Lebanon’s most prominent indie band Mashrou’ Leila, who were embarking on a tour to promote their most recent and exquisite album Ebn El Leil, had a concert planned for April 29th at Amman, Jordan’s Roman Hippodrome.
Today, only a few days prior to the concert, they were informed that their concert was canceled for, as “official” reasons cite “[their] performance would have been at odds with what the Ministry of Tourism viewed as the “authenticity” of the site.” In other, more hidden words, the Jordanian authorities view Mashrou’ Leila’s progressive message, by Arab standards at least, as an agenda they don’t want to advance on their territories. Obviously, that scary message is one of sexual equality transcending genders and orientations. How frightening.
Mashrou’ Leila issued a lengthy statement on their Facebook page which you can check here (link), of which I quote the following:
We denounce the systemic prosecution of voices of political dissent.
We denounce the systemic prosecution of advocates of sexual and religious freedom.
We denounce the censorship of artists anywhere in the world.
We apologize for having thus far failed at creating a cultural environment that allows our children to speak their minds. We believe whole-heartedly that we have only ever acted with the intention of making our world a more equal, and just place, even if “only through song.” We pledge to our audience that we will continue to place the integrity of our art as our foremost priority, and to never succumb to the pressure to compromise our message, or to waive our freedom to speak. We promise to continue to write out of love, and with the desire to spread love. We will fight, as we have always done, for our right to freely play our music and speak our mind.
The ironic thing is that Mashrou’ Leila had been allowed to perform in Jordan, at that specific site, before. Their Jordanian concerts serve as a vehicle for their fans in that country to watch them perform and, more importantly, for many Palestinians to make their way into Jordan in order to attend those concerts.
Not only have Mashrou’ Leila been stopped from holding this particular concert, but they’ve been banned from performing in all of Jordan at all times.
Of course, for the feisty Lebanese who will proclaim Jordan as a backwards-thinking land because of this, please remember how Zouk Mikhayel had a problem with Mashrou’ Leila performing there only two years ago simply because their lead singer Hamed Sinno was openly gay. Leila getting banned in Jordan is not a reflection of Jordan, but about the collective Arab culture that favors oppression over acceptance.
I have to wonder though, how is this reflective of a country whose king and queen proclaim to be champions of modernity and progression in a regressing region?
It’s a shame that Jordanian and Palestinian concert goers won’t get to watch the awesome Mashrou’ Leila in concert. I’m terribly sorry that Arab governments are so scared of music imbued with messages that challenge what they know, in a way that they can’t really fight because, ultimately, progression is inevitable whether it takes a year, ten or a hundred.
In being banned from ever performing in Jordan, Mashrou’ Leila are not just winners. They are triumphant.
In being banned, they’ve reached the echelons of those entities in the Arab world that challenge the status quo so profoundly with what they do that they’re shaking governments, systems and belief foundations to their core.
In being banned, Mashrou’ Leila have proven that their music is not just an assortment of notes strung together to construct a catchy phrase, but rather a message for Arab youth to rise above what they know, what they’ve been brought up to believe and accept that diversity in the heart of their own culture is to be embraced not feared. Today, Mashrou’ Leila are victorious because their message of no fear is causing governments to be afraid.
Mashrou’ Leila’s music will not be silenced if their concert is stopped. In them being forced to be silent, they’re louder than ever, and their music will gain more audiences than they’ve dreamed possible. Today, they are victorious. Today, they should be proud of the walls they’ve broken and of the boundaries they will break with every note they sing.