The Bravest Person I Know

As she ran her fingers through her hair on that cold December night and was sad to see that the chemicals had started to sink in, she knew it wouldn’t be long before she would have to make a decision she never thought she’d have to make.

To let the hair go on its own? Or to take it all off?

We told her what the right decision should be. But it’s always easier to preach when you’re not the one cringing as you look at yourself in the mirror.

She decided that she wanted to cling to it more. It kept her warm, she said. She felt safer with it, she said.

So the hair kept falling. And she kept trying to hide it.

I remember the day well. I got back home from class to see her wearing a wig. I smiled. I knew she had taken the plunge. I was proud of her. I was strengthened by her courage. I was happy by her resilience.

As she took the razor to what was left of the hair on her head, she also took the decision to strengthen her fighting of those few cells that threatened to take her life away. Today, as I see her smile, I smile as well. And I see her radiating despite something being missing.

We keep her feeling good about it. But I realized we don’t need to. We joke about how my brothers and I are sure to lose our hair now that both our parents are bald. She’d smile and give us the “I’m not impressed” face. For the first time since she started chemotherapy, I can see her really happy. I can see her relieved.

My mother was beautiful before. My mother is gorgeous today. And I want to show you how brave she is. Because hair doesn’t matter.

Mother Cancer Chemotherapy

Born This Way (Album Review) – Lady Gaga

Lady Gaga’s much anticipated sophomore release (or third album if you count The Fame Monster as her second) will be released on Monday, May 23rd.

The album opens up with “Marry The Night”, a song about Lady Gaga’s love for her native New York. Fusing electronic beats with interesting lyrics about belonging, her vocals are not drowned out and the production is quite good on this, especially after the bridge.

“Marry The Night” is a decent album opener, followed by her mega-hit “Born This Way”. And while I believe the song itself was driven more by hype than quality (It has become Lady Gaga’s biggest hit but I don’t think it’s her best song), it sets the tone for the message Lady Gaga wants to get across with this album: embrace who you are, regardless of who that might be.

“Born This Way” is followed by “Government Hooker”, arguably one of the most hyped about tracks of the album. Starting off with a very interesting beat, Government Hooker has a brilliant line on the bridge: “put your hands on me John F. Kennedy.” But is this the monster song of the album? No. It is not something I can find myself repeating on end although I can definitely see it being played at some night clubs courtesy of its stunning beat.

And then comes “Judas”, probably the most controversial song on the album. Discussing the struggle between love and sin with a religious twist, “Judas” was the album’s second single but failed to become a mega-hit on pop radio, even though it follows the “Bad Romance” style closely. What “Judas” and “Government Hooker” have in common is their similarity is their euro-pop roots.

“Americano” is a song that fuses latin beats. It is the “Alejandro” of the album, but unlike “Alejandro”, “Americano” doesn’t pack an extra-punch that would make it a viable radio single. “Americano” is a song about a lesbian romance in L.A. This is followed by “Hair”, a song that I feel belongs on the album of a much younger artist than Lady Gaga. The lyrics on it are corny and sometimes ridiculous. Some are saying this is her song for the tween audience, but I think it could have been so much better. For my full review of Hair, go here.

“Schiße” is a track incorporating German lyrics that I don’t understand. The beat is interesting, however. “Bloody Mary” is another song with religious inferences but it is a very interesting song. Do not be fooled by the song starting off with music reminiscent of Broadway musicals, the beat that comes later on is as grinding as the other songs on the album.

“Bad Kids” is the anthem to anyone who hasn’t grown out of misbehaving. It is her homage to the NYC Club Kids era. “Highway Unicorn” is a song about driving down on the highway in a convertible, another song about freedom and being born to be wild.

“Heavy Metal Lover” is Lady Gaga’s take on fetishes and it is more hardcore than Rihanna’s S&M. While I’m definitely not in this song’s target audience (the genre referenced in the title isn’t something I normally listen to as well), some people will like it. Different strokes, I guess. The song has, however, very cool vocalizations in the background.

“Electric Chapel” is an over the top song, driven by electronic beats where she tells the guy not to be a “holy fool”, a lyric also used in “Judas”, and meet her at the electric chapel. The song, like the many songs before it, also incorporates elements from 1980s music, albeit fusing them with sci-fi elements that lack in other songs.

“You and I” is the first track off the album that people heard when it was performed live last year. This is a piano-driven ballad with electronic beats as well, making for a rather unique sound. The album concludes with Lady Gaga’s current single, “The Edge of Glory”, about being on the edge of something great, be it love, life… the lyrics to this are good, as well as a brilliant saxophone breakdown. However, as I said before, I would have liked it to be slower.

“Born This Way” is an album that can’t be separated from hype because hype existed before the album was even conceived. Prior to its release, Lady Gaga had declared that this album would be the “greatest album of the decade”. I’m sorry, Lady Gaga. While this is a good album, it is not a classic that will go down in the books as the best album of the 2010s. Sure, it is different from most of the mainstream music currently being played, but it doesn’t stray far from that. After all, there isn’t a song on this that doesn’t have an electric beat, even the one that was labeled as a ballad.

So overall, horrible cover and Madonna-comparisons aside, this is an album that holds its own in a music climate where doing so isn’t enough. Yes, it will sell millions of copies and bring in millions for Lady Gaga and her label, but will it be enough to take award-gold? Some award shows will honor it. Others won’t. This is will be far from a clean sweep. But kudos for Lady Gaga on making a record expressing what she believes in, regardless of how radio-friendly it may sound (and on most songs, it actually is radio friendly). However, will this the coveted Album Of The Year at the Grammys? I’m going with no.

Hair (Single Review) – Lady Gaga

As a follow up to her Edge Of Glory iTunes promotional release and leading up to her album release next Monday, Lady Gaga has released a new song off her album, titled “Hair”. However, unlike Edge Of Glory, I don’t see pop radio jumping on this one and having it labeled as her next single, after Judas failed to do well on radio.

Produced by RedOne, the person responsible for Poker Face, this is basically a song that brings back Lady Gaga to her dance music self. However, and I don’t want to sound like a broken record with this, is it really as good as her previous dance-music songs? Is this as good as Just Dance and Poker Face?

The answer is a succint no.

The message behind the lyrics is quite simple. Girls can definitely relate more to the comparison she draws in the song but she’s basically inviting people to be as free as their hair, which I’m assuming is when your hair flies in the air, not caring the direction it goes in.

Now, the message itself is empowering: be whatever you want, don’t care about what other people think, etc… and it fits with the “Born This Way” brand she’s been trying to sell with this album. However, I just felt the whole comparison of freedom to hair, although it gets the message across, to be simply ridiculous. Wasn’t there something else she could compare having a free opinion to?

Moreover, I do not really feel the beat of the song. I think it takes away from the lyrics, regardless of how corny those lyrics might be. Lady Gaga even sounds a little drowned out at some points. And I believe the track was overproduced at certain points, especially with the overuse of beats and auto-tune.

The strength of “Hair” is that it’s a relatable song. We’ve all been through events where we wanted to make our decisions freely and had people breathing down our necks to go one way or another. “Hair” fails, however, in being more than a song getting this message across. And there are plenty of songs out there that have a similar theme. So you’d expect that, when you want to rehash a topic, to make your work stand out and offer new things to the table. The Edge Of Glory had great lyrics and an awesome saxophone breakdown. This, however, doesn’t have anything that could make me want to play it willfully. I just hope the album has better songs where Lady Gaga doesn’t want to “lots of friends inviting her to their parties”.

Listen to Hair here: