Buried – Movie Review

Buried - Movie Poster

Paul Conroy (Ryan Reynolds) is a U.S. contractor based in Iraq. He wakes up and finds himself buried six-feet-under in a wooden crate, with nothing to soothe him except a phone that is set in a language he doesn’t understand and a zippo lighter that’s consuming the very air he’s breathing.

To say this movie is every claustrophobic’s worst nightmare is an understatement. The movie runs for over 90 minutes and features nothing but Paul Conroy inside his coffin. The only hint of an outside world comes in the form of many phone calls that are made, to help move the movie forward, and provide Paul Conroy with a way to seek salvation.

You cannot but draw similarities between this movie and 127 Hours. After all, they both rely heavily on one lead, the rest of the actors/characters being only very secondary to the overall picture. And similarly to 127 Hours, Buried features a very strong performance by Reynolds. I had no idea he had it in him, to be honest, after the series of romantic comedies he was in. However, to say that he comes within a remote distance of Franco’s epic performance in 127 Hours is a gross overstatement. If anything, Buried further cements the idea that not every actor/actress can handle this type of movies, which makes Franco’s feat even more impressive.

Buried is a movie that drags its main character to the depths of fear and despair and drags you down with him as well. And although it doesn’t rely on taking the settings of the movie outside the box it’s set in, the movie wouldn’t have gone anywhere except for the interactions between Paul Conroy and the people he calls, similarly to 127 Hours’ use of flashbacks and imaginative sequences. It is, however, an out-of-the-box movie, for all matters and purposes.

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Source Code – Movie Review

U.S. Army captain Colter Stevens (Jake Gyllenhaal) wakes up on a train. He doesn’t know how he got there. He doesn’t know who the girl in front of him is and why she’s calling him Sean. He’s disorienteted. He says he’s not Sean. He’s a U.S. Army captain whose last mission was in Afghanistan… and soon enough, the train blows up and Colter Stevens wakes up in what looks like a capsule, being talked to by a woman named Goodwin (Vera Farmiga).

Colter Stevens is told he’s inside the “Source Code”, a program that takes him back to Sean Fentress’ last eight minutes of life, before he died on the train heading to Chicago that morning. He’s supposed to find the bomber because a second attack is planned, one that would take the lives of millions of people. And so Stevens is taken back to the train many times, each time discovering that the sequence of events isn’t necessarily the same as before and thinking that maybe he could change the events altogether.

 

The intricacies of “Source Code” are not the main mystery about this movie, nor is the bomber. It’s Colter Stevens himself and having figured it out way early in the movie did not forbid me from thoroughly enjoying this.

Jake Gyllenhaal is the movie’s greatest asset. He fuses together the movie’s action side with a sensible side that is, with most action movies, hard to come by. I’ve been very impressed lately with many of his movies, notably Love and Other Drugs, and I thought he doesn’t let down here.

Vera Farmiga is great as usual also, even though her role is sort of limited as the behind-the-screen Goodwin who starts to communicate with Colter Stevens on a deeper level than just a military personnel directing a mission. Her role in this is more toned down than Up In The Air but it’s still great.

And Michelle Monaghan, in portraying Christina, the girl on the train, and despite the limited number of lines she was given (I mean, she does repeat the same sentence over and over again), I thought she was great as well, making you believe that Stevens could actually fall in love with her in the eight minutes they have together.

“Source Code” is not your regular sci-fi action movie. I would categorize it more as a thriller because it’s deeply more engaging than any other action movie I have watched lately. Not only do you get to connect with the characters but you really hope that, somehow, they get to be saved.

Moreover, Source Code is not void of emotions. While most of these emotions are tucked away in the end, you can’t help but be hit with them when they appear on screen. I will not spoil the center theme upon which they revolve but you will definitely feel them when you watch this.

Overall, Source Code is a thought provoking and engaging thriller. Directing in it is great as well by newcomer Duncan Jones, who doesn’t seem affected by the much dreaded sophomore slump. Are the memories that are being relived read-only data or can they be altered? Some people will not appreciate the confusion that this movie poses at certain times, especially since continuity is an issue that is very difficult to follow in movies like this (a la Inception), but overall, while watching it, Source Code will make you submerge in it. After you get out, however, and start thinking about the movie, you realize there are some plot-holes they left unanswered. Was it intentional? Perhaps so. But this is definitely one of the better movies of 2011 so far, one that I think every movie enthusiast should consider watching.

Hereafter – Movie Review

Hereafter - Movie poster

Hereafter is a Clint Eastwood movie that doesn’t pretend to be something it is not. It doesn’t lead you in the pretense of it being a deep philosophical movie about our existence and what comes after we stop existing on Earth, etc.

The opening scene of the movie is movie-making at its best. If you’re not hooked on this when the first scene ends, then you must rewatch it.

The movie follows the lives of three characters. Cecile De France portrays Mary Lelay, a French journalist, had a close call with death while on a trip and is still haunted by what she went through. Marcus, a British teenager, loses his identical twin brother. George Lonegan (Matt Damon) doesn’t see dead people, but he can communicate with them, much to his discomfort. It’s a “gift” he decides not to use anymore, but eventually he comes to learn that you can’t escape it. Why? because everyone seeks answers.

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Brothers – Movie Review

Brothers is a war-drama movie centered mainly about the importance of family, specifically brotherhood, when it comes to severe hardships.

Sam Cahill (Toby McGuire) is a Marine soldier set to be deployed to Afghanistan. His brother Tommy (Jake Gyllenhaal) is imprisoned for an armed robbery and is released shortly before Sam’s deployment. Tommy isn’t liked by almost anyone in the family circle: his own father, Sam’s wife Grace (Natalie Portman)…

While on his mission in Afghanistan, Sam’s helicopter is hit by insurgents and it crashes. Supposed to be dead, his family back in the US begins its mourning process. And soon enough, his brother Tommy decides to take up the mantle to redeem himself in the eyes of those that matter to him.

However, Sam isn’t really dead. He’s been captured, along with another soldier, and they are both submitted to severe torture methods, be it mentally or physically, so when Sam is rescued, he has to deal with the demons of his capture, putting a strain on his marital and familial life.

The performances in this movie are top-notch. Toby McGuire really impressed me, especially since the last movie I watched in which he had a leading role was Spiderman 3. He completely gets rid of the Peter Parker persona for this and assumes his character with strength. He is absolutely frightening at times.

Jake Gyllenhaal and Natalie Portman are, naturally, also very good at what they do. Gyllenhaal’s shift from irresponsible to responsible is done extremely well, while Portman is so subdued as the wife that it’s sad sometimes to watch.

The movie itself is enjoyable but not ground-breaking. What works for it is that it focuses more on the family dynamics of the story, more so than the war aspect, similarly to The Fighter (you can read my review of that here).

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Twilight: Breaking Dawn – Sex Scene Pictures & Video Leaked

The newly “released” set of pictures, featured in People Magazine, can be found here.

The newly leaked video from the sex scene can be found here.

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For the twihards who are interested in this, two pictures have surfaced of the sex scene (yes, they actually do it) in Breaking Dawn.

This is probably the most exciting part of the whole movie as the book royally sucked and I’m glad they actually decided to show the characters doing something, unlike Stephenie Meyer’s near Victorian-esque approach to the issue: yeah, they did it, you’re just not allowed to know how it happened.

This leak follows yet another picture leak, posted earlier, of the same scene.

[EDIT]: I have been asked to take down the pictures. If you still want to see them, let me know in a comment.