by her label and make an album that truly represents her artistically – one that isn’t coloring by numbers to get a radio hit here or a cool video concept there. I also have hope that Texan Kelly Clarkson would fuse more country music in her upcoming albums because that is a genre where she can truly shine, as was obvious on her duet with Jason Aldean.

Should you buy Stronger when it comes out on October 24th? It’s not a bad album per se, but if you’re a casual Kelly Clarkson fan more into her “Already Gone“s than her “Since You Been Gone“s, you will find little solace on “Stronger.” For many, that’s not necessarily a bad thing. But when you see her cover songs like Carrie Underwood’s “I Know You Won’t” and make a great job at it, it’s tough to see such talent wasted on songs like many of the ones on “Stronger,” an album I’ve had for a few days now and don’t find myself interested in listening to in its entirety. Now many people will feel the same – and that is a bad thing.

Songs to download: What Doesn’t Kill You (Stronger), Dark Side, Let Me Down, Honestly.

The Lion King (3D) – Movie Review

This is probably the toughest movie review I have to do. Simply because there’s no way you can judge Lion King without being substantially biased. After all, out of all the movies I’ve reviewed so far, this is probably the one that has been around with me the most.

Back when it was first released in 1994, I remember obsessing over Timon, Pumba and Simba. Five year old me had those drinking cups with figurines on top from which you nuzzled water or juice. I remember also buying a $20 book filled with pictures from the movie, retelling the story. That book passed away soon after due to my overwhelming interest in the pictures and some accidental water damage.

I also remember being amazed by the scene when Mufasa appears to Simba towards the end of the movie to remind him who he truly is. And five year old death-ignoring me had no idea what that meant. So my parents’ explanation was: his father was alive all this time, taking care of him without Simba knowing.

Yes, there’s a lot of history in all our lives that revolves around The Lion King. If there’s one Disney movie that touched generations, it’s this one. Hakuna matata, anyone?

So it was with childish glee that I went to the movie theatre with my friends Elia and Paul to watch the 3D re-release of this movie. In my head, any 3D re-release is a shameless way to make money out of an already lucrative movie. And naturally, being the sucker that I am for such sentimentalies, I couldn’t resist. After all, who could resist watching The Lion King – or any Disney movie from your childhood for that matter – in full surround sound, on the big screen, in a movie theatre, which is something most of us didn’t get the opportunity to do, becoming stuck with worn out video cassettes that got played over and over again?

The moment the opening music starts – that deafening shriek that should be trademarked – you know you’re in for a ride. I will skip the usual plot framework that I do in my reviews because I believe whoever ends up reading this has watched the movie at least forty five times in their lives, six of which are in the recent five years. Therefore, no need for me to reiterate the obvious.

And the ride continues. You listen to songs like “Circle of Life” and you can’t help but feel all warm and fuzzy inside. Yes, apparently Disney still has that effect on me. (I’m pretty sure it has that effect on you too. Admit it. Now.) As the movie proceeds, the 3D in it appears seamless. It doesn’t jump out at you like in movies where 3D was a last minute post-production decision to bring in more money.

The surround sound experience of The Lion King was a revelation of how absolutely kick ass the music in it is. Yes, I used that terminology. And you would too if you got goosebumps every time that somber music plays. We’ve all grown to appreciate the music in The Lion King. But it wasn’t as obvious – at least to me – as it was when I watched it with a full blown sound system.
And let me tell you, The Lion King is a very witty movie. I never knew there were so much jokes in it, most of which are uncannily smart. It could be that all my previous screenings of the movie were via my French-dubbed version, but this was another revelation for me.

Do I recommend you going to watch the movie about the coming of age of the innocent cub as he transforms into a lion? Absolutely. Why? Because out of all the other options of movies at your local theatre, this is the only movie from which you are guaranteed to come out with a grin. Out of all those movies, this is the only one where a twenty five year old guy sitting next to you would be singing along to Hakuna matata. And yes, you would be too. And out of all those movies, this is only one that will touch you the same way it did when you first watched it seventeen years ago.

The Lion King is a timeless movie that transcends generations. It is a tale about survival, betrayal, importance of family and love. It is a tale that ought to stay with us every day of our life. It is a movie that doesn’t shy away from hurt – even if it is masked often by protective parents and their explanations. The Lion King is a movie for the ages. And we are lucky we happened to be those ages.

For your general info, my favorite Disney movie ever, Beauty and the Beast, will be re-released in 3D on January. Yes, I’m uber excited too.

13 Reasons to Vote for Jeita Grotto

You know what?

Lebanese suck.

We really do. We need to bash EVERYTHING. There’s NOTHING that can take place in the country that is not frowned upon or looked down upon or criticized.

The latest? People are criticizing the whole “Vote for Jeita” campaign, with about 3 weeks left on the vote. They can’t even accept that the competition is NOT scam.

“Jeita doesn’t deserve to be a wonder,” is one of the things I’ve heard. “Why charge for the SMS to vote?” is another. “If the government wants Jeita to win, why don’t they vote?”

All of us need to want Jeita to win. Not the government. Not anyone else. We, as a people, should be proud that our country has something that has gained enough international recognition from international panels that judged Jeita as being worthy of being one of the New 7 Wonders of Nature.

Regarding the SMS vote: The New 7 Wonders committee DOES NOT accept free SMS votes.  The 10 cents charge we pay is one enforced by the New 7 Wonders committee. The government is not charging anything. I’ve voted 35 times so far and it barely caused a dent in my prepaid credit. And you know what, even if it did – I don’t care.

I recently stumbled on this blog post where they make out the vote for Jeita as some form of “national chauvinism,” saying that we need to study the other 27 finalists in order to make an informative vote. On that same post, a comment by “Noel” states that our “need” to have Jeita win is because we, as Lebanese, need “validation from some outside authority.”

Sure, our country is messed up in many ways. But I believe we have a lot to be grateful for. However, can we  – FOR ONCE – stop being so pessimistic about everything that has to do with Lebanon? Can we just chill for a bit, sit back, relax and not overanalyze everything? Can we seriously cut it with the know-it-all attitudes and for once feel good that Lebanon is actually getting a reputation for itself apart from the whole war-torn country now sex-capital of the Middle East?

But here are 13 reasons why we all need to vote for this wonder:

1) Jeita is spectacular

2) Jeita is wonderful

3) Jeita is grandiose

4) Jeita is brilliant

5) Jeita is gorgeous

6) Jeita is poetic

7) Jeita is angelic

8) Jeita is radiant

9) Jeita is exquisite

10) Jeita is majestic

11) Jeita is sublime

12) Jeita is elegant

13) Jeita makes me proud to be Lebanese. And so should you!

Also quick info for you out there:

Jeita is the only limestone cave among the 28 nominees. Most of Jeita cannot be accessed by visitors. For instance, the lower cave is over 6000 meters long, only 500 of which are accessible to visitors via boats. Moreover, the upper cave is over 2000 meters in length, only 750 of which are accessible to the public. Jeita also has the world’s longest stalactite at 8.2m high.

And for those of want to vote, you can go to this link or check out this picture:

And for those outside Lebanon, you can vote via the website: http://www.new7wonders.com or text Jeita to your country’s corresponding number:

Also check out this ad featuring opposing Lebanese politicians, beauty queens and actors to promote the vote:

Back in 2008, the US was invited to Barrack the vote. This is our time to rock the vote, Lebanese-style.