Twilight: Breaking Dawn, Part 2 – Movie Review

When it comes to the Twilight series, both the books and the movies have been, umm, less than stellar. The pages that I read way before the first movie was even released told a redundant story that has affected the genre it discussed negatively and the movies took it upon themselves to worsen it even further. The story is so concise that I managed to tell the few thousand pages to a friend in one paragraph. If that’s not a concise summary, I don’t know what is. When it comes to the final Twilight book, any reader of the series can attest that there’s almost nothing that happens in it – or at least in its second half – so the decision to split it into two movies was purely for commercial reasons, which is very obvious.

One thing to say about Breaking Dawn Part 2 though is that, while it is still a weak movie as far as movies go, it’s well above the average for a franchise that has become synonymous with cheap quick money… and it’s also much better than its corresponding half of the last book installment in the Twilight Saga. Much better actually, which goes to show exactly how good the book was.

Bella, now a vampire, is adapting to the changes that her condition imposes. But she has uncanny self-control, enabling her to run away from human blood even on her first hunting trip. The daughter she almost died giving birth to has grown immensely in the two days during which Bella underwent her transformation. And her daughter keeps growing before her… until a vampire sees her and reports her to the Volturi, the council governing all vampires, as an immortal child: children turned vampires, which are also illegal and cause an automatic death sentence on their maker. So the Cullen clan starts preparing for a final showdown against the Volturi, asking for the help of anyone who could listen.

The script of Breaking Dawn Part 2 is mechanic. The acting is robotic. The direction is fill in by numbers. The actors give these looks that try to penetrate into your soul way too many times, eventually ending up becoming just awkward. Kristen Stewart is better as Bella in this movie than she has been in the previous ones. She actually smiles… more than once. Rejoice, maybe? Robert Pattinson still looks and sounds constipated in every single scene he acts. Taylor Lautner is still here only to get the girls in the theatre to scream at the sight of his abs. He shows them once, for the record. But you’re not here for their acting, which is more often than not borderline comical.

The score by Carter Burwell, on the other hand, is pleasant to listen to. The departures the movie takes from the book are also quite shocking. That’s probably the only reason why I left the movie feeling that it wasn’t all too bad. So for readers of the books, prepare to be positively surprised as well as shocked towards the end.

For everyone else, here’s how it breaks down into: if you’ve been able to tolerate the previous movies then you’ll find this one much better. If you couldn’t stand the previous movies but watched them begrudgingly, then this one will still be better. If you have absolutely no idea what Twilight is and wish it to remain this way then lucky you should steer clear.

As the movie opens worldwide tomorrow, almost everyone will draw a sigh of relief as this part of cinematic history comes to a close. And what a [insert any derogatory adjective you want] chapter it has been. However, for such an underwhelming and depressingly horrible movie series, Breaking Dawn part 2 ends it with a bang – or as good as a bang that could be for the standards that Twilight has set for itself. The series’ die-hard fans (or twihards as they call themselves) will be happy with it.

5.5/10 – just for the absolute shocker finale. 

Top 13 Movies of 2011

Note: This list is tentative and will be constantly updated to be hopefully finalized by March at the latest due to the unavailability of many movies that are garnering critical acclaim and award traction, be it on DVD or in local theaters.

After checking my first “Top of 2011” list which dealt with music, it is time for the second one about another thing that I’m interested in and which I’ve discussed many times throughout this past year: movies.

So without further ado, let us begin.

13 – X-Men: First Class

This reboot of the franchise of which I am a fan was a very needed approach in order to keep these X-Men relevant. Showing how Dr. Xavier became as such and Magneto became, well, Magneto, the movie was really a breath of fresh air for action movies that became more reliant on screen explosions and aerobics than on a decent story to which those special effects come as a complement. (My review of X-Men: First Class)

12 – Stray Bullet

This Lebanese movie may be too short and not a very accurate reflection on the war it is supposedly set in but the acting performances in this are so gut-wrenchingly real, it can’t but be on my list. (My review of Rsasa Tayshe/Stray Bullet)

11 – The Ides of March

This political drama is my favorite of its genre this year. I may not agree with the accolades it’s getting everywhere over more deserving movies but it’s still a great movie in its own merits. It’s riveting, engaging, highly reflective and real. It can happen anytime in any political campaign. The performances are top notch as well. (My review of The Ides of March).

10 – Midnight in Paris

Woody Allen’s back to basics is definitely one of the better movies of the year. This Parisian comedy will make you dream. It will take you beyond the confines of whatever room you’re watching the movie in and take you aboard its own fantastical world in a trip back in time. Marion Cotillard is more than brilliant in this. The plot is very original and the movie is very enjoyable. (My review of Midnight in Paris).

9 – One Day

Many didn’t like this movie. I found it enthralling and enchanting. Telling the story of a couple revisiting each other on the day they met every year over the course of 23 years. The premise is intriguing and while I’m sure it flows more smoothly in the book upon which this is based, the movie doesn’t botch it. In fact, the transitions are very smart at times. (My review of One Day).

8 – A Separation

This Iranian movie is simply stunning. It’s a cross examination of Iranian society through the lives of  a couple getting a divorce. The emotions in this run high, they never relent. The hurt in the characters is examined and not feared. Taboos are approached and at the end of the day, it leaves you with a stereotype-breaking view of Iranian society. (My review of A Separation).


7 – War Horse

Steven Spielberg’s WWI epic is, well, an epic movie as well. Based on the children’s book of the same name, War Horse is emotional and phenomenal. It’s stunning to look at and boasts one of the most pleasurable scores I have heard this year in a movie. It is a sentimental movie that transcends age lines and turns into a story for the ages. A must watch. (My review of War Horse)

6 – Moneyball

Brad Pitt shines as Billy Beane, manager of a struggling baseball team, as he tries to get his team to survive a grueling league with a dismal budget. So he enlists Jonah Hill’s Peter Brand to help him change the whole baseball game and turn it head on heels. Moneyball might be the best sports movie made. (My review of Moneyball)

5 – The Girl With The Dragon Tattoo

David Fincher’s take on this Swedish noir novel preserves the book’s essence and turns it into a stellar movie, fueled by a top notch performance by Rooney Mara who embodies the novel’s heroin Lisbeth Salander in spellbinding manner. I loved the book and the movie. (My review of The Girl With The Dragon Tattoo)

4 – The Artist

The Artist is a black and white movie which relies on the symphony playing throughout its run for its only auditory input. And it just works. It asks nothing of you as a viewer but to simply watch, not even listen. It relies on the strength of the performances by its cast to communicate the emotions it tries to convey. (My review of The Artist).

 3 – The Help


Based on the book of the same titleThe Help is easily one of the best movies this year as well. It is the tale of the quest of three Southern women in a 1960s racially segregated America for racial equality. The movie may be a work of fiction but it feels so real when you watch it, you can’t but be amazed. “You is kind. You is smart. You is important” – that’s a sentence for the ages. (My review of The Help).

2 – Where Do We Go Now? (W Halla2 La Wein?)


The Lebanese movie that could. Nadine Labaki’s latest movie is without a doubt one of the best movies this year. After being robbed of a Golden Globes nomination (Angelina Jolie, I’m looking at you), we find solace in this movie winning at the Toronto International Film Festival. Telling the tale of women who go beyond their means to get the men of their religiously-divided hometown to ease the tension, the movie tugs at your heartstring, activates your tear ducts and makes you laugh uncontrollably – all at the same time, sometimes. (My review of Where Do We Go Now?)

1 – Harry Potter and the Deathly Hallows – Part 2

Because there’s no other movie that deserves to be here. Because there’s no other franchise that has had such a thrillingly brilliant finale. Because no other movie has ever gotten me this close to tears and because every single award show is hell-bent on shunning this from the awards it most definitely deserves. Yes, this may be predictable to many but there’s just something about the final installment in the story of Harry Potter that transcends it being just a movie and turns into a cinematic experience that we, as the Harry Potter generation, are very lucky to have experienced. (My review of Harry Potter and the Deathly Hallows – Part 2).

– – – – – — – – – – — – – – – –

Notable mentions:

Puss in Boots, previous #13 on the list’s initial version. 

Soul Surfer (check my review) previous #12 on the list’s initial version.

Source Code (check my review) previous #11 on the list’s initial version.

Harry Potter and the Deathly Hallows – Part 2 Golden Globes For Your Consideration Poster & Video

Warner Bros just shared this poster with me, which they’ve been circulating as part of the award season campaign for Harry Potter and the Deathly Hallows, Part 2.

After being slightly bummed out by Deathly Hallows not receiving almost any award love from Critics so far, this makes me feel slightly better that Warner Bros are not simply letting it slide. Perhaps they’re keeping the big guns for the award shows that matter.

Without further ado, here’s the poster:

There’s also this short but very well-done and emotional video. Ask me, I got goosebumps watching it.

 

Harry Potter Makes Box Office History: Shatters Opening Weekend Record

Harry Potter and the Deathly Hallows: Part 2 soared into the penthouse of the record books with its final installments as the movie grossed over $168 million in its opening weekend in North America alone, beating The Dark Knight’s gross of $158.4 million 3 years prior.

Part 2’s opening weekend also decimated the franchise’s previous best opening weekend with Part 1’s $125 million, set back in November 2010, and in doing so it accounted for two-thirds of all tickets sold over this past weekend.

Deathly Hallows: Part 2 opened up to both critical and audience acclaim (You can read my review here). It currently holds a 97% consensus on Rotten Tomatoes, as well as a score of 87 on metacritic, indicating overwhelmingly positive reviews.
It also broke both the Friday opening record and the midnight screening record, grossing $92.5 million, $43 million out of which were on its midnight screening, as previously posted.

Deathly Hallows: Part 2 would have also grossed over $307 million in international territories in a matter of days, beating previous record set by Pirates of the Caribbean: On Stranger Tides, at $260 million, bringing its total sum since its release to over $475 million, putting it on course to being the first Harry Potter movie to cross the $1 billion threshold.

Analysts are saying the excellent word of mouth the movie is getting, as well as the 3D premium, coupled with it being the final Harry Potter movie are all converging to make it shatter these records. I’m sure Warner Brothers couldn’t be happier.

 

Harry Potter Shattering Box Office Records!

Rejoice Harry Potter fans! The huge blitz for the movie is paying off. In truckloads that is. Not only is the movie absolutely epic (my review) but the response is great as well!

Let’s start domestically in the U.S. Harry Potter and the Deathly Hallows has decimated the midnight box office record, bringing in over $43.5 million from its midnight screenings alone, from 3800 screens. The previous record was held by the Twilight Eclipse movie, which brought in $30 million from 4000 screens. Just to show the magnitude of such an opening, if Harry grossed that much all of Friday, it would still make it the 13th biggest Friday box office opening sum in history.

The movie is headed for a huge U.S. Opening weekend as well with initial forecasts set for it to open with more than $145 million. Most people expect it to go higher and even break The Dark Knight’s record, set in 2008, by grossing more than $158.4 million in its opening weekend, Friday through Sunday.

The Friday total for Harry Potter was $92.1 million in the U.S. alone, dwarfing the previous record set by New Moon at $72 million. Friday’s sum alone puts Harry Potter as the 2nd best opening of 2011, behind Transformers. Though analysts are expecting it to go over $170 million now, to become the highest opening weekend in history.

On the international front, the movie grossed more than $43.6 million from 26 territories. To put it into perspective, that’s 82% better than Part 1 and 46% better than Half-Blood Prince, both of which had huge international opening weekends.

And look at this… the movie set opening day records in every single country it was released in! It grossed more than $7 million in Australia on its first day, beating the previous record set by Return Of The King back in 2003. What was the previous record? Just over $2 million.

The other grosses were as follows: Italy ($4.6 million), Sweden ($2.1 million), Norway ($1.8 million), the Netherlands ($1.7 million), Denmark ($1.6 million), Belgium ($1.4 million) and Finland ($749,000). It also claimed the Wednesday opening record in France ($7.1 million), the preview record in Germany ($5.3 million), and the Warner Bros. opening day record in Russia ($4.1 million).

Harry Potter and the Deathly Hallows: Part 2 is set to break the record set by Half-Blood Prince for biggest opening international weekend as well. And when it’s all said and done, this movie is expected to add more than $1 billion in revenue to the world’s most lucrative movie franchise ever.

I will be posting the final numbers the moment they’re available.