Red (Lyrics) – Taylor Swift

These are the lyrics for the second song in Taylor Swift’s iTunes countdown to her album, Red, the title track: Red. I find these very creative.

Loving him is like driving in a new Maserati down a dead-end street,

Faster than the wind, passionate as sin, ending so suddenly,

Loving him is like trying to change your mind once you’ve already flying through the free-fall,

Like the colors in Autumn, so bright just before they lose it all,


Losing him was blue like I’d known,

Missing him was dark grey, all alone,

Forgetting him was like trying to know somebody you’d never met,

But loving him was red.


Touching him was like realizing all you ever wanted was right there in front of you,

Memorizing him was as easy as knowing all the words to your old favorite song,

Fighting with him was like trying to solve a crossword and realizing there’s no right answer,

Regretting him was like wishing you never found out that love could be that strong,


Losing him was blue like I’d known,

Missing him was dark grey, all alone,

Forgetting him was like trying to know somebody you’d never met,

But loving him was red,

Oh, red… burning red.


Remembering him comes in flashbacks and echoes

Tell myself this time I gotta let go

But moving on from him is impossible 

And I should see it all in my head

Burning red 


Loving him was red

Losing him was blue like I’d known

Missing him was dark grey, all alone

Forgetting him was like trying to know somebody you’d never met

Cause loving him was red, yeah red

Burning red


And that’s why he’s spinning round my head

Comes back to me burning red

This love is like driving in a new Maserati down a dead-end street

Begin Again – Taylor Swift [Single Review]

As a follow up to her pop release, We Are Never Ever Getting Back Together (my review), a song that underperformed on country radio, Taylor Swift is back to cater to her core audience with a bonafide country release in the form of Begin Again, a single about that first date you go on after a bad breakup as you watch love “begin again.”

The song boasts an acoustic, mellow but engaging melody. It is a country song that is story driven and lyrically great. Taylor Swift is back with Begin Again to do what she does best: conjure up great lyrics and a catchy melody. Begin Again is the song that her country audience wished she had released to introduce her new project: Red.

The song starts with the character standing in front of her mirror, getting ready for that date, and comparing what she’s doing with what her ex would have thought. Wearing heels, listening to a song were all things he frowned upon even though she liked doing them.

“Took a deep breath in the mirror. He didn’t like it when I wore high heels, but I do. Turned the lock and put my headphones on. He always said he didn’t get this song but I do, I do.”

As she goes to the cafe, she’s surprised that her date is already waiting for there. And as he does those little gestures of pulling the chair for her or waving at her, she slowly sinks into him during the chorus as he laughs at her jokes, her ex never thinking she’s funny and how she’s finally seeing something begin again.

“And you throw your head back laughing like a little kid. I think it’s strange that you think I’m funny ‘cause he never did. I’ve been spending the last 8 months thinking all love ever does is break and burn and end. But on a Wednesday in a cafe I watched it begin again.”

The second verse holds no reference to her ex again, interestingly, to show that whatever’s starting across that table in the cafe is helping her get over him. The talk is about the music that her ex may not approve of and her guard starts coming down.

“You said you never met one girl who has as many James Taylor records as you. But I do. We tell stories and you don’t know why I’m coming off a little shy. But I do”

And they continue knowing each other with Christmas tradition discussions at the song’s bridge, which sounds rather chunky compared to the previously smooth lyrics.

“And we walk down the block to my car and I almost brought him up. But you start to talk about the movies that your family watches every single Christmas. And I wanna talk about that. For the first time, what’s past is past.”

The song overall is Taylor Swift in her element. She sounds much more comfortable singing this than she does on “Never Ever.” Her vocal delivery of the song is quite interesting as well and suits her vocal range. Begin Again may not be ground breaking like some of her other offerings but it a song that is excellent in itself and good enough to bring her back to country radio.

Begin Again shows maturity in the way Taylor Swift can craft her sentences. It’s no longer the teenage love she inundated airwaves with but a rather more grown up approach that would resonate with anyone of any age who is getting over an abusive relationship. It also forebodes what will be an eclectic album. But more of this and less of Never Ever, please.


We Are Never Ever Getting Back Together – Taylor Swift [Single Review]

Welcome back the mega-successful Taylor Swift and her catchy tunes and lyrics.

That Taylor Swift was also 18.

If you expect some more maturity with Taylor Swift’s newest offering, you are vastly mistaken. If you expect a darker tone, such as her Hunger Games offerings (Safe & Sound, Eyes Open), you are immensely mistaken as well.

If you expect some country too, then you’re way off the mark. If you’re expecting some deep lyrics, you’re in the wrong place. Taylor Swift’s new single is about yet another relationship gone sour and it’s custom-made for the leagues of teenagers who will swallow the song up with its catchy chorus and radio-friendly status.

Simply put, there’s no way the song won’t get stuck in people’s heads, à la Call Me Maybe.

Going straight to the point with an overly long title, there’s no room for second-guessing and analysis on the song. Taylor is telling one of the many, many guys she has dated that they are, well, never – ever – getting back together. I have to ask though – why would anyone date her if they know they’d end up in song? Or is it because they know they’ll be immortalized in song that they date her?

But I digress.

“We are never ever ever getting back together,” she sings on the chorus. As if the title wasn’t evident enough. To the backdrop of “Woo-oh-oh,” she sings “You go talk to your friends, talk to my friends, talk to me. But we are never ever ever ever getting back together.”

Yes, those “ever”s are very numerous.

At the song’s bridge, she goes into typical teenage girl phone talk: “Then he calls me up and he’s like “I still love you,” and I’m like this is exhausting, we are never getting back together – like ever.”

No, I’m not making this up.

As I said, the song is insanely catchy – her catchiest offering so far in fact. As I type this and after hearing it only a couple of times, I have the melody stuck in my head. And that’s what Taylor Swift is really good at: making a very catchy hook that does what a hook is supposed to do: hook you.

However, what’s demanded of an artist like Taylor Swift is less “OMG, it’s like OMG” in her songs and more seriousness. What’s demanded of her is less teenager-ish attitude and more soon-to-be 23 year old who shouldn’t be going all gaga over someone on the phone.

Moreover, the least that can be expected from one of country music’s leading artists is to have a country element in the lead single. Some artists keep the twang if they decide to drop the country elements of the music. Others choose to tell a story even if the melody isn’t country. With “We Are Never Ever Getting Back Together,” Taylor does neither.

Even the fact that pop hit-maker Max Martin produced the song isn’t an excuse because he has dipped his toes in country music before. The result was Carrie Underwood’s Quitter. How will country radio react to this? It will eat up the song. The fans will rush to buy this – watch it break sales records. But I, for one, really hope this isn’t indicative of the material quality on Red, her fourth album which she will release on October 22nd. Because after songs such as Enchanted and Back To December, this is definitely a let-down. Even Love Story was more mature than this. Go figure.

5/10 – just for managing to get stuck in my head after one listen.

Blown Away (Single Review) – Carrie Underwood

Dry lightning cracks across the sky, those storm clouds gather in her eyes. Daddy was a mean old mister, mama was an angel in the ground. The weatherman called for a twister. She prayed blow it down.

To an incessant heartbeat-like drum, Carrie Underwood’s newest single opens. Blown Away, the second single off the album of the same title, is the darkest song on the album in question and a drastic departure from anything Underwood had given before, be it musically or lyrically.

As Carrie Underwood’s voice breaks in a delivery echoing the character’s need for peace, the song shifts into an ethereal production where Underwood goes into a multi-layered lower register to sing the song’s most haunting line, which confirms what the opening verse makes you think of.

There’s not enough rain in Oklahoma to wash the sins out of that house. There’s not enough wind in Oklahoma to wash the sins out of that past.

Carrie Underwood may have not been the victim of abuse but she sings Blown Away with so much conviction that it’s hard to think her life wasn’t the struggle she portrays. As she feigns power to sing the song’s chorus, you can’t but hear a faint cry in her voice as she pleads to have her problems blown away by the impeding twister.

Shatter every window till it’s all blown away. Every brick, every board, every slamming door blown away. Till there’s nothing left standing, nothing left to yesterday. Every tear-soaked whiskey memory blown away, blown away.

As the tornado nears her house, the character in Underwood’s song hides away in the cellar of the house, leaving her “daddy laid there passed on the couch.” As she listened to the screaming of the wind, the song exemplifies the amount of hurt the girl has been put through in her life.

Some people called it taking shelter. She called it sweet revenge.

As Underwood shifts between impeccable falsettos and power-singing in her delivery, she delivers an excellent song that is unlike anything else on any form of mainstream radio today. Carrie Underwood is not only singing about whiskey-soaked abuse memories, she’s also telling the story of a daughter leaving her father’s breathing body to the mercy of a wind that knows no mercy, all to a chilling production.

The country-pop production is another instance in which Underwood pushes the envelope further for country radio after a country-rock first single in Good Girl. In Blown Away, the dramatic production proves necessary to bring full effect to a song that desperately cried for such an epic dramatic feel, be it on the thundery chorus or the chilling pre-chorus.

Chris Tompkins and Josh Kear, the creators of Underwood’s biggest hit Before He Cheats, have given her the song that might just rival that. Some country audiences will be rubbed the wrong way with the theme of this song but with something this incredible, Underwood shouldn’t care the least. In fact, she should be proud pf that because it’ll be the mark of how great a song this is. With Blown Away, Carrie Underwood has yet again thrown caution to the wind and let her guards get blown away.

Blown Away is a song you can’t resist getting blown away with.


Listen to the song here:

And watch a sneak-peek into the music video here:

A Comment on Carrie Underwood Endorsing Gay Marriage & the Backlash

The following is a guest post by an American reader who wishes to remain anonymous.

Country superstar Carrie Underwood has gone 180 degrees against the Country current by endorsing gay marriage. In an interview with The Independent UK, she had the following to say on the matter:

“As a married person myself, I don’t know what it’s like to be told I can’t marry somebody I love, and want to marry,” she said. “I can’t imagine how that must feel. I definitely think we should all have the right to love, and love publicly, the people that we want to love.”

“Our church is gay friendly. Above all, God wanted us to love others. It’s not about setting rules, or [saying] ‘everyone has to be like me’. No. We’re all different. That’s what makes us special. We have to love each other and get on with each other. It’s not up to me to judge anybody.”

I am not pro-gay marriage. Not for religious reasons but for reasons I will talk about later on.

The responses her endorsment has been getting are mixed between those who approve based on liberal ideologies and those who disapprove based on a twisted understanding of the bible.

The infamous verse that is quoted nowadays is Leviticus 18:22: “Thou shalt not lie with mankind, as with womankind: it is abomination.” Bible-nazis are taking this sentence and flaunting it around. If you don’t follow it, then you are not a proper Christian.

Well, I’ve got a few words for them. And what better words than from the Bible itself.

Exodus 21:7:  “If a man sells his daughter as a servant, she is not to go free as menservants do.” Would those Bible-loving men and women sell their daughters as servants? I don’t think so. That’s one thing of the Bible they wouldn’t abide with.

Leviticus 25:44: “Your male and female slaves are to come from the nations around you; from them you may buy slaves.” According to another Leviticus passage, I’m allowed to have slaves provided they are from neighboring countries. Does that mean illegal Mexican immigrants are our slaves now? The Bible says so. It must be. No?

Leviticus 11:10: “And all that have not fins and scales in the seas, and in the rivers, of all that move in the waters, and of any living thing which is in the waters, they shall be an abomination unto you.” The Bible forbids me from eating things coming out of the Sea. But I’m a seafood lover. Do you eat seafood? If you do, then you must stop. Immediately. The Bible demands it.

Leviticus 19:27: “Do not cut the hair at the sides of your head or clip off the edges of your beard.” This states that men are not allowed to cut their hair nor shave. Do you cut your hair?

Leviticus 19:19: “Ye shall keep my statutes. Thou shalt not let thy cattle gender with a diverse kind: thou shalt not sow thy field with mingled seed: neither shall a garment mingled of linen and woollen come upon thee.” To the awesome Americans of the Bible-belt, many of you have farms, right? Do you have different types of animals in your farms? Do you grow different crops? Because if you do, then you are committing blasphemy, in which case Leviticus would also demand that the entirety of your town comes forward to stone you.

The thing about Leviticus, my fellow Christians, is that it is part of the old testament and it is what Jesus Christ came to Earth to change. The thing about Leviticus, my fellow Christians, is that the only part of it that you know is the part pertaining to homosexuality.

When it comes to my Christianity, it’s about the message Jesus wanted to bring forward: a message of love.

Jesus Christ forgave those that were killing Him before he died on the Cross. Leviticus would call upon those people to be stoned and burned. Jesus Christ called on those without a sin to cast the first stone. Jesus knew that none of us is without sin. Jesus knew that when it comes to life, compassion is the most important emotion to get us by. Compassion makes everything else seem so small.

So next time you want to quote the Bible to prove a point, make sure you quote the part that makes you a Christian today: the New Testament, whose pages are all about the redemptive power of love.

When it comes to me, I’m not pro-gay marriage but that doesn’t mean I’m against those who are homosexual. How’s that? As I look around, I see families crumbling around me. The concept of a family sticking together like my grandparents did, for more than fifty years, is becoming more and more nonexistent. My parents got divorced when I was ten. My cousins’ parents divorced when she was twelve.

Out of my high school friends, at least half of them came from houses where they were raised by a single parent – and not because “death did them part.”

With crumbling family values and surging divorce rates, I don’t approve of adding another portion of society to the whole mess of marriage because, like it or not, homosexuals feel the way we do and they change their mind. And because the notion of marital love fades away after the initial infatuation and many are left wondering: Is this really what I signed up for?

Moreover, you don’t want the kids gay couples will adopt to be more disoriented than those of heterosexuals couples as well in case of a divorce.

And as a cherry on top, I think there are way more important issues that are worth the discussion today than this. Just a quick question to illustrate this point: how would any married couple, regardless of what that couple is, have an optimal marriage in the horrid economy we live in?

When it comes to Carrie Underwood’s comment, I am neutral. I like what she said because it doesn’t seem forced. She’s not telling people what to believe like many other celebrities do. She’s stating her belief. On the other hand, in a time when much more serious things are happening around the world than accepting gay marriage or not, I think other stances precede this in importance. And for an artist who had publicized her refusal to comment on anything of a political nature, regardless of how she spins it, I wonder what changed her mind.

There will be backlash. It has already started. It won’t be pretty. But kudos for Carrie for saying what she believes in, despite it coming out of the blue.

To conclude, here’s a quote for you all:

“I like your Christ, I do not like your Christians. Your Christians are so unlike your Christ.” – Mahatma Ghandi.

You have your Christianity and I have mine.