Talk about hitting the ball out of the park. I am in awe.
Spike Jonze’s new movie, Her, features Joaquin Phoenix as Theodore Twombly who, in the not-so-distant future, is depressed as he goes about his life post a break-up with his wife. He is your typical lonely guy, living alone in a spacious apartment, working from his cubicle until he clocks in his required hours then going home to play his 3D video game. On the surface, Theodore doesn’t look like someone who minds where he was: in limbo between the memory of the relationship he had with his wife Catherine (Rooney Mara) and trying to move on with his life. He then finds himself purchasing a new operating system, meant to be the world’s first artificial intelligence OS, after seeing its ad while on his way to work. His OS is named Samantha and voiced by the amazing Scarlett Johansson.
Soon enough, Theodore finds his entire life and existence being organized by Samantha, not just his schedule and email. Through an earpiece and a phone, Theodore shows Samantha his world while she exposes him to different facets of the things he thought he knew. He’d close his eyes and let her guide him around a carnival. She’d ask him how he’d touch her. He’d feel comfortable with her. She’d help him break out of the break-up that was breaking him. But would a soothing voice be enough for him?
Her may be science fiction but it also feels like a cross examination of a culture that is becoming very dependent on technology. It’s not far-fetched to imagine the events of this movie happening in the not-distant future. The idea is perhaps not new but it has probably never been handled this way and while the premise of a love affair with an OS may be off-putting for some, Spike Jonze handles it brilliantly, giving a movie in which you get absorbed, sinking in every single second of screen time you watch.
There are characters which spring on screen here and there, such as Amy Adams – a friend of Theodore’s, but Her is Joaquin Phoenix leading a one man show. He commands the many extended scenes in which he is almost always alone. His interaction with Samantha, who is never physically present, gives way to one of the most heart-warming relationships you’ll see in a movie this year. The biggest drawback of Theodore Twombly, however, is that his character feels to be stuck in some emotional development limbo post his break-up. Joaquin Phoenix works through that, anyway. It’s the work of an acting master, one who has been going unappreciated for way too long.
Scarlett Johansson’s voice as Samantha is so vital to what Her is. She is getting an entire movie to ride on her vocal appeal, who is building an entire relationship with her sighs, nuances, sultriness and, occasionally, songs. She is so good at what she does that you eventually stop noticing that Theodore is not actually having a relationship with a living person but with a voice that talks to him through an earpiece. It’s slightly unnerving but also excellently well-done.
Her is a delight to the ears as ear as well with its backdrop being an exquisite score by Arcade Fire. The music is excellent. It feels futuristic while still managing to be current, perfectly embodying the movie it serves.
Her is magic on screen. It’s science fiction without the blitz. It’s unlike most of the movie’s you’ve seen recently. It asks questions that as a culture we may be heading to without coming off as greeting-card cheesy or preachy. And it’s easy, I guess, to think of it as gimmicky or as another been-there-done-that movie. But it’s not. I may have found its premise odd at first and dismissed it way too easily. But I’m so glad I gave this movie a chance because it has turned out to be one the year’s absolute best. I really hope it wins some golden statuettes. It deserves every single one of them. Go watch it. Now.