Blown Away (Single Review) – Carrie Underwood

Dry lightning cracks across the sky, those storm clouds gather in her eyes. Daddy was a mean old mister, mama was an angel in the ground. The weatherman called for a twister. She prayed blow it down.

To an incessant heartbeat-like drum, Carrie Underwood’s newest single opens. Blown Away, the second single off the album of the same title, is the darkest song on the album in question and a drastic departure from anything Underwood had given before, be it musically or lyrically.

As Carrie Underwood’s voice breaks in a delivery echoing the character’s need for peace, the song shifts into an ethereal production where Underwood goes into a multi-layered lower register to sing the song’s most haunting line, which confirms what the opening verse makes you think of.

There’s not enough rain in Oklahoma to wash the sins out of that house. There’s not enough wind in Oklahoma to wash the sins out of that past.

Carrie Underwood may have not been the victim of abuse but she sings Blown Away with so much conviction that it’s hard to think her life wasn’t the struggle she portrays. As she feigns power to sing the song’s chorus, you can’t but hear a faint cry in her voice as she pleads to have her problems blown away by the impeding twister.

Shatter every window till it’s all blown away. Every brick, every board, every slamming door blown away. Till there’s nothing left standing, nothing left to yesterday. Every tear-soaked whiskey memory blown away, blown away.

As the tornado nears her house, the character in Underwood’s song hides away in the cellar of the house, leaving her “daddy laid there passed on the couch.” As she listened to the screaming of the wind, the song exemplifies the amount of hurt the girl has been put through in her life.

Some people called it taking shelter. She called it sweet revenge.

As Underwood shifts between impeccable falsettos and power-singing in her delivery, she delivers an excellent song that is unlike anything else on any form of mainstream radio today. Carrie Underwood is not only singing about whiskey-soaked abuse memories, she’s also telling the story of a daughter leaving her father’s breathing body to the mercy of a wind that knows no mercy, all to a chilling production.

The country-pop production is another instance in which Underwood pushes the envelope further for country radio after a country-rock first single in Good Girl. In Blown Away, the dramatic production proves necessary to bring full effect to a song that desperately cried for such an epic dramatic feel, be it on the thundery chorus or the chilling pre-chorus.

Chris Tompkins and Josh Kear, the creators of Underwood’s biggest hit Before He Cheats, have given her the song that might just rival that. Some country audiences will be rubbed the wrong way with the theme of this song but with something this incredible, Underwood shouldn’t care the least. In fact, she should be proud pf that because it’ll be the mark of how great a song this is. With Blown Away, Carrie Underwood has yet again thrown caution to the wind and let her guards get blown away.

Blown Away is a song you can’t resist getting blown away with.


Listen to the song here:

And watch a sneak-peek into the music video here:

Carrie Underwood & a Choir of Children (PS22 Chorus) Singing “Good Girl”

I’m pretty sure I’m not the only one who thinks this is absolutely awesome.

The PS22 chorus are the children who’ve been at last year’s Oscars, who appeared on Oprah and various other TV shows. You can check out their blog here.

Carrie Underwood is soon releasing her new album, Blown Away (you can read my review here), on May 1st.

Carrie Underwood’s Good Girl Gets HAC Ads Date – Crossover Attempt?

Good Girl, the lead single off Carrie Underwood’s fourth studio album, Blown Away, will be given a chance to crossover to formats other than country where it currently sits at #8, 6 weeks after being released.

On April 23rd, Hot Adult Contemporary format radios (HAC) are invited to add Good Girl to their rotation. The song is currently #42 on the HAC charts, due to airplay from stations that added it upon requests.

This is Carrie’s first song since Before He Cheats (Last Name got an adds date but was later pulled) to get an adds date for a radio format other than country.

I guess crossover promotion is a go. If Good Girl turns out to be a hit on HAC, Top 40 won’t be that far off.

Good Girl (Music Video) – Carrie Underwood

Carrie Underwood has just released the music video for Good Girl (check out the lyrics and my review) and she looks absolutely stunning in it. Playing both good and bad girl, she waltzes through impeccable art direction, many outfit changes and, as I’ve mentioned before, turns up her sex appeal a few notches.

With hints here and there, be it through the dresses or through the flowers (which are a constant fixture in three of her album covers), Carrie is also passing on a subtle meaning that she is moving on to a different direction: the character pulls off the petals from the daisy that was present on the cover of both Play On and her first album Some Hearts.

Some are calling it her best music video yet. Regardless of what your preference may be, this is one of her best, without a doubt. In fact, the professionalism of this video is giving me hope that this album round will not be another color by number era for Underwood. She’s actually trying her best to make it count – and it clearly shows.

The video is also very fast paced, similarly to the song, making it quite fitting and it will surely help Good Girl to become a bigger hit than it already is. And with Underwood hinting that it may soon rival Before He Cheats as her biggest hit, this video will contribute to any crossover attempt the label may be working for.

Without further ado, I present Good Girl:

Carrie Underwood’s “Good Girl” Music Video To Debut on Monday March 12th – Pictures Inside

Carrie Underwood has probably turned up her sex appeal a whole notch with her Blown Away era. After a fiery first single in the form of Good Girl (read my review here), she’s set to release the music video for the song as an Entertainment Tonight exclusive on Monday, March 12th.

And it doesn’t end there.

Starting today, March 9th, VEVO will begin to promote the music video with never-before-seen footage from the music video shoot. The video will be released to iTunes on Tuesday, as well.

I’ll be posting the video the moment it becomes available. However, for the Carrie and country music fans that read my blog, here are two pictures that will get you by until Monday.

The first one, the sexiness of which I cannot get over, is absolutely stunning.


The second one is highly reminiscent of the music video for Carrie’s lead single off her previous album, Play On, the hit single Cowboy Casanova:

And with the director of this music video being Theresa Wingert, the same woman who directed the Cowboy Casanova video, it looks like Carrie’s team is basically revamping the whole Cowboy Casanova cycle with a stronger video, a stronger song and stronger promo.

The pictures give me a good girl/bad girl feel for the video. I have to say, I’m quite excited.

The first sneak peek of Good Girl is at the 0:55 to 1:02 mark:

Good Girl (Single Review) – Carrie Underwood

It’s been a year since Carrie Underwood had a solo single on country radio, her last one being Mama’s Song, which peaked at #2 on the country charts.

Taking her time with the preparations for her upcoming album, set for a May 1st release date, Carrie Underwood has been building the momentum for both her lead single, Good Girl, and her album. The anticipation for the lead single has reached stratospheric proportions among country audiences, especially following an Amazon clip and a teaser that Carrie posted on YouTube.

And now Good Girl is here. Was the long wait for new Carrie music worth the wait? I guess you’ll have to read the remainder of this review to find out. Who am I kidding? Good Girl is way better than I thought Carrie’s lead single would be. Add to that my already very high expectations and the scenario becomes: this is a knockout blow delivered by Mrs. Underwood (or is it Underwood-Fisher now?).

The song opens with a killer guitar riff to a backdrop of drums and hand-clap percussion to which Carrie starts: “Hey good girl with your head in the clouds. I bet you I can tell you what you’re thinking about. You’ll see a good boy, gonna give you the world. But he’s gonna leave you crying with your heart in the dirt….” Then she takes it up a notch vocally to growl the rest of the first verse: “His lips are dropping honey. But he’ll sting you like a bee. So lock up all your lovin’, go and throw away the key. Hey good girl, get out when you can I know you think you got a good man…”

And then she starts signing the chorus, which has a very different melody, creating a hook in itself in the transition between verse and chorus: “Why, why you gotta be so blind? Won’t you open your eyes? It’s just a matter of time till you find he’s no good, girl. No good for you. You better to getting on your goodbye shoes and go, go, go. You better listen to me he’s low, low, low….” It doesn’t hurt that Carrie kills the rocking chorus vocally as well. Starting with heavy tempo, it turns to simply Carrie’s voice to a backdrop of drums as she sings “he’s no good, girl, no good for you.”

The tempo then picks up again for the second verse: “Hey good girl, you got a heart of gold. You want a white wedding and a hand you can hold just like you should girl, like every good girl does. Want a fairytale ending, somebody to love.” Then she takes it up a notch again for the second part of the verse – all with a killing line to end it: “But he’s really good at lying girl, yeah, he’ll leave you in the dust cause when he says forever, well, it don’t mean much. Hey good girl, so good for him, better back away honey, you don’t know where he’s been.”

Carrie then repeats the chorus before going into a pure rock bridge that will leave you absolutely stunned. “He’s no good, girl. Why can’t you see? He’ll take your heart and break it. Listen to me, yeah…

The bridge starts with a shout and ends with a falsetto. Enough said, right? I was hoping for a bigger chorus, but this one delivers just right.

The song then ends with another version of the chorus which ends with Carrie singing “he’s no good girl, no good for you. You better get to getting on your goodbye shoes” acapella – nothing to back her up on it. And the song ends.

Perhaps the correct title for the song should have been “Damn Girl” because Carrie Underwood is back and she’s not messing around with anyone. From the second the song opens, you know this isn’t like anything Carrie has given her audience before. The fact that this is probably the best she has sounded on a recorded track only helps to elevate Good Girl from the hit that it is to a truly amazing song. It’s absolutely brilliant to see such vocal versatility with Underwood. She can literally sing the phonebook (or one of my medicine books) and get you absolutely interested in what she’s singing. Her vocal ability translates onto Good Girl and then some more. And on Good Girl, she sings with the song’s production, not on top of it.

The song is also different structurally from what Carrie Underwood’s fans are used to. There’s no three-verse storyline. There are no lyrics which can be considered sappy. It’s all in your face. Who would have thought a Carrie Underwood song would contain the line: “Better back away honey, you don’t know where he’s been?” No one. And yet it feels so natural to have such strong lyrics in Good Girl. Why? Because the song demands it. And Carrie delivers.

The country-rock sound is also a very welcome change for Underwood. This is also the most rocking she has been in a song before, with the song still having much needed country elements. Her detractors will shout “she’s not country” at her new offering. But who cares when you’ve got such a song on your table? You simply don’t. You welcome it and you listen to it with a smile on your face because it’s just that awesome.

Carrie Underwood is back, ladies and gentlemen. And she’s here to reclaim that #1 spot at the top of the charts like a good girl does.


You can get Good Girl on iTunes here.

Listen to Good Girl:

Good Girl (Lyrics) – Carrie Underwood

These are the lyrics for Carrie Underwood’s brand new single: Good Girl!

For my review, click here.

[Verse 1:]

Hey good girl

With your head in the clouds

I bet you I can tell you what you’re thinking about

You’ll see a good boy

Gonna give you the world

But he’s gonna leave you crying 

with your heart in the dirt

His lips are dripping honey 

But he’ll sting you like a bee

So lock up all your lovin’

Go and throw away the key

Hey good girl

get out while you can

I know you think you got a good man


Why, why you gotta be so blind?

Won’t you open your eyes?

It’s just a matter of time till you find

He’s no good, girl

No good for you

You better get to getting on your goodbye shoes and go, go, go

you better listen to me he’s low, low, low

[Verse 2:]

Hey good girl

you got a heart of gold

You want a white wedding and a hand you can hold

Just like you should, girl,

like every good girl does

Want a fairytale ending, somebody to love

But he’s really good at lying girl,

Yeah, he’ll leave you in the dust

Cause when he says forever

Well it don’t mean much

Hey good girl

So good for him

better back away honey

you don’t know where he’s been


Why, why you gotta be so blind?

Won’t you open your eyes?

It’s just a matter of time till you find

He’s no good, girl

No good for you

You better get to getting on your goodbye shoes and go, go, go

Yeah yeah yeah, he’s low

yeah yeah yeah


he’s no good, girl

Why can’t you see?

He’ll take your heart and break it

Listen to me, yeah…


Why, why you gotta be so blind?

Won’t you open your eyes?

It’s just a matter of time till you find

he’s no good, he’s no good

won’t you open up your eyes?

It’s just a matter of time till you find

he’s no good, girl

he’s no good for you

you better get to getting on your goodbye shoes