Tag Archives: Hollywood

The Artist – Movie Review


In The Artist, director Michel Hazanavicius takes Hollywood retrospectively to 1927 where the age of silent movies still reigned – all with a silent black and white movie.

Silent movie star George Valentin (Jean Dujardin) is at the top of the world. His movies are always a huge success. He’s adored by his audiences for his sense of humor and all around fun attitude towards everything. 1927 Hollywood was all about Valentin.

Soon after the premiere of his latest movie, he stumbles on a girl named Peppy Miller (Bérénice Bejo) who kisses him on the cheek to newspaper headlines. Soon after, Peppy lands a role as a dancer in one of Valentin’s movies during which he gives her the advice of needing to be different to stand out, giving her the big break she needed. And with that, Peppy starts climbing her Hollywood stairs, quickly becoming a sensation by 1929. It is then that talking movies are introduced and Valentin refuses to start speaking in his movies. The reason for this refusal is ultimately answered in a subtle and touching way as only a movie like The Artist could pull off. His career quickly deteriorates and he is forced to deal with his own pride, decisions, miscalculations – all as Peppy Miller’s career soars with her talk to unreached heights.

The Artist is a breath of vintage fresh air in a Hollywood movie scene that is relying more and more on brainless blockbuster action movies than on truly artistic cinematic features that would leave you speechless as you leave a movie theatre. The Artist is one of those movies that leave you baffled as you watch it.

Jean Dujardin is absolutely breathtaking in this. He leads a masterful, brilliant, stunning performance – all without speaking a word. It is a testament to an actor’s ability when he can communicate the struggles, emotions, triumphs and defeats of his character to the audience all through his facial expressions and overall demeanor in a movie.

Bérénice Bejo is great as Peppy Miller – the actress who is taken places because of George Valentin and who eventually leads to his downfall, feeling guilty about doing so and wanting to increasingly take care of him. You can see her metamorphose on screen from an awkward dancer who wants to get places to America’s sweetheart, who knows exactly what she can leverage out of movie makers.

Despite being black and white, The Artist is visually appealing. Soon enough, the fact that you aren’t watching a movie in color goes to the back of your mind and you start enjoying the genius of it all. The score of the movie, composed by Ludovic Bource, is beyond a masterpiece. The Artist, if you don’t want to consider it a silent movie simply because of the lack of speech, is a movie without spoken words to the melody of a brilliant symphony. It’s very difficult not to be taken into the ingenuity that is the music of The Artist.

At the end of the day, The Artist is examining the extinction of silent movies in Hollywood by giving Hollywood in 2011 a silent movie that triumphs in quality most of its talkies. And that’s precisely what this is such a great movie. It is delicate and original. It is profound and fun. It makes you laugh and it has its heartfelt moments. It might be a lament to the Hollywood age it represents but it does so without being overly pessimistic. In a way, it seems that this European movie is reminding Hollywood of its roots, of its origin. Without being technically proficient, The Artist is showing exactly how much all those extras can take away from the essence of movies. It’s showing audiences that you can really enjoy a movie that doesn’t demand anything of you except to look at shadows, black and white pictures and moving people. And in return, it gives you so much more…

9/10

Cultural Terrorism in Lebanon: The Adventures of TinTin in the Country of Brainless Censorship

Welcome to Lebanon, the country where blocking a director’s name off his movie poster is apparently our *awesome* government’s way of affirming its power.

The latest incident of cultural terrorism in Lebanon is having Steven Spielberg’s name hidden off TinTin’s movie poster, simply because Spielberg donated $1 million to Israel during the July 2006 war. While I am firmly against what Spielberg did, as I am against anyone who actively supports acts of violence either financially or morally, does this really warrant this ridiculous act of hiding his name?

Spielberg is Jewish so it is natural for him to feel some compassion for the state of Israel – regardless of whether we like that or not. The same applies to many Sunnis in Lebanon who feel loyal towards Saudi Arabia and many Shiites who feel loyal to Iran. It’s just the way things are. If religion is important to you, you feel strongly about countries where your religion has a good stronghold. It doesn’t mean it’s right, it just means it’s there. If religion is the least of your concern, well, power to you for being”free”.

But before we start thinking about banning movie directors’ name off their movie posters, why don’t we contemplate this:

1) If we’re going to have a problem with every Hollywood director or producer who has Israeli-ties, then the only array of movies we’ll have in our theaters will be the crappy Egyptian movies we get and the occasional Nadine Labaki movie which takes our theaters by storm (PS: If you haven’t watched Where Do We Go Now? yet, what are you waiting for?)

2) The act of blocking Spielberg’s name off the poster is simply ridiculous. What end is served through the decision to do so? People won’t know that he’s involved in the movie when his name is flashed on a huge screen in front of them? It would have made more sense to have the movie banned in its entirety, not that would be acceptable in itself. Tintin is an animated movie based on a hit comic series that many of us have grown up reading. The fact that this agenda-less movie is being targeted in a flimsy “ban” is beyond ridiculous. It’s simply egomaniacally stupid.

3) For those who are probably furious that I’ve somehow, in a nonexistent way, shown “compassion” towards something Israeli, this is far from the case. In fact, if Tintin had been “Waltz with Bashir,” I would have probably been less offended by whatever’s taking place with Tintin today. While I could simply download the aforementioned movie, I would have understood not having it play in our theaters, simply because it’s an Israeli production. But Tintin is not an Israeli production, even if an Israel-compassionate person had a role in doing it. If Tintin had been serving some hidden pro-Zionist agenda, which as I’m writing this seems hilariously ridiculous, then perhaps I would have understood an act of banning in any form towards the movie.

4) Our country needs to start getting accustomed to the idea that, even in these simple ways that it does, it shouldn’t “silence” those that are different from us. We pride ourselves that we are a beacon for freedom of speech in the region and we most definitely are. But things like this “ban” put a damper on what is, truly, an innovative country that we have. The fact that Tintin was played in theaters across the region without a hitch is a clear indication that our lovely government (or whoever issued the Spielberg ban) is out of its mind. Maybe the government should start caring less about blocking a director’s name because of a Wikileaks article and more caring about fixing the internet situation of the country (I still haven’t gotten my upgrade!).

5) Just for your reference, this is a list of actors, actresses, directors, producers & singers who have ties with Israel, be it moral or financial: Adam Sandler, Annette Bening, Arnold Schwarzenegger, Ashton Kutcher, Ben Stiller, Billy Crystal, Bruce Willis, Dustin Hoffman, Halle Berry, Harrison Ford, Kathy Bates, Kevin Costner, Kobe Bryant, Madonna, Frank Sinatra, Natalie Portman, Nicole Kidman, Paula Abdul, Norah Jones, Robin Williams, Sarah Jessica Parker, Tom Cruise…. and the list can go one to list hundreds of other names. All of these people are entertainers that provide us with movies and songs that we love. How about we ban all of their movies, music and anything they’re affiliated with?

The sad thing is this isn’t the first time this happens. First it was Gad Elmaleh, then Lady Gaga’s album, which was later unbanned, passing by an Iranian movie against the Islamic revolution: Green Days. When will Lebanese cultural terrorism stop and we begin to care less about a person’s political,  religious or whatever affiliation they may have and care more about what they’re providing the world with. If you think it’s offensive, you can CHOOSE not to be exposed. But you have NO RIGHT to force your own views on other people who don’t share them in any way whatsoever. As for me, I may have not wanted to watch Tintin but I’m definitely going to now.

So dear Hezbollah, protecting your precious arms doesn’t start with you blocking every single that that is related to the root of your weapons. Culturally terrorizing the whole Lebanese population into believing that if something isn’t approved by you then that thing shouldn’t work is NOT acceptable. Instead of having Lebanese traitors, whose dealings with Israel are as clear as the sun rising every morning, almost getting no jail time (Fayez Karam in case you’re wondering), Hezbollah is offended by Steven Spielberg’s name on a movie poster. You see, a movie poster is simply a weapon of mass destruction.

Hezbollah allies speak of “change and reform.” Well, where is change and reform when you truly need it? Or does it apply to some internet upgrade through a submarine cable that’s suffering from more outages in its month of service than the whole Lebanese internet sector has had over the past two years? Perhaps Mr. Aoun, instead of being Hezbollah’s little minion 24/7, you’d pass some of the freedom values you might have learned in your fifteen year stay in France because of Hezbollah’s BFFs?

Easy A – Movie Review

Easy A. The best comedy of the year, aka the best teen comedy in a long, long time.

The movie tells the story of Olive Penderghast, a high school girl who’s as off the radar as you can go. A rumor starts that she lost her virginity and soon enough, she becomes the most popular girl in school. Inspired by the novel “The Scarlet Letter” from where the letter “A” in the title comes from, it shows how the precocious teenager in Olive got turned due to word-of-mouth alone into something as close to a harlot as you can get – without the sex.

Her fictional one-night with her fictional college boyfriend soon becomes the introduction of many guys asking her to fake sleep with them to improve their reputation. A gay classmate comes up to her and in one hilarious scene, they fake sleeping with each other so well that your ribs would almost crack from laughing. But as with all comedies, soon enough Olive’s world will come crashing down as it all becomes unbearable and things she hasn’t even pretended to do are affixed to her…

Olive’s parents, played by Stanley Tucci and Patricia Clarkson, are hilarious. They excel at being the hippies, carefree parents. You can’t help but laugh everytime one of them tries to console or give guidance to Olive. They are so out of place that I thought Olive was adopted at first. They are still so taken by their long-ago sexual and chemical experimentation that they don’t even care about all the turmoil in their daughter’s life. Their advice: Oh but it’s fun! You can’t help but laugh.

You might think the plot is cliched and whatnot – after all, most high school comedies are. But what elevates this movie is the outstanding performance by Emma Stone, who, in my opinion, should have won her category at the Golden Globes. There is no other one who deserved the best actress in a comedy as she did. She spun this movie out of her likeability alone and made it into what it is. Like or hate the movie, you can’t but like her character. She shows such promising talent that how she was a relative unknown before this is mind-boggling.

The movie also stars Gossip Girl’s Penn Badgley as Olive’s love interest. Amanda Bynes returns into the movie business as the overzealous Christian who wants to stop all the “sinning” going on in her school. She is really good as well, especially when she’s in one of her prayer sessions.

Easy A may not be groundbreaking. But for once in a long while, Hollywood gives you a comedy that is refreshing, breezy and likeable without going into the comedy of shock-value. And for that, I love it.