Having nothing planned on a Saturday night, my friends and I found ourselves going to the movies with this being as the only viable movie choice available.
Set in 1942, the movie stars Chris Evans as Steve Rogers, a disease-ridden and poor built American wanting to serve his country. Steve attempts to enroll the army many times, under different names and different hometowns, and gets refused every single time. On the eve of his best friend reporting for duty, Steve is overheard by Dr. Abraham Erskine (Stanley Tucci) and is taken to a special training program. There, he proves to be the best candidate for the secret project the government is preparing, not because of his physical built but because of his great heart. The project turns out to be a set of injections with a serum that will transform Steve into a superhuman.
At the same time, Johann Schmidt, a Nazi officer, invades a town in Norway and steals an artifact with untold powers that he starts harnessing in building weapons. And soon enough, it’s up to Steve Rogers, who becomes known as Captain America, to stop Johann Schmidt.
Captain America is nothing groundbreaking. But it has heart. It’s rare to see a superhero movie where the main protagonist is unaware of his own power. The vulnerabilities of Steve Rogers’ weaker self are transmitted to his stronger self. And that is refreshing to see on screen: a superhuman who is, at the end of the day, human and weak and vulnerable.
Moreover, there’s an artistic tint to Captain America that you cannot help but notice. The movie feels like it was produced with old-fashioned craftsmanship: the movie cinematography feels associated with the era in which the events take place. After all, the plot is a retrospective view, similarly to X-Men: First Class.
The performances in the movie are nothing over the top but they do not underwhelm. And after all, a movie featuring both Stanley Tucci and Tommy Lee Jones cannot be that bad – no matter how hard it tries. And no, Captain America does not try to be bad.
The plot might be color-by-number, especially with the overdose of superhero movies that Hollywood keeps throwing at us, but unlike other superhero movies, this one is charming. Sure, it doesn’t come close to greatness like The Dark Knight but it holds its own and manages to entertain you at the same time. The action sequences are nothing extraordinary but they are very well done and complement the plot without overdoing it, like superhero movies tend to do.
At the end of the day, Captain America is a breath of fresh air and an enjoyable cinematic experience that will entertain you for the duration of the movie, serving as a good prequel to next year’s The Avengers. You will love the innocence and the genuine characters it portrays. At the beginning of the movie, and part of why Dr. Abraham Erskine takes on Steve for his project, he asks Steve: “do you want to kill Nazis?” to which Steve replies: “I don’t want to kill anyone. I just don’t like bullies.” And that’s precisely where this movie differs from other superhero flicks: the ultimate message it attempts to convey. The 3D in it, however, is mostly useless.