Lebanese Ely Dagher’s Waves ’98 Wins Best Short Movie Award At Cannes 2015

Ely Makhoul Cannes 2015 Waves '98

About four weeks ago, I wrote about a very promising short movie by Lebanese director Ely Dagher which was nominated for Best Short Movie at this year’s Cannes Festival (link).

The short film is an attempt by Ely Dagher to come to terms with living and growing up in Beirut, while working out of Belgium: the movie is about his adolescence years as a Lebanese lost in his own capital.  As I said before, the trailer made it seem extremely promising: it was unlike any Lebanese movie or short film I had seen before, and I had high hopes.

Well, Cannes agrees with me.

Ely Dagher Waves '98 Cannes Win

Ely Dagher just became the first Lebanese to win a major award at Cannes. By having his movie win, Ely Dagher beat out seven other nominees from seven other countries that probably cared less about their production than the Lebanese government ever did.

By being nominated in the first place, Ely Dagher beat out 4550 other short films that were submitted from all across the world. And today, I feel proud and I suppose so should you.

Let Ely Dagher’s win be a testament to Lebanese talents everywhere who can make it big, like he did, when given the chance, the funds, the backing, when they are allowed to pursue their vision beyond the confines of a Lebanese society that is so comfortable in what it knows that it never ventures out of its comfort zone, a society that squashes its own arts as forever cliches and doesn’t let its own artists truly express what they can do in fear of not being commercial enough.

I congratulate Ely Dagher for winning. Here’s hoping Waves ’98 makes it big at next year’s Oscars as well. Hopefully it’ll become the first Lebanese production to win that golden statuette as well.

 

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Waves ’98: The Lebanese Short Film Nominated For A Palme D’Or At Cannes 2015

Ely Dagher Waves '98

4550 short films from across 100 countries were submitted to the Short Films category at Cannes this year. Only 8 made the selection to be in the running for the Palme D’Or. And a Lebanese short film, Waves ’98, by Ely Dagher is one of them.

It has been a long, long time that Lebanon has had any movies featured this prominently at Cannes – Nadine Labaki’s offerings were not given the same treatment. This is the first time in over 24 years that a Lebanese film made the selection at Cannes this way, not since 1991 when Maroun Baghdadi’s “Hors La Vie” was nominated, and ended up winning the Jury Prize..

Ely Dagher is a young Lebanese filmmaker living in Brussels. As someone who was torn between life in Belgium and life in Lebanon, he ended up writing Waves ’98 as a way to come to terms with what living and growing up in Beirut meant to him. The work took two years.

I haven’t seen the movie, but the trailer shows it to be very different from anything Lebanese that has been offered to us in the past few years. In fact, the feel of it reminded me a bit of the very, very good (and very traitorous?) movie “Waltz With Bashir,” albeit with a different subject matter I’d assume.

It doesn’t matter if Ely Dagher’s Waves ’98 wins on May 24th at Cannes or not. The fact that he managed to be nominated out of 4550 other submitted movies is triumphant enough for him and Lebanese talents everywhere, when given room to grow beyond the confines of cliches that they are required to be limited to while trying to make it in Lebanon.

The nomination of Waves ’98 shows that when not limited by subject matter, and when not restricted by local taboos, Lebanese talents can make a dent in fields that we’ve come to brush off as beyond us.

I contrast this with a play I watched recently in Beirut called “Venus,” which had a brilliant script, beyond brilliant acting and broke Lebanese taboos like no other play I had seen before. Venus worked because it didn’t care about sensibilities. Waves ’98 isn’t necessarily within the same context, but it being different puts it in the category of works of art pushing the boundaries of our Lebanese artistic repertoire.

Instead of talking on and on about movies such as Vitamin, and beyond subpar offerings by Lebanese cinema in recent years, we should at least give the ambitious and talented Ely Dagher and his movie the credit they deserve for making a dent, for showing that Lebanese filmmakers can accomplish such feats.

Congratulations, and my outmost respect.

Check out the trailer: