We Found Love – Boyce Avenue (Rihanna Cover)

I heard this at a very cool pub in Batroun yesterday and I think it puts the original to shame.

Listen up:

They made the song their own and did a great job as well.

 

Cash Flow – Movie Review

Cash Flow is the story of Mazen (Carlos Azar), a young Lebanese man leading a routine life out of his means. His salary of $900 is nowhere near enough for his superflous expenses, his clothes shopping, his outings and dating the girl he fancies: Elsa (Nadine Njeim), the daughter of a very rich man who refuses to follow her mother’s requests of working at her leisure for her father.

One day, on his way back from work, Mazen rescues a man from getting run over by a car, not knowing that this man is a very wealthy businessman. The following day, Mazen is surprised to find the man at his doorstep telling him to check the envelope left for him. It transpires that the man had left Mazen a credit card with a daily spending limit of $1000. It is then that Mazen’s life changes with all the cash flow. But with all the money comes trouble.

The thing about Cash Flow is that, even though it’s a Lebanese movie, there’s nothing Lebanese about it. The story is straight out of an American action-comedy movie. The movie has English subtitles (which at a time mistake how with hoe). The movie even opens with Mazen telling about his routine life: wake up after struggling with the alarm, pour coffee out of a coffee maker (who in Lebanon uses a coffee maker?), go to his doorstep and pick up a newspaper (since when do we get newspapers delivered to our doorsteps?).

Add to the cliche, overdone and “foreign” storyline way too many product placements (try to find a Lebanese clothing store that didn’t get an ad in the movie. Odds are you won’t), way too many “hotshot” actors and actresses with irrelevant roles and this is Cash Flow for you. You don’t need an “all-star” Lebanese cast to pull a movie. Just take hints from Nadine Labaki. The fact that some actors and actresses have a line or two is not enriching to a movie like Cash Flow, it’s actually very sad.

It’s nice to see Lebanese cinema producing movies. But when you have a struggling industry as it is and you find funding for a movie, you don’t go make an American movie with Lebanese actors in Kaslik. You make a movie about the woes and passions of Lebanese society – at least until you’ve established yourself as a filmmaker to produce movies like Cash Flow. So for what it’s worth, this is a self-indulgent, useless movie that shouldn’t have been made in the first place. And to think some people are actually comparing it with Where Do We Go Now. 

4/10

Carrie Underwood & Steven Tyler Rocking CMT Crossroads

For those who thought Carrie Underwood didn’t have it in her, she just proved you wrong. Carrie Underwood not only shone next to Aerosmith’s Steven Tyler, she also gave him a run for his money. Not only was the CMT Crossroads featuring both stars spectacular, it was also very rocking.

Prior to the show, Steven Tyler had said Carrie Underwood was the reason he joined the American Idol judging panel:

“You were why I took judging for ‘Idol,’ you are exactly why. Not only could you sing good, but you adapted to this…it’s a pit! It’s a deep, dark, ominous pit. And you get out there on-stage at night with that band, that great band you’ve got and you make people feel happy, first and foremost. All the rest, if people knew what we went through to get out on that stage… you have gotten past that and not a lot of people do – they have to get through drugs and alcohol, booze and divorces and even those didn’t make it. You were a natural at it.”

Carrie, in her turn, replied that Tyler was one of her inspirations growing up:

“I remember as a very small child, I could pick your voice out. Even then, you know that it’s different, you know that it’s special and can pick it out from a million other voices. You were definitely part of what gave me that musical, laid-back, in-the-pocket sensibility on albums and stuff like that.”

So without further ado, the videos:

Cryin’:

Dream On/Just a Dream:

Before He Cheats:

Undo It/Walk This Way:

 

 

A Camel in Downtown Beirut – Literally. A Music Video by Michelle & Noel Keserwany

As Lebanese, we always laugh when a foreigner asks us about our mode of transportation. We brush off their whole “tents and camels” ideas by showing them pictures of ferraris, BMWs and other cars most of us cannot afford but love to take pictures of.

And although most of us haven’t seen a camel in our lives, Michelle & Noel Keserwany, who went viral with their song Jagal El USEK, have a new video out for a song titled: 3al Jamal Bi Wasat Beirut (On a Camel in Downtown Beirut).

The song opens with the following: “Badde kazder 3al jamal bi wasat Beirut 7atta yalli ma ma3o 7a22 benzene ysir 3endo 2amal, 7atta l ajeneb yenbesto wa akhiran shefo l jamal. Khalle kell as7ab l m7allet ya3mlo panic w kyes l shopping tou2a3 men 2id l 3alam l chique… Ana bedde kazder 3al jamal bi wasat Beirut w khalle kell l nes tghar.”

Which translates to: “I want to wander around on a camel in Downtown Beirut to give hope to those who can’t buy gas, so that foreigners can finally be happy that they’ve seen a camel. So the shop owners start to panic and shopping bags fall from the hands of posh shoppers. I want to wander around on a camel in Downtown Beirut and get everyone to be jealous.”

In this simple song, Michelle and Noel Keserwany have painted a sarcastic parody of a part of Lebanese society you cannot but make fun of. The look on the people’s faces? Priceless. The woman holding her nose? Epic. The camel riding next to a Chanel shop most of us won’t dare to enter? Stunning.

This is Beirut! And this is awesome Lebanese talent. Thank you Patrik Abdel Sater for sharing the video with me. You can follow Patrik on Twitter here. He’s also behind the awesome new logo you currently see as a header for the blog and on the Facebook page.

Adonis: A New Lebanese Band

Adonis is the latest band to grace the Lebanese music scene, after the successes of Meen and Mashrou3 Leila. After wanting to and not being able to go to a concert they had at Beirut’s new “it” place Dictateur, I wanted to know what Adonis was: what their sound resembled and if they were worth the hype that reached me through word of mouth. I only got exposed to their music today through their second music video, for the song “Ma Kan Mafroud,” which features Tina Yamout.

The band started last year when lead singer Anthony Khoury and a friend of his, Joey Abou Jawdeh, the band’s guitarist, got together and decided to put some music to Anthony’s lyrics. Soon enough, Anthony’s brother Fabio Khoury, the bassist, and his friend Nicola Hakim, the band’s drummer, and Vladimir Kurumilian on piano. Slowly things started happening for Adonis. They wrote more songs, met musicians with whom they collaborated and from whom they learned. Then they started recording and doing shows here and there. During 2011, their reputation started growing around Lebanon as they appeared in many festivals and had a music video out, as well as an album called “Daw el Baladiyyi.”

The inspiration of their name comes from the small town of Adonis in Mount Lebanon. For lead singer Anthony Khoury, the dullness of this town gave him inspiration for the songs that he wrote. Or as he describes it:

“I started finding magic in the smallest and most fleeting of details, like a street light under which I had my first kiss, or a rooftop on which my childhood friends and I used to hang out on hot summer nights, or a sidewalk or a water tank or or or…. These things and places became solid anchors around which stories, memories, characters are built and given life. The name Adonis evokes in our local imagery the small town as much as the myth, the dull as much as the magical. And it’s precisely in the flickering boundary between these two, the dull and the magical, the ordinary and the poetic, the common and the sacred, that our music is weaved.”

Their sound is very folky. It’s more Mashrou3 Leila than Meen but it’s quite dissimilar from Mashrou3 Leila as well. Lead singer Anthony Khoury describes their sound as one “based on lyrics. We shape our music around texts that generally deal with belonging and identity conflicts, in a sometimes light, sometimes darker and more nostalgic tone, [while] we stay away from direct social commentary and parody.”

And it shows. If anything, their song with Tina Yamout and the fusion they create reminds me of a folk American band I have come to appreciate very recently called The Civil Wars. That is without a doubt a compliment to the sound of this band because The Civil Wars are stunning.

Also, lucky readers, it so happens that I know one of the people who’s part of their most recent music video, for  “Ma Kan Mafroud,”  a song which deals with the theme of loss and the natural instinct to eventually move on.

The video was shot in one night in Sin El Fil and it tells the story of four characters: one that had a miscarriage, one that lost a sister, one that had her country stolen and one who lost a lover. Each one of those characters has a sad story and is seeking catharsis. This salvation will happen through their journey in the bus. The music video, directed by Robert Cremona, depicts the bus ride, where we find Tina Yamout and the band as omniscient narrators, to the backdrop of the characters as they express their grief and their desire to move forward with their lives.

Check out the new music video:

As well as their Facebook page and website.