Beirut Bel Aswad Wel Abiad (Beirut in Black & White) – A Lebanese Short Movie

This Woody Allen-inspired short movie is one of the best ones I’ve seen lately. It’s directed by Alba student Marie-Louise Elia and produced by Marie-Noel Bou Haila (A lot of Maries in one sentence). You can find the former on Twitter here.

It’s a candid, honest, funny, sarcastic and extremely witty portrayal of Beirut – characteristics you rarely find this authentically in Lebanese productions. Many aspire to incorporate such elements in their movies but end up coming off as over-pretentious instead. Not this one.

The director, Marie-Louise Elia, is currently searching for actors for her upcoming movie. So if you’re interested, talk to her on Twitter. If her upcoming work is anything as good as this, it’ll look good on your resumé.

Lebanon’s VIP Cinemas & Empire Premiere

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Before we begin, I must insist that you all go watch the movie Amour (my review), whose poster is shown at the side of the above picture, when it’s released in Lebanese cinemas next week. It doesn’t matter which cinema you go to in order to do so as long as you watch that brilliance.

I had never been to a VIP cinema before. The idea of paying more than $10 for any movie given what our screens are is not only absur, it’s basically financially not feasible for someone like me who spends a lot of time at cinemas. Yes, I watch more movies than I actually review.

When Circuit Empire invited me to attend the grand opening of Empire Premiere, the renovated Empire Sodeco, I felt like it would be a nice opportunity to see what the fuss was all about. Before I discuss, here are some details you might be interested in:

  • The theatre involves 6 theaters, all of which are VIP-like theaters.
  • Each theatre contains about 30 seats.
  • The ticket price is $20 which includes ONLY your theatre seat. Drinks and pop corn and food are not included and must be purchased separately.
  • The food that will be available for purchase there is sushi from Achrafieh’s Le Sushi Bar. Portions will be smaller than the ones available at the restaurant itself and the price will be the same.
  • Pop Corn is supposed to be gourmet pop corn with different flavors every week of which someone mentioned zaatar.

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The most interesting aspect about Empire Premiere, to me, is their 18+ policy which means if you want to watch a movie without all those preteen fangirls, you might have a chance to.

It’s not all that peachy, however. While the project is, as you can see from the pictures, quite ambitious, I couldn’t not express my disappointment to whoever asked that such money was spent into something that, as far as I’m concerned, already exists with slight variations elsewhere, when it could have been done in investing in an IMAX movie complex which truly means a “refined movie experience,” which the new theatre’s tagline is.

After all, at least to me, a refined movie experience is less about very comfortable reclining seats and blankets and more about an engrossing screen that satisfies the craving that movies should satisfy.

The replies I got to the aforementioned points were the following:

  • An IMAX screen doesn’t fit anywhere in Beirut so the project cannot happen there. It has to happen outside of Beirut which isn’t feasible at the moment.
  • Empire Premiere differs from other VIP cinemas in it offering the lounge in question. And in the fact that the ticket is only $20 for the movie whole it is more than that in other VIP cinemas.
  • Empire Premiere isn’t only for movies but will serve as a space for conferences in the long run. It will also allow people to book entire theatre rooms for approximately $500 to watch a football game or a movie of their choice.

Why can’t an IMAX cinema happen outside Beirut? Because everything in Beirut is the answer I got: malls, cinemas, etc. Everything is centralized, which I wrote about here. So until a viable alternative location which people would go to exists, an IMAX cinema is out of the question because it requires its own multiplex and cannot be part of a mall.

I pitched in the idea of building one at ABC Verdun. Apparently their rent rates are too high for such a project.

If you think the whole concept is not really for you, you thought right. As to why cinemas keep doing the same thing over and over again (VIP, premiere), they said that market research has indicated that the category of “refined Beiruti people” aged 45-65 are barely going to the movies anymore and this is targeted more to them.

The place isn’t meant for us.

Moreover, I know for a fact that a couple of friends paid $12 for VIP tickets at CinemaCity to watch The Hobbit, which means that the $20 entry price isn’t the lowest in Lebanon.

The bottom line is: I found the experience to be super comfortable. But do I want to pay $20 for a movie that I can watch elsewhere for at least half that amount? Well, the answer goes both ways: if you have enough money and believe it’s a must for you, then go ahead. If not, then the answer is staring you straight in the face.
As far as I’m concerned, the old-fashioned cinema experience is part of every movie’s charm. But that’s just me.

The Lebanese Rocket Society (Documentary) – Review

The Lebanese Rocket Society

Brought to us by Joana Hadjithomas and Khalil Joreige, The Lebanese Rocket Society is a documentary about a phase of Lebanese history that exists between both of our civil wars, from 1960 to approximately 1966, in which a group of Lebanese students at Haigazian University launched rockets as part of a series of scientific experiments.

The above is not science fiction, as I had thought on many occasions when many blogs and newspapers wrote about the society over the past few months, despite it being quite difficult to believe given where we are technologically in Lebanon today.

The Lebanese Rocket Society‘s premise is bittersweet. For its main purpose, it makes you proud that these students not only decided to build a rocket, but also chemically made the fuel the rocket is supposed to use because only superpowers possessed it and were not going to dispense quantities of it to Lebanon. The students even built the radar sensors that they equipped the rockets with after a brief miscalculation which sparked a UN-debaccle with our neighboring Cyprus. Yes, we haven’t been nice neighbors all the time apparently. The Lebanese Army eventually helped them in their scientific experiments for the students were heading into financial difficulties with their ambition growing bigger.

The mere fact that the Cedar-named rockets were all built from scratch is a testament to the ingenuity and the creativity of these young Lebanese students. Too bad such advances are purely science fiction not because such brains are lacking but because of our country’s circumstances.

The most interesting parts in the documentary were, without a doubt, the sections where real-life footage from the many launches that took place were incorporated. The archive is unimaginably great and seeing it is worth the price of admission alone. It’s always interesting to dig up 20th-century material about Lebanon that is not of tanks bombing buildings and of a torn-out Holiday Inn hotel.

The documentary seeks out Manoug Manougian, the student who started it all, currently a math professor at a university in Florida. Manougian shares the archive he kept of what he calls one his life’s proudest moments. You can check out his personal page here.

The directors also find Harry Koundakjian, the photographer who documented the Lebanese Rocket Society’s experiments, as well as former Haigazian president John Markarian. However, even though the other participants in the society’s experiments are mentioned, nothing is said about them nor are they mentioned again beyond the movie’s opening scene, which I thought did their work a disservice.

Moreover, The Lebanese Rocket Society goes off-topic often, notably with an entire sequence about the importance of the Arab Spring, as well as many other political subtle messages passed on notably about the importance of the Arab unity under Abdel Nasser. I still have no idea how the entire documentary’s premise fits in the mood of revolutions and freedom and whatnot spreading across Egypt, Libya, Tunisia and Syria but the notion is present.

I also felt it was very misleading that – despite their army source telling them the army had a panel discussing the possibility of turning the rockets into weapons by having one floor of the rocket filled with bombs – the directors were adamant that these rockets were a scientific experiment and build the entire documentary on that premise. It was quite clear that the rockets couldn’t have been possibly done if the army hadn’t helped and if the army wanted to make weapons out of them, they would have been turned into weapons.

The Lebanese Rocket Society ends with a 10 minute or so animated sequence which asks the question: what if Lebanon hadn’t stopped the rocket experiment?

To answer the question, the directors believe we would have a metro network running under Beirut, oil rigs off our shores, an entire space program rivaling that of the U.S.A. (down to basically ripping off Nasa’s logo), etc.

The sequence, in my opinion, did the movie a grave injustice and it shouldn’t have been included at all. It was already established that the rocket experiment was stopped because Lebanon was asked to by higher authorities in countries North, South, West and East. One of the documentary’s strongest scenes was one where a drafting compass drew a circle from Lebanon to where our rocket would have reached. Sinai was accessible. It was already established as well that the rockets were not, eventually, a mere scientific experiment as the students involved kept repeating. Those students didn’t know any better, obviously, but the army did. How does that set up for a future as bright as the one they tried to portray?

Nothing is better than some Lebanese future pick-me-up every once in a while, but at least don’t have it that separate from all the facts the documentary had presented over the course of the previous 80 minutes, especially that the presentation of those scientific facts was very systematic and documented.

I personally recommend people watch The Lebanese Rocket Society when it’s released in cinemas on April 11th despite its shortcomings because it is a documentary that showcases a different side of the Lebanon that we thought we knew, one that has been erased from the collective memory of the country as a whole – all supported by some old footage that will leave you baffled.

3.5/5

Rejecting Ziad Doueiri’s The Attack

The Attack Ziad Doueiri

News of Lebanon’s refusal to submit Ziad Doueiri’s The Attack, a movie I had originally told you about here, to the Oscars is making the rounds. You can check all the details here (link).

If the movie had been banned from being shown in theaters here, the discussion would be different entirely. But is the movie really representative enough of Lebanon to be our submission for the Oscars? And is this refusal enough for us to call the committee responsible for such dealings ignorant and with a backward mentality?

I think not.

The movie features the following:

  • A story by an Algerian author.
  • No Lebanese crew.
  • Israeli and Palestinian actors.
  • Location of shooting is Israel.
  • Lebanese director with an American passport.

Would I want to see the movie? Definitely. Do I want it to represent Lebanon at the Academy Awards? Let’s just say I’m on the fence regarding this.

This isn’t exactly West Beirut for us to cry wolf for it not being submitted. If Ziad Doueiri truly wanted his movie to be Lebanon’s official submission to the 85th Academy Awards (my predictions – to lighten the mood), he could have at least made an effort to make the movie more Lebanese by maybe shooting it over here and not in Israel and having a Lebanese actor or actress play a role in it, despite both elements not being a criteria required for Academy Award approval.

As it stands, the only thing Lebanese about The Attack is the director who wouldn’t have been able to make this movie if he had actually employed his Lebanese aspect from a bureaucratic point of view. The director says his choices regarding the movie’s components are logical.

Well, I say the committee’s decision is entirely logical as well. Not everything is supposed to be turned into a national matter of censorship.

 

2013 Oscar Predictions

The 85th Academy Awards are held tonight so I figured I’d throw in my predictions as to who will win and who should win some major categories. It’s not Oscar night without a few predictions to go wrong, am I right?

I’m glad this year’s Oscars fall on the unpredictable side – there’s no absolute frontrunner in most of the categories so the night should be interesting to say the least.

Without further ado, let’s begin.

Best Picture Academy Awards Oscars 2013

  • Who Will Win: Argo
  • Who Should Win: Amour

Amour (review) is, hands-down, the best movie of the year. It won’t win because of the way the Oscars are run. So we are left with the movie that has been picking up best picture awards here and there: Argo (review). I don’t get it really. There are two other movies on that list that I believe are more deserving (Lincoln and Silver Linings Playbook) but you cannot underestimate momentum.

Best Director Academy Awards Oscars 2013

 

  • Who Will Win: Steven Spielberg
  • Who Should Win: Michael Haneke

Out of all the nominated directors in this category, Haneke managed to turn a simple story of old age into a spellbinding movie that captured everyone’s heart and mind. With little special effects, a Parisian apartment, his camera and two great leads, Haneke created Amour. But seeing as his nomination was a surprise by itself, expecting him to win what he deserves is far-fetched. So Academy Award-darling Spielberg with what is arguably his best movie in years will take it.

Best Actor Academy Awards Oscars 2013

 

  • Who Will Win: Daniel Day Lewis
  • Who Should Win: Daniel Day Lewis

I don’t believe this needs any explanation. What a brilliant performance.

Best Actress Academy Awards Oscars 2013

 

  • Who Will Win: Emmanuelle Riva
  • Who Should Win: Emmanuelle Riva

Next to the Best Picture race, this will be the night’s most interesting. What started out as a two-horse race with Jessica Chastain and Jennifer Lawrence battling it out for coveted awards soon turned into a three-way race as veteran actress Emmanuelle Riva took the BAFTA and later on the French César. At an age of 85, many voters will probably go for Riva because it’s now or never for her. Chastain and Lawrence will get their shot one day. The mere fact that Emmanuelle Riva is present on that list means there are enough Academy members who want her. It’s also her birthday today. HAPPY BIRTHDAY EMMANUELLE!

Best Supporting Actor Academy Awards Oscars 2013

 

  • Who Will Win: Tommy Lee Jones
  • Who Should Win: Tommy Lee Jones

Tommy Lee Jones gave what is, in my opinion, the best performance out of the bunch. Pre-Oscar awards have been spread around this bunch of nominees in a balanced way so no clear frontrunner has emerged but I think Lincoln‘s (review) momentum will help Jones take another Oscar. Every single nominee in this list has won before.

Best Supporting Actress Academy Awards Oscars 2013

 

  • Who Will Win: Anne Hathaway
  • Who Should Win: Anne Hathaway

There’s no denying Hathaway deserves this. She owned the entire Les Misérables (review) with her chilling performance of “I Dreamed A Dream.” The movie starts dying when her character dies. No one else in this category is as deserving and she has basically won every single pre-Oscar award there is.

Original Screenplay Academy Awards Oscars 2013

  • Who Will Win: Quentin Tarantino
  • Who Should Win: Michael Haneke

There’s something understated about turning a simple story into a work of art, which is what Haneke did with his story in Amour. But unfortunately, that’s not the kind that usually triumphs. I expect Tarantino to come out triumphant for Django Unchained (review).

Adapted Screenplay Academy Awards Oscars 2013

  • Who Will Win: Argo
  • Who Should Win: Silver Linings Playbook

Argo has the momentum. Silver Linings Playbook (review) has the superior quality and the charm. Momentum wins.

Animated Film Academy Awards Oscars 2013

 

Who Will Win: Frankenweenie

Who Should Win: Wreck-It Ralph

I found Wreck-It Ralph to be one of the most charming – and best – movies of the year. It is what I expect from an animated movie to be. Frankenweenie, on the other hand, is what plays on the Academy’s strings: homage to classics, daring technique, etc. It’s obvious who’d  win in such a match-up.

Original Song Academy Awards Oscars 2013

  • Who Will Win: Adele
  • Who Should Win: Adele

I can’t wait to hear her acceptance speech.

Foreign Language Film Academy Awards Oscars 2013

  • Who Will Win: Amour
  • Who Should Win: Amour

The fact that it’s nominated for best picture, best actress, best director and best original screenplay is hint enough.