Beirut’s Film Festival is peaking early this year, on its opening night to be precise, when Gravity lands onto its screens.
Going with high expectations into a movie is almost always a recipe for disaster. More often than not, movies fail to satisfy that craving you had thought they would, leaving you feeling cheated. I had high expectations for Gravity, it blew them all out of the park with its opening scene alone.
Sandra Bullock is Dr. Ryan Stone, a medical engineer on her first space trip with veteran astronaut Matt Kowalsky (George Clooney). A seemingly simple mission immediately goes awry, as is expected, when Russians destroy a satellite that was orbiting Earth, sending debris flying at bullet-speed towards the astronauts. As their space shuttle is destroyed, Stone and Kowalsky are left to drift in space as they try to find a way to go back home.
Gravity may seem like a typical science fiction movie at first sight but it’s nowhere near that. It’s a gut-wrenching tale of fear, despair, loneliness, friendship and survival. Gravity is spell-binding. Every minute of its 90 minute running time is irrevocably captivating. Everything its characters do is believable, adding to the overall effect of the movie. We had gotten so used to Hollywood blockbusters overwhelming us with special effects in order to turn their movie into a hit that I thought I reached a point where no movie could impress me from a technical viewpoint: hadn’t we seen them all?
What we hadn’t seen was Gravity. The use of special effects and 3D in this movie is not gimmicky, it helps to tell a story. The techniques employed to film the movie are masterful. There are shots there which are so brilliant I have no idea how they were filmed.There’s a reason why James Cameron said this was the best space movie ever made. There’ s also plenty of good reasons why Darren Aronofsky said this is the type of show movie-makers will learn from for years to come. They were both not lying.
Alfonso Cuaron is a visionary. After Gravity, there’s no reason he shouldn’t be on every movie fan’s favorite directors list. His movie makes you feel like you are one with the astronauts as they drift afloat, at the mercy of the gravity-less space they are in. His camera runs ever so smoothly, fluidly, giving the impression that the entire movie is one unbroken shot. His command over his work is so evident that the effect is near-hallucinatory: it draws you in, makes you believe you are one with Bullock as she strives to stay alive, as she fights for every breath she could take.
Bullock is terrific. This could very well be her best acting performance to date. I can definitely see a best actress nomination for her at this year’s Academy Awards, effectively telling her naysayers that her win for The Blind Side a few years ago was not a fluke. Bolstered by great work from Clooney and, at the beginning of the movie, Ed Harris’ voice guiding them all the way from Houston, Bullock takes in every fiber of her character and gives it back to the audience tenfolds. You can see every emotion on her face as it unravels. You can see her tears as they drift off her face (literally). You can feel her elation at times. You can feel her despair at other times. She helps the movie be as great as it is.
If there’s ever a movie that requires you to check in your movie genre stereotypes at the door, it’s this. I am blown away. Gravity is astonishing. It may pull on your heartstrings sometimes, but it’s never sappy. It’s a towering achievement in technique while also being a cinematic experience that is sure to trouble your senses, especially with its epic musical score. If the Oscar race is off to this start, other movies are at a terrible disadvantage. I am in awe.