The Godfather – Movie Review

“I’ll make him an offer he can’t refuse” has become one of the most popular and famous phrases to come out of a movie – ever. And that movie is The Godfather.

Set in 1940s New York, The Godfather tells the story of the Corleone family, a mafia, and their struggle to protect their legacy as rival families seek out their demise.

I will not write out a more detailed synopsis because it is near impossible to do so for this movie without ruining some plot moments. However, The Godfather is a tale that extends over many years without making it feel overstretched or even segregated into different time epochs.

The Godfather is a body of outstanding performances – and not only acting wise. The movie’s score, by Nino Rota, is haunting. Francis Ford Coppolla, a relative unknown at the time the movie was made, is absolutely brilliant in directing. The cinematography, run by Gordon Willis, plunges the movie’s character’s in their world perfectly.

The acting performances are beyond top-notch. Marlon Brando embodies the head of the Corleone family, Don Vito. His performance lets his character strut along the line of good and evil without blinking. As you watch Brando’s performance, you start remembering the many instances when you saw a character similar to Don Vito being acted out – be it with the voice, the attitude, the context…. And the many imitations of this character, after watching the movie, are justified.

The movie is also propelled by an outstanding performance by Al Pacino, as Don Vito’s son Michael, a returning war hero and a character that is even more fascinating that his father – wanting out of the “family business” because he thinks he doesn’t fit well with what they do. Diane Keaton is unrecognizable at first as Kay, Michael’s love interest and Robert Duvall is as mysterious as his enigmatic character Tom Hagen, Don Vito’s adopted son.

The Godfather is a movie in which, scene after scene, those making it prove they know what they’re doing. Be it the long wedding scene which sets the tone for a Machiavellian patriarchy, a character’s “bed” discovery, the many deaths that plague the mafia families, a character combing his hair in a restaurant nervously, etc… it keeps you attached, wanting to know how these characters would interact with what life throws at them.

It is no wonder The Godfather is considered one of the best movies ever made. There is an amount of ingenuity and creativity at work here that is unapproachable. Keep in mind this is a movie released about forty years ago (1972) – and there are movies today, with much better technology and resources available to them – that fail miserably at making something that would transcend the ages.

Rio – Movie Review

If you want to go for a 90 minutes movie that will give you a blast then Rio is the movie for you.
With the voice talents of Jesse Eisenberg (The Social Network) and Anne Hathaway (she doesn’t need any introductions, right?), Rio is a very, very fun animated movie.

Blu is a blue macaw parrot who gets caught while still very young and is shipped to the United States where, by an act of fate, the truck his box is on gets hit and his box drops off. Linda, a little girl, finds Blu and takes care of him for the next fifteen yes. The two become inseparable, the best of friends and Linda becomes as dependent on Blu as he is on her.
However, soon enough, Tulio, a scientist, shows up to Linda’s bookstore and tells her they have found a female counterpart for Blu, the last existent male of his species and that they need to fly him down to Rio so both birds can mate.
Linda reluctantly agrees… but Rio De Janeiro is a hostile place, especially for a rare bird like Blu and it is there that the story unfolds.

Jesse Eisenberg does not stray away from The Social Network’s nerdy Mark Zuckerberg persona in this but he is quite awesome as Blu. I daresay, it’s good for him The Social Network was released before Rio because I’m sure we would have all pictured him as the blue bird instead of Zuckerberg had it been the other way around.

Anne Hathaway displays, yet again, amazing versatility even though only her voice-over skills are put to the test in Rio. Her voice adapts extremely well to the flirty, yet resilient bird Jewel.

You will also hear the vocal talents of Leslie Mann, Black Eyed Peas’ frontman Will.i.am, Jamie Foxx, George Lopez…

All in all, Rio is a movie that will entertain you without asking too much mental involvement on your part. It’s hilarious, sentimental and beyond a doubt authentic.

Le Fabuleux Destin D’Amelie Poulain – Movie Review

Amelie Poulain has led a very sheltered and overprotected life. Home-educated by over-bearing parents, she makes up her own fantasy world. When she eventually grows up and moves out to work at a Parisian Cafe, Amelie finds an old tin box containing a schoolboy’s forgotten memories.
It is then that Amelie decides to help others find love and happiness, which she does in a magical and splendid manner – not knowing that on her path to bring love and happiness to others , she will end up finding them herself.

The interesting thing about the movie is how all the characters interact with each other and how they bring this plot to be. If you take the plot in absolute value, there’s nothing extraordinary about it. But Amelie is an extraordinary movie because the way it handles this plot is brilliant. The chase between Amelie and her love interest is absolutely stunning, to say the least, let alone extremely intelligent.

The first ten minutes of Amelie are absolutely one of the best moments of film-making I have ever watched. Never have I been more positively surprised by a movie than I was with Amelie. You cannot but be instantly captivated with the exquisite narrative: “Le 3 Septembre, 1973, à 18h 28 min et 32 secondes….” It’s absolutely brilliant.
The movie ends with an almost similar style of narrative, giving the aspect of wrapping up the whole thing like a big box with a tidy ribbon.

Audrey Tautou gives a brilliant performance in her role as Amelie. She showcases the strong, independent girl persona perfectly and doesn’t shy away from showing compassion when other characters need it. She’s witty, fast, captivating…

The score by Yann Tiersen is absolutely stunning as well. If you haven’t listened to Comptine d’Eté, n°2, then you really must do so. To say it is a good musical composition would be an understatement. And it works perfectly well in the movie.

Le Fabuleux Destin D’Amelie Poulain is probably the best French movie I have ever watched. It made me appreciate having been taught French so I wouldn’t have to add up closed captioning to the movie and hide out some parts of the screen. It’s a whimsical, fun, care-free and simply happy. I wouldn’t say it’s a perfect movie but it’s pretty close. Everything just falls together in an excellent way in it: the acting, the cinematography, the music, the plot, Paris…
It is a must see for everyone who appreciates movies. And, again, if you’re not hooked by the first minute or so, I advise re-watching it. Because something would be definitely wrong if the absolute wittiness of the introduction sequence doesn’t grab you.

Pictures from Harry Potter And The Deathly Hallows – Part 2

Two new pictures have surfaced from this year’s most anticipated movie: Harry Potter And The Deathly Hallows – Part 2.

I can’t stress enough how excited I am for this movie.

Harry Potter And The Deathly Hallows – Part 2 is released on July 15th, worldwide.

Crash – Movie Review

Crash is a rare cinematic event. It is a highly undercut movie, in the sense that almost everyone thinks it did not deserve the awards it got. It’s also an underrated movie, in the sense that not many people truly appreciate its genius.

Set over a period of 36 hours in post 9/11 Los Angeles, Crash is literally a snapshot in the lives of a few people that inhabit the city. A racist white cop who disgusts his partner, an African-American TV director and his wife, a Persian store-owner inept with English, a white suburban wife, whose idea of a perfect life is one that doesn’t involve much of the different other, and her DA Husband, two car-jackers, two racially different investigators who happen to be lovers and a Mexican locksmith trying to sustain his wife and daughter.

Crash examines the cultural crash that takes place when all these characters come together. It intelligently examines the fear and bigotry that take place when we don’t understand what the other is dealing with. It shows how everyone is intolerant at points, how no one is immune to violence that, at some points, can change lives drastically.

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