Category Archives: Movies

The Hunger Games – Movie Review

For legions of people, The Hunger Games is the most anticipated movie release of the year. And for a movie released so early in 2012, that’s saying something. Based on the book of the same title (read my review here), The Hunger Games stars Jennifer Lawrence as Katniss Everdeen, a sixteen year old girl living in a post-apocalyptic America where hunger and oppression ruled, where hunting for rodents was the way to keep your family alive and where every day represents a fight for your life.

This post-apocalyptic America is the country of Panem, governed by the Capitol which oversees twelve districts, making sure they are stripped down to the bare necessities. Those twelve districts had been thirteen that rebelled against the Capitol’s oppression. They lost the war and are still paying the price, the heaviest of which is the annual Hunger Games which require each district to send a young man and woman, for a total of 24, to battle each other to the death. There can only be one victor. “May the odds be ever in your favor” is the sentence the tributes keep hearing as if odds will help them on the brink of death.

When her sister is chosen, Katniss volunteers in her place and is taken along with the male tribute of District 12, Peeta Mellark (Josh Hutcherson), to the Capitol where they are groomed like lambs for slaughter in an attempt to make an impression which can make it or break it for them once the games fall upon them. And fall they do, with devastating consequences.

To see the Katniss Everdeen of your imagination after reading The Hunger Games books be incarnated so perfectly on screen by Jennifer Lawrence is a joy to the eye. Lawrence struts through every scene as if she was Katniss and Katniss was her. She exuberates confidence, sentimentality, fragility, innocence, worry, love and pain. Widely known for her Oscar-nominated role in Winter’s Bone, Lawrence is still in the same vein in The Hunger Games. This time, however, she manages to polish the sides of her performance, nitpicking until she truly becomes flawless. In Katniss, Lawrence gives you a heroine you want to root for with all your heart. It doesn’t even feel forced, it’s simply natural to feel invested in the primal force that Lawrence conveys to Katniss. And it is then that you realize the brilliance of Lawrence’s Katniss. She has managed to make her character one that is driven by principle.

Director Gary Ross manages to not let the movie’s extended run at 140 minutes affect it negatively. The Hunger Games doesn’t let down. It keeps picking up, bring in gut-wrenching revelations and action sequences one after the other. Ross uses the action of the movie to serve the characters, not drown them. He keeps the suspense going throughout. His camerawork is also highly interesting, with lots of focus on his characters’ faces, giving them a more humane appearance and seeing the struggles in them easily. Co-writing the movie’s script with the book’s author, Suzanne Collins, he stays true to the book’s essence. Even though some sequences have been shortened and some have been omitted, the feeling of the book remains there, present for you throughout to sink your eyes into.

At the center of the deathly games is a growing love triangle between Katniss, Peeta and Gale (Liam Hemsworth), a friend of Katniss from District 12 who’s lucky enough not to have been chosen as tribute. Liam Hemsworth quickly establishes himself as a forceful character, with the limited screentime he gets. Peeta (Josh Hutcherson) is highly relatable as the man secretly crushing over Katniss whose only memory of him is him helping her in a time of need. But the greatest triumph in this regard for The Hunger Games is focusing less on the love triangle than other movies targeting the same audience, making you really not care about either Team Peeta or Team Gale. At the end of the day, the only team you want to be on is the movie.

Other actors that appear in the movie are Stanley Tucci as Caesar Flickerman, a TV host that charmingly narrates the games as they unfold. Elizabeth Banks stars as Effie Trinket, a Capitol spokesperson who’s as obnoxious as she is caring. Donald Sutherland appears as the horrible President Snow, governing his country with a hand of steel. Woody Harrelson is the always drunk Haymitch who has to sober up in order to tip the balance in his tributes’ favor.

The Hunger Games is an unflinching adaptation of Suzanne Collins’ book. In many ways, the book was more suited for a screen adaptation because it is that fertile for the imagination. The movie does not falter. It’s a more serious movie than many might think it could possibly be. It is gut-wrenching at times and heavily sincere at others. It takes you on a roller coaster ride that you never want to let go of. In fact, not wanting to let go is most evident when, after 140 minutes, the movie suddenly ends and you remain in your seat wanting more. Fans of the book, rejoice. The Hunger Games does not disappoint at all. It’s a haunting tale that, coupled with a chilling score by James Newton Howard that serves as a brilliant auditory backdrop the darkest of scenes, will leave you mesmerized by how real it feels and how good it turned out to be. May the odds be ever in favor of The Hunger Games.
10/10

Lebanese Screenwriter Finalist in the European Independent Film Festival

Grace Shalhoub Yazbek, a Lebanese screenwriter originally from the village of Douma in the Batroun caza, has qualified as a finalist for the European Independent Film Festival in the Feature Film Scripts category for her screenplay titled “Gibran.”

As the title implies, the movie is about famous Lebanese author Gibran Khalil Gibran. The approach adopted to the issue, however, was not to retell his story like many other books and movies have done but to add a more flavor to it, spanning from his birth and childhood in Becharreh, to his travels and studies in Boston – all to the backdrop of him maturing as an artist and human being, culminating in the writing of The Prophet.

Grace’s sister, Nicole, spoke to me about the possibility of her sister’s inspiration being the fact that both them and Gibran are Lebanese American heritage who were raised in Boston and as such the figure of Gibran was always an influence in their lives as well as an inspiration. In a way the Lebanon-Boston connection that the writer shared with the author on whom she’s writing gave rise to the nominated screenplay.

I wish Grace the best of luck and hope her screenplay ends up winning the big prize. Lebanese talent is sure finding its way to success lately.

Mirror Mirror – Movie Review

2012 can definitely be considered as the year of Snow White. The story has two movies coming out this year, one of which is Mirror Mirror, and a TV series, Once Upon a Time, by the creators of Lost no less.

This adaptation of the infamous fairytale strives to balance comedy with drama – it seeks out light-hearted moments and intersperses them among the storyline’s darker elements, giving a rather refreshing approach to the story we all know.

The movie starts with the Evil Queen (Julia Roberts) telling what she calls her story of which the little girl, whose skin is white as snow and hair dark as night and so called that pompous obnoxious name, Snow White, is of little importance. As Snow White grew and her father, the king, realized he was unable to teach her everything she needed to know, he decided to remarry. The king was bewitched by the dazzling beauty and charm of a woman – the Evil Queen compliments herself plenty – and marries her. But a dark magic sweeps the land and the king is forced to go save his kingdom, never to be seen or heard from again.

As Snow White grows, the Evil Queen tries to keep her at bay, safely tucked away at the castle. But the Evil Queen knows that there will come a time when Snow must do what snow does best and Snow must fall.

Julia Roberts is riveting as the Evil Queen. Even though the movie is not really her story, she manages to make it all about her and she pulls it off remarkably. Whenever she’s on screen, she dominates – be it with her charm or uncanny ability to fool you with an innocent looking smile. Julia is a major contributor to Mirror Mirror‘s two faces. She can be hilarious at times and  downright chilling at others. In fact, the moment the credits started rolling, the people I was watching the movie with were positively surprised that Julia Roberts had it in her to portray an evil role. Even the comic relief moments she introduces here and there are of evil nature. For the doubters about Roberts’ ability to portray the Evil Queen, you will be impressed.

The rest of the cast, even Snow White (Lilly Collins), do very well with the characters they’re given. Those that are asked for seriousness are serious and those from whom comedy is required are often hilarious. Acting-wise, Mirror Mirror is simply charming and fun to watch, especially with the interactions of Snow White with the Dwarves or the Evil Queen with her minion.

The interesting thing about Mirror Mirror is that it doesn’t go along the typical Snow White storyline we’ve all known. The whole poisoned apple storyline is downplayed, the Evil Queen doesn’t want to kill Snow White because of her ethereal beauty but because she got active in the affairs of the kingdom. The band of dwarves, usually thought as kind, happy or grumpy or sleepy or whatever their names are, are not like that at all in Mirror Mirror – they are a band of thieves who pry on unsuspecting strangers passing along their path. These little detours from the fairytale we’ve all memorized are what keep Mirror Mirror an interesting movie to watch.

Mirror Mirror is a fun and entertaining movie, be it with its plentiful humor, Julia Roberts’ sarcasm, Lilly Collins’ innocence or Prince Alcott’s (Armie Hammer) facial expressions. As the title implies, the movie has two sides: one is comedy, the other is a fairytale and both work really well together. The happy ending doesn’t feel forced on it, the movie builds to it – what it doesn’t build to, however, is that Indian dance scene it concludes with. But even that ridiculously out of place ending sequence cannot derail what is a strong movie from being bogged down. Even Game of Thrones fans will be surprised by a brief appearance of the series’ most prominent characters and that’s always a good thing.

7.5/10

Extremely Loud & Incredibly Close – Movie Review

Extremely Loud & Incredibly Close is the story Oskar Schell (Thomas Horn), a young American boy who lost his father Thomas (Tom Hanks) in the 9/11 attacks. Trying to cope with the passing of his father, Oskar, who happens to be a very inquisitive boy, tries to make sense of the world. Feeling disconnected with his mother Linda (Sandra Bullock), Oskar sets on a quest across New York City to find one last clue that his father might have left him in a blue vase, which he finds among a stach of things he collected of his father, including his father’s last phone messages on an answering machine he never shared with his mother. The last “hint” is one involving a key and the last name Black, to which he will spring up one last quest involving 472 people with the last name Black in NYC, hoping he’d find the lock which fit the key.

As the movie opens, Oskar, who’s implied to have Asperger’s, says: “If the sun were to blow up, we would still have light and warmth for eight minutes; I feel like my eight minutes with my father are running out.” Extremely Loud & Incredibly Close is Oskar’s quest to cling to those eight minutes as long as he could.

Many have called this movie trite and over-indulgent. I disagree. My main problem with Extremely Loud & Incredibly Close was not the subject matter, which you cannot but appreciate, but it was that the main character, Oskar, is more often than not grating, making it difficult for many to relate to his struggles especially when at a moment he snaps at his mother, telling her he wishes it was her in that tower instead, simply because she couldn’t explain why his father had died. It might be how the character was written but Oskar isn’t likeable at most of the movie’s run. There are moments, though, when he’s at his most vulnerable that his child-self shines through. It is then that you appreciate the performance by Thomas Horn, who does a good job, despite his character’s flaws.

Sandra Bullock is great and saddening as the mother trying to protect her son while receiving his bashing for things out of her control. She provides much realism to the movie. Tom Hanks, in the little screen time he gets, embodies the role of the caring dad trying to break his son out of his shell and into the world through little quests in search of ordinary things sparsed throughout New York City, requiring his son to interact with people.

While on his quest, Oskar will cross paths with an old mute man renting at his grandmother’s place. This old man (Max Von Sydow), whose name is never revealed, will help Oskar on his quest by helping him rise above his fear of ordinary things such as trains and shabby-looking bridges. In doing so, Max Von Sydow gives a great performance without uttering a single word.

In a way, Extremely Loud & Incredibly Close is not really about 9/11 as it is about coping with death. It focuses less on the American tragedy of a country and more on the tragedy of the Schell family. Its main shortcoming is in the fact that with trying to aim for universality, it comes off short from hitting the mark within its niche. Some of the movie’s sequences seem forced. Some are even out of context and irrelevant to the overall flow. In a way the whole sequence with the old man could be removed without affecting the storyline one bit. The movie is not seamless. It feels rickety at points. And that’s a shame because it could have been so much more.

6/10 

 

Intouchables – Movie Review

Based on a true story, Intouchables is the movie that took French cinema by storm last year with it breaking admission records and setting itself as one of the biggest movies in French history.

Philippe (Francois Cluzet) is a very wealthy French aristocrat who is also paraplegic and in need of a caretaker. It is then that Driss (Omar Sy) presents to his place in order to get a paper signed for social service, after serving a stint in prison for robbery. Instead of signing the paper and letting Driss go, Philippe takes a chance on the African man and hires him as his caretaker because he figured someone with Driss’s background won’t feel bad for his condition, not knowing that the relationship these two men will spring up, against all odds, social stigma, boundaries and hardships, will change the course of both their lives forever.

This French comedy transcends its genre to become a truly heartfelt story that will tug at your heartstrings as it makes you laugh and smile and get invested in the friendship between Philippe and Driss. Hollywood journalists have been criticizing it for its tendency to get racist at times and that is categorically incorrect. Simply put, those reviewers have not really understood the movie and the jokes may not have translated well to them. How can you convince an American that the joke of Driss looking like Barack Obama in a tuxedo is actually funny and not a pejorative measure of their president? In reality, Driss is not even black. He’s Arab, as the movie shows in real-life segments before the credit rolls. In reality as well, the movie is nowhere near racist – unless by racism you mean showing a typical white man the life of a youth, who happens to be black. Intouchables is also socially accurate – people do judge you differently based on your ethnicity, whether we like to admit it or not. The movie, however, doesn’t judge its characters. It just lets them be. So for those who keep an open mind, there’s no way Intouchables won’t touch you in a way or another as it flips through its scenes, all to the backdrop of either gorgeous Parisian scenery or beautiful French countryside.

When it comes to the acting, Omar Sy and Francois Cluzet’s performances are a crucial central pillar to the movie. In fact, both actors jump off each very smoothly with charming chemistry that can only lead to help the movie’s comedy subject matter to get passed on to the viewer. It shouldn’t come as surprising that Omar Sy actually beat Jean Dujardin for the Best Actor Cesar this year. His performance is nuanced, very sharp and absolutely spot on. On the other hand, Cluzet balances him out quite well and, despite his character’s seriousness and it being grounded. The overall mix of the two is a duo that will entertain you for every second the movie is playing.

Never have I been surprised by a French movie since Amelie Poulain. And while Intouchables doesn’t quite dethrone that movie, it sure comes fairly close. It is a feel good movie that succeeds at what it’s supposed to do. It boasts great leads, a terrific supporting cast, some chilling music composed by Italian composer Ludovico Einaudi. It is a movie about the “choc des classes,” which will leave you shocked as to exactly how much it works.

9/10