Myriam Klink & Jad Khalife’s “Goal:” A New Low In Lebanese Cultural Trash… But It Shouldn’t Be Censored

I was informed of a little piece of trivia information yesterday that Myriam Klink is the first Lebanese woman – ever – to have a presidential vote cast in her favor. Imagine, that out of all of the great women in Lebanon, our politicians in parliament think that honor is best given to someone whose only rise to fame is through a song about her vagina.

Yesterday, Myriam Klink delivered again with a song about her playing football, or – if you’re too old for such useless similes – about her getting laid, with a has-been singer named Jad Khalife. According to Google, he used to sing decent songs once. But don’t you think it’s the witty, catchy sexy song in the vein of, say, Haifa Wehbe. No, Myriam Klink and Jad Khalife do what they do best: be as trashy as possible in the hope of getting the attention that gives their existence purpose.

You might say it’s best not to talk about such a person, but I believe that not talking about her, or him for that matter, does them a disservice. Not all attention is good attention, and it is our duty as a society to speak up against such an abomination to our intellect and our taste. It doesn’t matter if you’re liberal, or conservative, religious or atheist, I think we can all agree that that “football-themed” “music video” is distasteful.

Here are the “song’s” lyrics… or whatever they are:

*moans.*

Klink:

Goal, fawwatet l goal.
Goal, fawwatet l goal.
7ettayto fiyi w 3abbayto – brief gasp – fawwat l goal.

Khalife:

Goal, fawwatet l goal.
Goal, fawwatet l goal.
7ettayto fiki w 3abbayto, fawwat l goal. Y WASSA3!
Fetna 3al mal3ab nel3ab, ma3 Barcelona,
Fawwatna goal mrattab, eja b 3youna,
Wa2ti l asli 3addayto,
Tani goal 7attayto,
Ta jann jnouna

Klink:

Addi, ana mesh addi,
Ana 2belt l ta7addi,
Addi, ana mesh addi,
Ana 2belt l ta7addi,

Together:

Klink… Jad (with a moan),
*another moan*
*another moan*

To the backdrop of such a masterpiece is Myriam Klink prancing around in lingerie in front of a child, while Jad Khalife rides her – literally – and tries to have his way with her.

Of course, it is within Myriam’s right to do whatever it is she pleases. I’m not here for a dose of sexism and misogyny that some Lebanese outlets will spew out in the next few days when they decide to jump on the video bandwagon for some attention. In fact, I find it horrifying that, when the video features her and a man, she’s the one who’s taking the most criticism and getting called all kinds of names, as if Jad Khalife has nothing to do with the sexual innuendos taking place in their “work.”

I’m all for more sexual liberation in Lebanese culture, and generally the Arab world. Anyone would tell you that more sexual freedom would go a long way in helping advance our societies, but don’t those who are eternally horrified at the degradation of “our values.” But at some point, one wonders: is a music video where a woman just moans as if she’s having intercourse the best way to advance such an agenda?

The answer is no.

The Western pop music scene is filled with music with sexual innuendos, and there’s nothing wrong with it. From Ariana Grande to Beyonce to Bruno Mars to the Weeknd, and many more artists, songs have been released over the past few years purely about sex. And yet, all of those artists combined have not reached the level of trashiness that Myriam Klink and Jad Khalife gave the world in the space of 90 seconds.

My problem with Myriam Klink’s video isn’t that it’s sexual. It’s that it is trashy and does a disservice to all the leaps forward we’ve made in trying to advance the liberation of our societies. And to think that a few years ago, the extent of “sex” that was deemed controversial was Haifa Wehbe’s wawa or Ruby running on a treadmill?

Despite all of this, entities like Myriam Klink and Jad Khalife should not be censored. Today, Lebanese authorities have decided to fine anyone who posts their video to the amount of about $30,000 and to call on those who have posted the video to delete it. But what good will that do? I received the video through a WhatsApp message. Those who have seen it have probably already downloaded a copy.

Censorship has never solved anything, and it will never solve anything as long as we’re not permitted to have a discussion about what it is that the government wants censored. It doesn’t matter if Klink and Khalife’s video is pornographic. The moment we allow authorities to dictate what we are allowed to be exposed to, we give them the ability to interfere into way more than that. The government has no business in dictating the kind of media that should be allowed or not, especially a system of governance such as ours where anything that exists beyond what’s considered the Lebanese acceptable norm is frowned upon.

In a way, it’s a good thing Myriam Klink and Jad Khalifeh released such a video because they might let the country have a discussion about the kind of music and art that we deserve. By refusing “goal,” we send a message that such garbage has no place on our airwaves. So let’s refuse it massively, but more importantly, let’s be civil about the way we reject it.

Lebanon Has The Arab World’s First Ever Ordained Female Pastor: Rola Sleiman In Tripoli Is Pioneering

A blog reader sent my way a Huffington Post article that was published yesterday about how Lebanon has the Arab world’s first ever female pastor: Rola Sleiman, who heads the Presbyterian Church in Tripoli, up North.

Rola was ordained as Reverend Rola Sleiman on February 26th, 2017 in a 23-1 vote that makes her, historically, the first Arab woman to ever be the head of a church. In fact, Reverend Sleiman was actually heading the church for the past few years as a pastor, but without being ordained she was unable to perform Communions or Baptisms, and needed to have a male priest oversee her work.

She is now the spiritual leader of her congregation, a job she’s been technically doing since 2008 – except right now, she doesn’t need any men of the cloth to supervise her anymore. Rola Sleiman thinks “it’s not a big deal” that such an event occurred. She says “I was serving my Church and will continue serving.”

But this is a big deal. The fact that a Presbyterian Parish in Tripoli ordained a woman to be their spiritual leader speaks volume about the strides forward that some parts of Lebanese society are doing. Rev. Sleiman is the first woman – ever – in the entire Arab world’s Christian population be be ordained as a priest. In other words, she’s the first woman to break into a calling that’s only been reserved exclusively for men.

That small congregation in Tripoli will now have the honor to be headed by Rev. Rola Sleiman for the following years to come. She’s a woman who is now championing equality in facets of Lebanese – and Arab – societies that we never thought could be broken into. It’s fitting that this occurs at the start of the international month for women empowerment.

Rola Sleiman’s ordainment is of vital importance in the climate of the world today where far-right groups are taking power and throwing minorities and women rights to the back of any tangible importance. As she told Huffington Post: “If the Church discriminates against women, what should we expect of the state? Christ is love, and love does not distinguish between men and women.” She is breaking tradition, ancient rules and cultural sensitivities.

In fact, she may be breaking some of the strongest traditions in the country and the region. For many, their highest form of authority is the priest who has always been a man. This time, it’s a woman. I hope Rev. Sleiman becomes the champion that her position permits her to be.

Of course, this will not change the status quo of the fight for equality between the sexes in Lebanon or the Arab world in general, but it can change some of its dynamics. To have a woman be ordained as a priest for a congregation – even if it’s small – and have that congregation not be opposed to it (as is obvious through that 23-1 vote) speaks volumes about how far we’ve come as a society, and it makes me proud.

In a country and a region where woman, despite being a demographic majority, are vastly under-represented be it in religious affairs, politics, business, etc… Rola Sleiman’s ordainment speaks volumes.

There will be people in this country, Christians and otherwise, who will have a problem having their Church headed by a woman. Catholics and Maronites don’t even allow it. But in a landscape filled by men, a change of perspective and, therefore, a change in direction is what is needed. Rev. Rola Sleiman can be that catalyst towards change in the heart of the Lebanese Church and the face of Arab Christianity.

Here’s to many more years to come in joyous and prosperous service of your altar and congregation, Rev. Sleiman.

La La Land, Lebanon Edition: A Lebanese Oriental Version Of The Awesome Movie’s Songs

If you’ve been following my blog’s Facebook page or my personal Twitter account, you’d have found out by now that I was simply blown away by how amazing the movie La La Land was, and that I was rooting for it to win everything at the 89th Academy Awards.

Yes, I feel personally victimized by the fact it did not win Best Picture; #JeSuisLaLaLand #JusticeForLaLaLand are the official hashtags in case you are wondering.

Part of the brilliance of the movie for me, as someone who generally dislikes (read, hates) musicals, is that the music was so charming. The movie’s soundtrack basically stayed on repeat for a few weeks after watching the movie, and I suggest you download it in case you haven’t. Notable tracks are: Epilogue, City of Stars, Audition and Mia & Sebastian’s Theme.

Therefore, when a friend sent me a YouTube link of a Lebanese oriental cover of one of the soundtrack’s songs, I couldn’t but click and then be so enchanted that I couldn’t but share it here, which isn’t something I usually do:

I hope you find this as wonderful as I did. The group behind this calls itself “Aleph.” It’s made up of:

  • Aleph Abi Saad Piano
  • Jihad Asad – Kanoun
  • Ramzi Boukamel – Guitar
  • Ghassan ‘Gass’ Sakr – Palmas
  • Raed Boukamel – Nay (Flute)
  • Charlie Fadel – Cajon
  • Michel Labaki – Bass

Their covers gives an extra flair of melancholy to the soundtrack, which I daresay goes really well with the overall theme of the movie. So today, I can’t but celebrate the talent of this Lebanese musical group that turned the soundtrack of one of this past year’s most celebrated movies, one that should be familiar, into a sound that is distinctly theirs.

Kudos!

Lebanese Ibrahim Maalouf Wins César, The French Equivalent Of The Oscars, For Best Original Music In a Movie

ibrahim-maalouf-cesar

Establishing himself as one of the most coveted musicians in France for this past year, French-Lebanese musician and trumpeter Ibrahim Maalouf added another accolade to his growing list of achievements with his first César for his work on the movie “Dans les forêts de Sibérie.”

The César Awards are considered as the French equivalent of the Oscars, which will be held tonight. They are the highest French honor that can be given to the movie industry. It was Ibrahim Maalouf’s second nomination and first win.

Maalouf was competing against another Lebanese composer, Gabriel Yared, who has previously won an Oscar and a Grammy for his work on The English Patient.

The César adds to Ibrahim Maalouf’s achievements this year as he has previously won “best musical spectacle” at Les Victoires de La Musique almost two weeks ago.

Ibrahim Maalouf is considered by many to be a pioneer musician with his adaptation of Oriental quarter notes to Western music, by custom-made trumpets that have four valves instead of three. This has allowed Maalouf to create outstanding music over his career, including a Western version of Oum Kalthoum’s music in a 2015 album that was titled “Kalthoum.”

He credits his Lebanese immigrant background in shaping his musical voice and giving him a message to pass on through his work.

You can check the video of Maalouf winning here. He will be coming to Lebanon for a concert at Baalbek on July 22nd.

 

When A 63 Year Old Militia Member & Minister of Sports & “Youth” Bans MMA in Lebanon For Being “Too Violent”

lebanon-mma

I will never get how a politician whose background is education and who’s nearing the Lebanese legal retirement age has the qualifications to head the Lebanese department of Sports and Youth, but here we are – as usual – and that person is Mohammad Fneish.

The Lebanese minister of sports and youth is usually inconspicuous. They sponsor a few tournaments here and there, issue statements in support of our national teams every now and then, but the sports situation in the country is improving at a pace slower than a snail’s, the clearest indication our athletes not bringing in any medals at the Olympics and barely receiving governmental aid. In fact, those athletes had to pay for some of their expenses at the previous Olympics.

Today, Mohammad Fneish decided that MMA, which stands for mixed martial arts, would be banned in Lebanon and have all its licenses revoked, according to Sports-961. The resolution, which was published yesterday, says the following:

  • Article 1: Resolution 67/1/2016 on 10/4/2012 regarding MMA is annulled, and so the said game becomes one of the non-practiced sports in Lebanon.
  • Article 2: It is prohibited to any party, and under any title, to hold games, competitions and events of MMA or any similar sport in which a cage and violence are used, and that, under the risk of applying the laws in force.
  • Article 3: This resolution will be published and divulged where needed.

Before going into the benefits of a sports like MMA, I can’t but note the irony in anyone banning a sports in Lebanon because it’s too “violent.” Our basketball games have a tendency to break out in riot just because. Our football games have the same tendency as well. MMA is one of the few sports in the country that is not synonymous with “violence” at this point, but it’s the one that banned.

It was a few weeks ago that all hell broke loose between Homentmen and Riyadi because the latter team’s fans raised Turkish flags to tease the Armenian-Lebanese team. Riyadi and Sagesse basketball games have been held more frequently without fans than with them because of how disruptive and violent they tend to become. Football games featuring Al Nejmeh and Al Ansar have also often managed to turn violent. What’s next, should we ban sports altogether just because the actions of a few individuals taint the bigger picture?

The even bigger irony is that the politician banning MMA is member of a Lebanese militia whose ideological existence is mostly based on the premise of “resistance,” which is inherently violent. How often does Hezbollah brag about its missiles, about its power to stop its enemies in their track? How many times has that party threatened the Lebanese interior to get its way? How many times has that party, in the past decade, launched mini civil wars against fellow Lebanese to get its way? I guess violence is only as such when it’s between two consenting adults in proper gear, but never with tanks and brigades in neighboring countries.

If anything, Lebanon needs MMA for the many benefits it contains which would better our society. It’s a discipline that has been shown to grow the confidence of the person training in it. It teaches them self-defense and is a good medium for them to release pent-up energy. It boosts self-discipline and forms bonds of friendships between those who are training and is known to be a huge stress- relief.

If anything, MMA controls the violent tendencies that we all have inside us especially in a country where daily life serves to boost our anger. Punches and kicks are not “violent” when they’re performed in a controlled medium. It’s like they want people to be on edge all the time and not want them to find media in which they can release all the crap they have to deal with daily because of the inadequacy of our governance.

People can get hurt doing all kinds of sports. You’d think a minister of sports and youth would know that.