Category Archives: Music

Born This Way (Album Review) – Lady Gaga

Lady Gaga’s much anticipated sophomore release (or third album if you count The Fame Monster as her second) will be released on Monday, May 23rd.

The album opens up with “Marry The Night”, a song about Lady Gaga’s love for her native New York. Fusing electronic beats with interesting lyrics about belonging, her vocals are not drowned out and the production is quite good on this, especially after the bridge.

“Marry The Night” is a decent album opener, followed by her mega-hit “Born This Way”. And while I believe the song itself was driven more by hype than quality (It has become Lady Gaga’s biggest hit but I don’t think it’s her best song), it sets the tone for the message Lady Gaga wants to get across with this album: embrace who you are, regardless of who that might be.

“Born This Way” is followed by “Government Hooker”, arguably one of the most hyped about tracks of the album. Starting off with a very interesting beat, Government Hooker has a brilliant line on the bridge: “put your hands on me John F. Kennedy.” But is this the monster song of the album? No. It is not something I can find myself repeating on end although I can definitely see it being played at some night clubs courtesy of its stunning beat.

And then comes “Judas”, probably the most controversial song on the album. Discussing the struggle between love and sin with a religious twist, “Judas” was the album’s second single but failed to become a mega-hit on pop radio, even though it follows the “Bad Romance” style closely. What “Judas” and “Government Hooker” have in common is their similarity is their euro-pop roots.

“Americano” is a song that fuses latin beats. It is the “Alejandro” of the album, but unlike “Alejandro”, “Americano” doesn’t pack an extra-punch that would make it a viable radio single. “Americano” is a song about a lesbian romance in L.A. This is followed by “Hair”, a song that I feel belongs on the album of a much younger artist than Lady Gaga. The lyrics on it are corny and sometimes ridiculous. Some are saying this is her song for the tween audience, but I think it could have been so much better. For my full review of Hair, go here.

“Schiße” is a track incorporating German lyrics that I don’t understand. The beat is interesting, however. “Bloody Mary” is another song with religious inferences but it is a very interesting song. Do not be fooled by the song starting off with music reminiscent of Broadway musicals, the beat that comes later on is as grinding as the other songs on the album.

“Bad Kids” is the anthem to anyone who hasn’t grown out of misbehaving. It is her homage to the NYC Club Kids era. “Highway Unicorn” is a song about driving down on the highway in a convertible, another song about freedom and being born to be wild.

“Heavy Metal Lover” is Lady Gaga’s take on fetishes and it is more hardcore than Rihanna’s S&M. While I’m definitely not in this song’s target audience (the genre referenced in the title isn’t something I normally listen to as well), some people will like it. Different strokes, I guess. The song has, however, very cool vocalizations in the background.

“Electric Chapel” is an over the top song, driven by electronic beats where she tells the guy not to be a “holy fool”, a lyric also used in “Judas”, and meet her at the electric chapel. The song, like the many songs before it, also incorporates elements from 1980s music, albeit fusing them with sci-fi elements that lack in other songs.

“You and I” is the first track off the album that people heard when it was performed live last year. This is a piano-driven ballad with electronic beats as well, making for a rather unique sound. The album concludes with Lady Gaga’s current single, “The Edge of Glory”, about being on the edge of something great, be it love, life… the lyrics to this are good, as well as a brilliant saxophone breakdown. However, as I said before, I would have liked it to be slower.

“Born This Way” is an album that can’t be separated from hype because hype existed before the album was even conceived. Prior to its release, Lady Gaga had declared that this album would be the “greatest album of the decade”. I’m sorry, Lady Gaga. While this is a good album, it is not a classic that will go down in the books as the best album of the 2010s. Sure, it is different from most of the mainstream music currently being played, but it doesn’t stray far from that. After all, there isn’t a song on this that doesn’t have an electric beat, even the one that was labeled as a ballad.

So overall, horrible cover and Madonna-comparisons aside, this is an album that holds its own in a music climate where doing so isn’t enough. Yes, it will sell millions of copies and bring in millions for Lady Gaga and her label, but will it be enough to take award-gold? Some award shows will honor it. Others won’t. This is will be far from a clean sweep. But kudos for Lady Gaga on making a record expressing what she believes in, regardless of how radio-friendly it may sound (and on most songs, it actually is radio friendly). However, will this the coveted Album Of The Year at the Grammys? I’m going with no.

Remind Me (Single Review) – Brad Paisley and Carrie Underwood

To say the hype for this duet was great is an understatement. Everyone (and yes, I do mean everyone) who had heard the song was gushing about how brilliant it was. Some even called it the best thing to happen this year. So naturally, that sets the bar very high for the song. Does Remind Me deliver?

It does. On every single account!

Appearing on Brad Paisley’s upcoming album, This Is Country Music, to be released on Monday May 23rd, Remind Me is a song about a couple wanting to rekindle their romance. They reminisce over the days where they used to kiss in public, not caring about what people said, when the woman missed her flight because they lost themselves in each other’s embrace… but their fire is dying and they want to find that spark again. (For the full lyrics, click here).

So naturally, a song with Remind Me’s context demands vocalists who are capable of delivering the message credibly. And what better than country music’s leading vocalists to deliver the song. To say Carrie Underwood and Brad Paisley do not shine on this would be a travesty. They excel on a topic that is way outside both of their comfort zones.

I have never heard Carrie Underwood sound more vulnerable on a song before – and she has had many songs dealing with vulnerability. Brad Paisley is the perfect counterpart for Carrie in this song. He exhibits restraint as he tries to seduce Carrie’s character. She whispers back the words “remind me” on the first chorus with impeccable falsetto, penetrating your heart. You feel her longing to her significant other to remind her of how they used to be. The nuances she gives the song are truly stunning as well. It is no wonder Brad Paisley called her today’s best singer in any format of music.

Remind Me is a give and take song between both characters, uniting them both on the song’s bridge, right after a brilliant guitar breakdown, where they tell each other that if “you still love me, don’t assume I know”, remind me. The song is also very real. Every couple has been through that exact same circumstance. Be it after seven weeks, months or years, each couple gets to a point where they feel the need to remind each other of what once was. The imagery the song uses (waking up in the guy’s old shirt, turning out the lights and not sleeping…) is very raw and helps get the song across.

When you listen to Remind Me, you will know that this song will burn through the country charts left and right, up and down. There’s no way this won’t be this year’s biggest hit and win every single award imaginable next year. And people had said both artists were past their prime. This song is there to remind everyone of the caliber Brad and Carrie are made of. And if they keep on giving us music like this, let them keep on reminding us.

You can listen to Remind Me here:

Remind Me (Lyrics) – Brad Paisley and Carrie Underwood

These are the full lyrics for Remind Me, the duet between Brad Paisley and Carrie Underwood. And let me say: THIS IS EPIC! Read my review of Remind Me here.

[Brad] We didn’t care if people stared
We’d make out in a crowd somewhere
Somebody’d tell us to get a room
It’s hard to believe that was me and you
Now we keep saying that we’re ok
But I don’t want to settle for good not great
I miss the way that it felt back then I wanna feel that way again

Been so long that you’d forget the way I used to kiss your neck
[Carrie] Remind me, remind me
So on fire so in love. Way back when we couldn’t get enough
[Carrie] Remind me, remind me

[Carrie] Remember the airport dropping me off
We were kissing goodbye and we couldn’t stop
[Brad] I felt bad cause you missed your flight
[Carrie and Brad] But that meant we had one more night

[Carrie] Do you remember how it used to be
we’d turn out the lights and didn’t just sleep
[Brad] Remind me Remind me
Baby remind me
[Carrie] Oh so on fire so in love
that look in your eyes that I miss so much
[Brad] Remind me, baby remind me

[Brad] I wanna feel that way
[Carrie] Yeah I wanna hold you close
[Brad and Carrie] Oh If you still love me
Don’t just assume I know

[Carrie] Do you remember the way it felt?
[Brad] You mean back when we couldn’t control ourselves
[Carrie] Remind me, remind me
[Brad] Yeah remind me
[Carrie] All those things that you used to do
That made me fall in love with you
Remind me. Oh Baby Remind Me

[Brad] Yeah you’d wake up in my old t-shirt
All those mornings I was late for work
Remind me

[Brad and Carrie] Oh baby remind me

Thank you for Volcomlvr87 over at CarrieFans for the lyrics.

Hair (Single Review) – Lady Gaga

As a follow up to her Edge Of Glory iTunes promotional release and leading up to her album release next Monday, Lady Gaga has released a new song off her album, titled “Hair”. However, unlike Edge Of Glory, I don’t see pop radio jumping on this one and having it labeled as her next single, after Judas failed to do well on radio.

Produced by RedOne, the person responsible for Poker Face, this is basically a song that brings back Lady Gaga to her dance music self. However, and I don’t want to sound like a broken record with this, is it really as good as her previous dance-music songs? Is this as good as Just Dance and Poker Face?

The answer is a succint no.

The message behind the lyrics is quite simple. Girls can definitely relate more to the comparison she draws in the song but she’s basically inviting people to be as free as their hair, which I’m assuming is when your hair flies in the air, not caring the direction it goes in.

Now, the message itself is empowering: be whatever you want, don’t care about what other people think, etc… and it fits with the “Born This Way” brand she’s been trying to sell with this album. However, I just felt the whole comparison of freedom to hair, although it gets the message across, to be simply ridiculous. Wasn’t there something else she could compare having a free opinion to?

Moreover, I do not really feel the beat of the song. I think it takes away from the lyrics, regardless of how corny those lyrics might be. Lady Gaga even sounds a little drowned out at some points. And I believe the track was overproduced at certain points, especially with the overuse of beats and auto-tune.

The strength of “Hair” is that it’s a relatable song. We’ve all been through events where we wanted to make our decisions freely and had people breathing down our necks to go one way or another. “Hair” fails, however, in being more than a song getting this message across. And there are plenty of songs out there that have a similar theme. So you’d expect that, when you want to rehash a topic, to make your work stand out and offer new things to the table. The Edge Of Glory had great lyrics and an awesome saxophone breakdown. This, however, doesn’t have anything that could make me want to play it willfully. I just hope the album has better songs where Lady Gaga doesn’t want to “lots of friends inviting her to their parties”.

Listen to Hair here:

Edge Of Glory (Single Review) – Lady Gaga

Lady Gaga has been what you would call pretentious in her “Born This Way” era so far. In what way? well, she calls people to embrace who they are and yet, her image is fake, her covers are filled with prosthetic additions to her face  that make you cringe and her songs are anything but a simple manifestation of artistry.

More often than not, she writes songs that serve as a vehicle for her shock value entertainment, follows them up with a video that has nothing to do with the song, extends the video to about ten minutes and people go gaga over it. And it has been working for her except Judas isn’t doing as well as they thought it would, especially on pop radio.

Now, as part of an iTunes countdown to her album, Lady Gaga has released Edge Of Glory. I have mixed feelings about this. While I like the departure from the “religiously-controversial” and “born this way” themes to much less controversial stuff (such as love), I feel the song is simply deja vu.

Has Lady Gaga lost her touch? This is a song that doesn’t rely on techno music and electronic beats as much as it relies on simple pop music and it’s simply not as strong a tune that you would expect from someone who has given the masses hit after hit, some of which are quite good quality-wise.

Now, I’m not the best person to consider when it comes to Lady Gaga. I have yet to immediately get hooked on her songs. They usually get “stuck” so to speak due to radio overplaying them. But that’s not to say that “Edge Of Glory” isn’t catchy. After all, Lady Gaga knows how to write a crafty hook. And I especially like how the saxophone goes into play there. But I think when Lady Gaga tackles the issue of love for the first time in a single, I thought it would be more like this song (Captivated) before she went all gaga:

Regardless of what I think, her fans will eat this up. Watch it become #1 on iTunes in a few hours and debut high atop the Billboard Hot 100 next week. But selling truckloads of singles isn’t always a sign of quality. And I think Lady Gaga has become too indulgent.

Listen to Edge Of Glory here:

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