Category Archives: Movies

Caramel, The Attack, 12 Angry Lebanese on International Best Movies Lists

 

The Guardian has  published a list of the top 10 Arab movies and they featured Zeina Daccache’s Twelve Angry Lebanese on the list, with nine other Egyptian movies of which I haven’t heard.

The list’s author justified their choice for choosing the movie in it being deeply moving and full of humanity. I have to wonder why that movie hasn’t made a splash in Lebanon:

I was on the jury when this won the top documentary award at Dubai in 2009. The director is a young Lebanese drama-therapist who put on a production of 12 Angry Men inside Lebanon’s most notorious prison and filmed the long protracted process. The film was partly an attempt to reform the country’s criminal and penal laws and improve prison living conditions. It also enabled Daccache to extend her drama-therapy work to prisons across Lebanon, and she had started working in Syria shortly before the current conflict began. It is deeply moving and full of humanity, particularly in the way it describes the process of lifting men from a profound states of despair into a renewed desire to live and build a different future for themselves.

As a follow-up to that list, The Huffington Post wouldn’t take it. As such, they published their own list of 6 movies they believe The Guardian missed and included Ziad Doueiri’s The Attack and Nadine Labaki’s Caramel.

On the latter, the author wrote:

Labaki’s film was my in. I’m a relative newcomer to the magical world of cinema from MENA, having been brought up on a mixture of Woody Allen, the works of Fellini and Visconti, all sprinkled with a bit of Lina Wertmüller, and Caramel got me hooked from the first frame. It’s sensual, full of life and each time I watch it, it makes me proud to be a woman. It’s also the reason I yearned to travel to Beirut, and once I got there, I could see Labaki’s lushly constructed characters at every turn. I may be a romantic, but it’s a must watch for anyone who has yet to discover the beauty of Lebanese cinema. And its people. Labaki’s follow up, Where Do We Go Now? is also a greatly entertaining lesson in peace.

On The Attack:

Showcased at the Dubai Film Festival last December, Doueiri’s film is currently screening across the U.S.. The tragic story, of a Palestinian surgeon who discovers his marriage may not have been what it seemed, was what engulfed emotionally, at first. But then the absurd politics that enveloped the project really drove its profound meaning home for me. Lebanon banned the film because Doueiri had “snuck” into Israel to film his project, which of course was indispensable to the truthfulness of the story. A Gulf film organization distanced itself from The Attack though it had partly financed it in development. Of course, Doueiri is now having the last laugh, because his film has been winning prizes and hearts around the world, but The Attack remains a great example of why watching a film is almost always better than watching the news.

Lebanese filmmakers seem to be doing a rather fine job at having their works make a dent abroad.  It’s great to see Lebanese cinema getting such recognition abroad, especially with movies that are not what we’ve come to believe our filmmakers only know how to make.

It is sad that a movie such as The Attack will not be screened here for the most absurd reasons. I had the chance to watch the movie while on a trip to Paris and while I wasn’t as engrossed by it as the French with whom I shared the theatre or other Lebanese who found it highly engaging, I could appreciate the need for such a movie especially given the intense discussion it spurred with the Lebanese who watched the movie with me.

I believe that’s what cinema should do: spring up debate and discussion, especially in this country and specifically when it comes to topics that are still considered so taboo that discussing them can have “treason” plastered all over you. It seems those foreigners appreciate our movies more than we do.

 

Ghadi, An Upcoming Lebanese Movie

A friend of mine just sent my way the trailer for an upcoming Lebanese movie called Ghadi, written by Lebanese comedian George Khabbaz:

I found the trailer to be interesting and it looks like this movie will be different from other Lebanese movies we’ve had to endure. Of course, many of us say this about every Lebanese movie so here’s hoping our eternal optimism doesn’t turn out foolish this time around.

However, this is already awesome for being shot in Batroun. I’m biased like that.

The movie, according to their Facebook page, is a social comedy about the struggles of a Lebanese family. George Khabbaz’s previous works in such a theme were very witty. The movie is directed by Amin Dora. It will be out in theaters on September 26th.

We’re The Millers (2013) – Movie Review

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I’ve finally found a funny movie this year! While this isn’t absolute movie brilliance as I’m sure no one really expects it to be, it has enough hearty laughs and fun scenes to be worth a trip to a theatre near you if you want to watch something along such lines.

David Clark (Jason Sudeikis) is a drug dealer working in Denver who finds himself in trouble as his stash and money are stolen by a local gang. He is then coerced by his local drug lord Brad Gurdlinger (Ed Helms) to pick up a “little” marijuana from Mexico under the name of a Mexican drug lord for which he’ll get paid $100,000. In order to get past border control easily, David devises a plan that involves hiring a stripper named Sarah (Jennifer Aniston) and two local kids, a runaway teenage girl (Emma Roberts) and a virgin teenage boy (Will Poulter) to play a fake family called the “Millers.”

The movie’s greatest asset is the ease with which its cast work together. All four main actors play off each other with ease and charm. The movie may be a tinge too long but it’s carried by the cast and there are enough funny moments and memorable scenes here to keep you going. Make sure you stick through the credits for one of the movie’s best scenes though, especially for fans of the TV show Friends.

Of course, the way the plot unravels is predictable. Don’t get your hopes up for an out-of-the-box resolution. We’re The Millers may not be the risky comedy type that is expected out of comedies these days, but at least it’s funny – it is a typical Hollywood comedy but in a year that has not seen any decent comedies, it’s somewhat refreshing for the Millers to finally show up.

3.5/5 

The Wolverine (2013) – Movie Review

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In a summer of superhero movies overload, it is a shame that none of them has managed to really cause a dent or become relevant enough to stay in the collective conscience of moviegoers, Iron Man 3 was disappointing.
Man of Steel was all kinds of meh. Add The Wolverine to the growing list.

You might need mutant powers to follow-up with the timeline of all these X-men movies. The Wolverine happens after the events of X-Men: The Last Stand. It has very few elements that relate it to X-Men Origins: Wolverine. And quite frankly, I just don’t get the infatuation with this X-man, out of them all, to give him movie after movie. Yet again, the only reason The Wolverine was made is apparently to draw in some serious cash. The good thing is that unlike other superhero movies, Wolverine has been played by only one actor – Hugh Jackman – who has gotten his character down to a science.

The script, which I bet was written in less time than it has taken me to write this review, starts with Logan flashing back to surviving the Nagazaki atomic bomb and saving a young Japanese man in the process. Flash forward to present time and Logan is trotting it in some woods, trying to stay away from civilization until he is sought out by a Japanese woman who wants to take him back to the man he saved those many years ago, now the head of Japan’s leading corporation and dying of cancer. That man, Yashida, offers Logan something he had been seeking for a long time: a way to die.

The cast, most of which is Japanese, does a good job. But that’s not saying much because the material they’re given is dismal at best. There are too many villains. None of them is memorable enough. Even the big bad villain reveal, aimed to be shocking, comes off on the cooler side of tepid, predictable, boring, uneventful. None of the characters are engrossing. They are all there to advance a movie that’s seemingly going nowhere interesting.

Despite some strong scenes interspersed here and there, The Wolverine comes off on the weaker side in the X-men series. For a casual viewer, the movie might prove entertaining and different enough (it takes place in Japan, not New York) to watch. But for those who had high hopes that this would be their movie of the summer or at least keep up the momentum that X-Men: Origins started, be ready for one big fest of claws coming out, the big bad guys panicking and you yawning.

2/5

Pacific Rim (2013) – Movie Review

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As shocking as it may be, this summer has finally found a movie worthy of being deemed the “it” blockbuster of the year in the form of Pacific Rim.

First things first, I feel I must commend the movie’s distributors for taking a risk and releasing it simultaneously with international markets despite the date coinciding with the Muslim month of Ramadan. This isn’t a movie you’d want to wait to see.

It is the near future and Earth is being attacked by huge monsters called Kaiju which are emanating from an abyss in the Pacific Ocean. Humankind realizes their current weapons are insufficient to combat the Kaijus so they devise a new defense system in the form of the Jaegers, which are driven by two human pilots who share brain function in order to do so. But there’s a twist. Soon enough, the Kaijus start learning the fighting ways of the Jaegers and humankind starts losing its only hope in defense as the threat of an apocalypse draws nearer.

Bolstered by a thrilling opening scene that might as well be the climax of other movies, Pacific Rim sets a breakneck pace from the get-go. This isn’t a movie that is only about breaking metal and firearms. While the action scenes are numerous and sufficiently exhilarating, they also happen to the backdrop of a plot that is interesting and not a complete rehash of other similar movies. Sure, Hollywood has overdone apocalypses. But it was rarely as entertaining as what Pacific Rim presents.

Directed and written by Guillermo Del Toro, the movie carries the touches of a director you’d never think would do such a movie. And it shows. In fact, Guillermo Del Toro just showed that movies about robots and monsters can, in fact, be something more than what we’ve all associated them with.

Pacific Rim isn’t a Michael Bay movie, both literally and figuratively. For many, that is enough reason to give it a shot. But I found Pacific Rim to be one of the movies that have entertained me the most this past year, something that was very pleasantly surprising given I wasn’t expecting it. I guess that’s what happens when the only aspect of similar movies have all been brainless. Underneath the facade of crunching steel and atomic bombs, Pacific Rim has charm and brains. Go watch it.

4/5