Continued from Part 3.

“Okay…. But how do I know that what you are telling me is true? How do I know that you‟re not some fraud?”
“I‟m not a fraud because I am the only one who knows that I created the rime intentionally to infer you should read: the „ly‟ rime can be read as lit, which means read in French! Light does not always mean candles. Transparency is the clearest reference to the candle. And I am the only one who knows that the sequence in which you put the first three determines the next three. The poem is vague to the utmost point of vagueness on that because I didn‟t want anyone to get to the place that I called a refuge.

But now, the only way to set myself free from the chains of this pestilential and material world has come, and I am willing to take that chance and help you…”
He nodded, agreeing to the help she was offering. She smiled, took a deep breath, and looked at the poem and started to read. Something about her was far different from all the people he had met so far in his life… far different.

After about two minutes, it seemed that the woman had read the poem a good number of times. She gasped, straightened her sitting position, and began:
“The poem begins by telling you things that are true… I divided the three dozens equally, which means that you have four candles, four Chalices and four Crosses that intervene in the code. So when I say begin with light I mean that the light is something that would enlighten a soul spiritually, which is the Cross. I mean, if you think of it… I did tell you not to take it so lightly!”

Now, we begin with a Cross… let‟s take this” and she reached out for a Cross and placed it on the pedestal where the sequence should be built. A light appeared instantly.
She took the candle that shone transparently and placed it right after the Cross. Another light shone brightly and the woman nodded.

“Now we proceed to the chalice…”