Johnnie Walker’s Keep Walking Project – Get Involved, Lebanon!

Soon after its ad featuring Nadine Labaki as the main face of the Keep Walking Lebanon campaign, Johnnie Walker has now launched a full fledged campaign called “The Keep Walking Campaign,” which is excellently explained by Nadine Labaki in the following video:

As you can see, there are three projects which you can support. Regardless of your preference, each of these projects is aiming to improve a part of our life in Lebanon which needs support. On the tourism side, I had blogged previously about how tourists need to see a side of Lebanon that goes beyond Beirut. On the business side, companies such as Seeqnce are helping startups get a foothold in the markets they are trying to get into and on the environmental aspect, Greenpeace Lebanon has recently launched a mission to increase awareness for our waters.

So as you can see, the three main projects supported by the Keep Walking project are all an essential part to improving Lebanon as a society: gain awareness for our nature, protect our nature and help our youth market themselves.

The project has five stages. The participants will be rewarded at the end of every stage with the top walkers earning a brand new 16GB iPad 2 and the two runners-up will receiving a bottle of Johnnie Walker Blue Label. I know some of you are vying for the runner up slot now. Voting will end on March 3rd, with the results being announced a few days later.

As Nadine said, you can support your favorite project by “walking the steps” for them. The more steps you walk, the higher the chance it gets to be selected as the winner. The steps include sharing videos, talking about the project, supporting it, etc… You can download the project’s iPhone app here or the Facebook app here.

Nadine Labaki asked a very poignant question in her movie. Where do we go now? Well, this is the direction you should take. Help Lebanon one step at a time. It’s not even that difficult. All it takes is the clicks of a few buttons.

Carnage – Movie Review

Based on the play “God of Carnage,” Carnage opens up with a scene of a boy who hits a friend with a stick, causing him to lose two teeth.

Subsequently, the parents of the first boy, Alan (Christoph Waltz) and Nancy (Kate Winslet), visit the parents of the victim, Michael (John C. Reilly) and Penelope (Jodie Foster), to talk about the incident. Starting off as diplomatic adults who want the matter behind them, the couples are civilized in dealing with each other. However, as the meeting gets interrupted many times by urgent phone calls  that Alan receives regarding his job as a lawyer, and both couples start to slip up, the tensions start to rise. The polite discussion soon escalates into verbal warfare, with all four parents showing their true colors. No one escapes the carnage.

The premise of Carnage is very interesting. The transition from the civilized conversation with which the movie starts to the carnage with which it ends happens very smoothly, in a logical manner. Watching the level of civility plummet in front of your eyes is what Carnage is all about. And it does so brilliantly. The fissures in each couple’s marriage is revealed. Allegiances will shift back and forth many times, never settling. Keep in mind the movie is only 80 minutes and it happens in the same place: Michael and Penelope’s living room and the hallway outside their Manhattan apartment.

The performances by all four actors and actresses are what drive the movie forward. In a way, the premise of the plot is not ground-breaking. It might as well have been taken straight out of a PTA meeting. But the way the acting ensemble interacts with each other and with the material they are given helps propel Carnage forward immensely. Jodie Foster is great as the pinched liberal who wants to get her apology out of the other parents. Kate Winslet is marvelous, as usual, as the woman trying to keep her manners while boiling on the inside. The men, Christoph Waltz and John C. Reilly, are also brilliant as the total counterpart of their women. What makes thei You’d wonder, at points, how a certain mixture of characters came to be together and actually married.

Carnage is a memorable movie but it’s not one that will leave you dumbfounded after it ends. It will entertain you during its duration. Roman Polanski manages the movie at a fast pace, never letting it get dull or redundant. The fact that all of the events take place in that same room for the whole of the movie’s duration only exemplifies how great Polanski is in directing Carnage and setting up the staging. The ultimate message the movie presents is that good manners are often shallow and that compassion, especially when it comes to one’s children, is very hard to come by. When it comes to one’s children, regardless of how messed up they might be, your children are in the right and the other couple’s children are in the wrong. That’s how it will always be. Carnage exemplifies that.

7.5/10

Nadine Labaki’s Where Do We Go Now (W Halla2 La Wein) No Longer In Running For Oscars: Not on Foreign-Language Shortlist

The shortlist for Best Foreign-Language movie at the Academy Awards has just been announced and Lebanon’s Where Do We Go Now is not on it.

Therefore, we are no longer in the race for an Oscar nomination.

The nine shortlisted movies, out of which five will be selected for nomination, are:

Belgium, “Bullhead,

Canada, “Monsieur Lazhar,” 

Denmark, “Superclásico,” 

Germany, “Pina,” 

Iran, “A Separation,” 

Israel, “Footnote,” 

Morocco, “Omar Killed Me,” 

Poland, “In Darkness,” 

Taiwan, “Warriors of the Rainbow: Seediq Bale.” 

 

That’s it, fellow Lebanese, I guess we were too foolishly optimistic about our chances. I guess having a movie from Iran, Israel and Lebanon in a shortlist was too much for the region. Till next time, I guess (which means till Nadine Labaki’s third movie). You’d think winning the same prize that the King’s Speech and Slumdog Millionaire won, at one of the world’s top festivals, would be enough to pull an Oscar nomination for a movie. But I guess politics is more important.

 

Ours (Single Review) – Taylor Swift

Taylor Swift’s follow up to her #1 country hit, Sparks Fly (check my review) is a song off the deluxe version of her album, Speak Now, titled Ours.

“Elevator buttons and morning air,” she sings sweetly as the song opens up. “Strangers’ silence makes me wanna take the stairs. If you were here, we’d laugh about their vacant stares but right now, my time is theirs. Seems like there’s always someone who disapproves. They’ll judge it like they know about me and you. And the verdict comes from those with nothing else to do. The jury’s out but my choice is you.”

Then she breaks into the chorus, the background of which is a happy melody that goes well in hand with the lyrics she’s painting: “So don’t you worry your pretty little mind, people throw rocks at things that shine and life makes love look hard. The stakes are high, the water’s rough but this love is ours.”

 Ours‘ highlight comes in the form of the song’s bridge, which is sort of typical for Taylor’s songs – she leaves her best songwriting skills to that part of the song: “And it’s not theirs to speculate if it’s wrong and your hands are tough but they are where mine belong and I’ll fight their doubt and give you faith with this song for you. Cause I love the gap between your teeth and I love the riddles that you speak. And any snide remarks from my father about your tattoos will be ignored, cause my heart is yours.”

Ours has an infectious happy melody that, like many of Taylor’s uptempo songs and whether you like them or not, you’ll find stuck in your head. You may not like the song and you may switch the channel if it comes on the radio but after random repeated plays, you’ll find that you actually know the melody to it. It’s a simple tune, it’s a happy tune. It’s a tune very easy to memorize.

Many have spoken highly of Taylor’s songwriting skills on Ours. And well, Taylor Swift is a great songwriter in her own merit. She manages to turn a subject, which most other songwriters would turn into a cliche-ridden song, into something fun, breezy and happy. Even her vocal delivery, which many people say is subpar, works for this song because it’s the type of songs that actually sounds better not sung perfectly. The little mistakes here and there, the laughs spread throughout help Ours have soul. In fact, Ours mostly works because Taylor’s singing it. Had any other artist taken on this song, it would have sounded like a big mess of sappy lyrics and forcibly uptempo melody. Ours is as it is because of Swift’s delivery.

So for all matters and purposes, Ours is a fine song. It’s definitely not the best Taylor has written and it’s definitely not the best choice for a single off an album that has songs like “Enchanted” still left on its track list. Ours lacks the freshness that was in Mean and it lacks the immediate hit that was Sparks Fly. But it’s Taylor Swift so of course it won’t fizzle away and die on country radio like the songs of almost every other female country artist (with the exception of Carrie Underwood).

Perhaps after having a good radio streak, Taylor Swift should have went for broke and released the best song on “Speak Now,” this little song titled Enchanted which no one cannot like. I find it weird that they had to revert to a bonus track on the deluxe edition of the album, which until recently wasn’t even available everywhere in the US. And the sad thing is, Ours isn’t even the best bonus track.

6.5/10

Listen to Ours:

Wine After Whiskey (Lyrics) – Carrie Underwood

These are the lyrics of Wine After Whiskey, off Carrie Underwood’s album “Blown Away.”  You can check out ALL the lyrics of the album here.

[Verse 1:]

Once upon a time our world was on fire and I loved to watch it burn

Wild and reckless, never any limits, guess I had a lot to learn

Cause fire turns to ember, embers to ashes that blow away too soon

[Chorus:]

Now everything’s after you is like having wine after whiskey

It went from do anything for you babe to you don’t even miss me

Once you’ve tasted a love that strong you can’t go back

And you can’t settle on anything less

And that’s what gets me. It’s like having wine after whiskey

[Verse 2:]

Looking back I guess it was really for the best, still you’re something that I crave

Even though I know it was right to let you go. You’re a habit hard to break

I got used to being high and nothing that I try seems good enough right now

[Chorus:]

It’s also watered down like having wine after whiskey

It went from do anything for you babe to you don’t even miss me

Once you’ve tasted a love that strong

You can’t go back and you can’t settle on anything less

And that’s what gets me. It’s like having wine after whiskey

[Outro:]

Once you’ve tasted a love that strong you can’t go back

And you can’t settle on anything less

And that’s what gets me. It’s like having wine after whiskey