Category Archives: Entertainment

Carrie Underwood – Blown Away Tracklisting

These are the tracks that will be on Blown Away, Carrie Underwood’s 4th studio album:

1. Good Girl (Carrie Underwood/Chris DeStefano/Ashley Gorley) – 3:24
2. Blown Away (Chris Tompkins/Josh Kear) – 4:00
3. Two Black Cadillacs (Carrie Underwood/Hillary Lindsey/Josh Kear) – 4:58
4. See You Again (Carrie Underwood/Hillary Lindsey/Dave Hodges) – 4:06
5. Do You Think About Me (Cary Barlowe, Hillary Lindsey, Shane Stevens) – 3:37
6. Forever Changed (Tom Douglas, Hillary Lindsey, James Slater) – 4:02
7. Nobody Ever Told You (Carrie Underwood/Hillary Lindsey/Luke Laird) – 4:10
8. One Way Ticket (Carrie Underwood/Luke Laird/Josh Kear) – 3:56
9. Thank God For Hometowns (Ashley Gorley, Luke Laird, Hillary Lindsey) – 4:01
10. Good In Goodbye (Carrie Underwood/Ryan Tedder/Hillary Lindsey) – 4:17
11. Leave Love Alone (Gordie Sampson/Hillary Lindsey/Troy Verges) – 3:19
12. Cupid’s Got A Shotgun (Carrie Underwood/Chris Tompkins/Josh Kear) – 3:43
13. Wine After Whiskey (Carrie Underwood/Tom Shapiro/Dave Berg) – 3:51
14. Who Are You (Mutt Lange) – 3:55.

Wine After Whiskey, which I had blogged about previously, has made the album while the Lori McKenna track, Nobody Knows, has not.

All in all, the titles are quite interesting. I’m very interested in hearing the Ryan Tedder track, Good in Goodbye actually. The album features 8 Carrie Underwood co-writes and 8 Hillary Lindsey co-writes. This should be a good mix.

The Hunger Games Soundtrack – Album Review

The Hunger Games is probably one of the most anticipated movies of the year. And the movie delivers (read my review). With such standards, the need for a decent soundtrack becomes evident. The album’s producer T-Bone Burnett manages to do what he does best. The award-winning producer has come up with a very coherent album with a specific vibe and feel that doesn’t stray away from the movie’s theme.

While listening to The Hunger Games‘ soundtrack, titled: The Hunger Games (Songs from District 12 and Beyond), you cannot but feel that this is an album that would have stood alone as a credible work without an accompanying movie. The fact that there’s a movie to it is just the cherry on top. It’s a folky, country album. It is mellow, somewhat subdued in parts and also defiant in others. The sound it holds varies between realism and shrieking for liberty. It switches between being soothing and calling for arms.

It is a treat to listen to.

Opening with an eerie battle for strength by Arcade Fire, in a song titled “Abraham’s Daughter,” the bar is set very high for the album. Driven by incessant military beat, the band sings in Biblical terms about the power of sacrifice. It is the song that plays as the movie’s credits start rolling.

The album also features two songs by country superstar Taylor Swift, both of which are not the typical country pop sound she has become known for. Instead, Taylor has decided to let her sound grow on an album that is not hers. On “Safe & Sound” (full review of the song), she’s soothing, telling the character to whom she’s singing to “close your eyes, you’ll be alright. No one can hurt you now. Come morning light, you and I’ll be safe and sound.” On the other offering for Taylor in the album, the song titled “Eyes Open” (full review of the song), she is the exact opposite. “Keep you eyes open,” she incessantly repeats as if her life depended on it.

Grammy-winning folk band The Civil Wars are also present on the album in two songs. The first is a feature on the aforementioned Safe & Sound, the second is one entirely their own called “Kingdom Come”. For a band known for their harmonies, they work their best here. Their harmonies get better as the song progresses. “Run, run, run away. Buy yourself another day. A cold wind’s whispering secrets in your ear. So low only you can hear…. It’ll all be over soon. I’ll be waiting here for you.”

Hip-hop artist Kid Cudi is featured on a song titled “The Ruler and the Killer.” Maroon 5 also contribute a haunting submission titled “Come Away To The Water,” a song that is very different from many of their personal material with lyrics that are dark and haunting. “Come away little lamb, come away to the slaughter. To the ones appointed to see this through. We are coming for you.”

New country band, The Pistol Annies with their frontwoman Miranda Lambert are present on “Run Daddy Run,” a folky song that’s very in the vein of what other country artists had given the soundtrack. It is reminiscent of the movie’s mood as well. “Daddy, can you hear the devil drawing near?” they sing with conviction.

Glen Hansard, known for his more subdued songs such as “Falling Slowly”, is outside of the character he has convinced people of. On the rocking song “Take the Heartland,” he shouts and pleads. “I’m not gonna put my head down. I’ll face it like a Fidel Castro, like a Che Guevara or a Fidel Castro. I’m gonna grab my bow and my life’s one last wish. And I’m gonna take the life and a knife. And I’m gonna shape my way and not fall.”

Young singer Birdy, known for her cover of Bon Iver’s “Skinny Love,” concludes the album with the chilling “Just a Game.” “There comes you to keep me safe from harm. There comes you to take me in your arms. Is it just a game? I don’t know. Is it just a game? I don’t know” she pleads.

The album also features many other artists such as The Decemberists, The Secret Sisters, Neko Case, The Carolina Chocolate Drops, Punch Brothers, Jayme Dee and The Low Anthem. All of the 16 songs that make up the album help create a great companion for The Hunger Games.

After watching the movie, you cannot but be certain that The Hunger Games‘ soundtrack fits the movie perfectly. While listening to the songs, you can close your eyes and imagine Katniss struggling for her life, arming her bow and shooting at her enemies. And in a way, the soundtrack does that. It shoots at musical conformity by giving you a composite sound different from most of the music you hear nowadays. And that is always certainly welcomed.

9/10

The tracklist:

1. Arcade Fire, “Abraham’s Daughter”
2. The Secret Sisters, “Tomorrow Will Be Kinder”
3. Neko Case, “Nothing To Remember”
4. Taylor Swift, “Safe & Sound ft. The Civil Wars”
5. Kid Cudi, “The Ruler and The Killer”
6. Punch Brothers, “Dark Days”
7. The Decemberists, “One Engine”
8. The Carolina Chocolate Drops, “Daughter’s Lament”
9. The Civil Wars, “Kingdom Come”
10. Glen Hansard, “Take The Heartland”
11. Maroon 5 ft. Rozzi Crane, “Come Away To The Water”
12. Miranda Lambert, “Run Daddy Run feat. Pistol Annies”
13. Jayme Dee, “Rules”
14. Taylor Swift, “Eyes Open”
15. The Low Anthem, “Lover Is Childlike”
16. Birdy, “Just A Game”

 

The Hunger Games – Movie Review

For legions of people, The Hunger Games is the most anticipated movie release of the year. And for a movie released so early in 2012, that’s saying something. Based on the book of the same title (read my review here), The Hunger Games stars Jennifer Lawrence as Katniss Everdeen, a sixteen year old girl living in a post-apocalyptic America where hunger and oppression ruled, where hunting for rodents was the way to keep your family alive and where every day represents a fight for your life.

This post-apocalyptic America is the country of Panem, governed by the Capitol which oversees twelve districts, making sure they are stripped down to the bare necessities. Those twelve districts had been thirteen that rebelled against the Capitol’s oppression. They lost the war and are still paying the price, the heaviest of which is the annual Hunger Games which require each district to send a young man and woman, for a total of 24, to battle each other to the death. There can only be one victor. “May the odds be ever in your favor” is the sentence the tributes keep hearing as if odds will help them on the brink of death.

When her sister is chosen, Katniss volunteers in her place and is taken along with the male tribute of District 12, Peeta Mellark (Josh Hutcherson), to the Capitol where they are groomed like lambs for slaughter in an attempt to make an impression which can make it or break it for them once the games fall upon them. And fall they do, with devastating consequences.

To see the Katniss Everdeen of your imagination after reading The Hunger Games books be incarnated so perfectly on screen by Jennifer Lawrence is a joy to the eye. Lawrence struts through every scene as if she was Katniss and Katniss was her. She exuberates confidence, sentimentality, fragility, innocence, worry, love and pain. Widely known for her Oscar-nominated role in Winter’s Bone, Lawrence is still in the same vein in The Hunger Games. This time, however, she manages to polish the sides of her performance, nitpicking until she truly becomes flawless. In Katniss, Lawrence gives you a heroine you want to root for with all your heart. It doesn’t even feel forced, it’s simply natural to feel invested in the primal force that Lawrence conveys to Katniss. And it is then that you realize the brilliance of Lawrence’s Katniss. She has managed to make her character one that is driven by principle.

Director Gary Ross manages to not let the movie’s extended run at 140 minutes affect it negatively. The Hunger Games doesn’t let down. It keeps picking up, bring in gut-wrenching revelations and action sequences one after the other. Ross uses the action of the movie to serve the characters, not drown them. He keeps the suspense going throughout. His camerawork is also highly interesting, with lots of focus on his characters’ faces, giving them a more humane appearance and seeing the struggles in them easily. Co-writing the movie’s script with the book’s author, Suzanne Collins, he stays true to the book’s essence. Even though some sequences have been shortened and some have been omitted, the feeling of the book remains there, present for you throughout to sink your eyes into.

At the center of the deathly games is a growing love triangle between Katniss, Peeta and Gale (Liam Hemsworth), a friend of Katniss from District 12 who’s lucky enough not to have been chosen as tribute. Liam Hemsworth quickly establishes himself as a forceful character, with the limited screentime he gets. Peeta (Josh Hutcherson) is highly relatable as the man secretly crushing over Katniss whose only memory of him is him helping her in a time of need. But the greatest triumph in this regard for The Hunger Games is focusing less on the love triangle than other movies targeting the same audience, making you really not care about either Team Peeta or Team Gale. At the end of the day, the only team you want to be on is the movie.

Other actors that appear in the movie are Stanley Tucci as Caesar Flickerman, a TV host that charmingly narrates the games as they unfold. Elizabeth Banks stars as Effie Trinket, a Capitol spokesperson who’s as obnoxious as she is caring. Donald Sutherland appears as the horrible President Snow, governing his country with a hand of steel. Woody Harrelson is the always drunk Haymitch who has to sober up in order to tip the balance in his tributes’ favor.

The Hunger Games is an unflinching adaptation of Suzanne Collins’ book. In many ways, the book was more suited for a screen adaptation because it is that fertile for the imagination. The movie does not falter. It’s a more serious movie than many might think it could possibly be. It is gut-wrenching at times and heavily sincere at others. It takes you on a roller coaster ride that you never want to let go of. In fact, not wanting to let go is most evident when, after 140 minutes, the movie suddenly ends and you remain in your seat wanting more. Fans of the book, rejoice. The Hunger Games does not disappoint at all. It’s a haunting tale that, coupled with a chilling score by James Newton Howard that serves as a brilliant auditory backdrop the darkest of scenes, will leave you mesmerized by how real it feels and how good it turned out to be. May the odds be ever in favor of The Hunger Games.
10/10

Lebanese Screenwriter Finalist in the European Independent Film Festival

Grace Shalhoub Yazbek, a Lebanese screenwriter originally from the village of Douma in the Batroun caza, has qualified as a finalist for the European Independent Film Festival in the Feature Film Scripts category for her screenplay titled “Gibran.”

As the title implies, the movie is about famous Lebanese author Gibran Khalil Gibran. The approach adopted to the issue, however, was not to retell his story like many other books and movies have done but to add a more flavor to it, spanning from his birth and childhood in Becharreh, to his travels and studies in Boston – all to the backdrop of him maturing as an artist and human being, culminating in the writing of The Prophet.

Grace’s sister, Nicole, spoke to me about the possibility of her sister’s inspiration being the fact that both them and Gibran are Lebanese American heritage who were raised in Boston and as such the figure of Gibran was always an influence in their lives as well as an inspiration. In a way the Lebanon-Boston connection that the writer shared with the author on whom she’s writing gave rise to the nominated screenplay.

I wish Grace the best of luck and hope her screenplay ends up winning the big prize. Lebanese talent is sure finding its way to success lately.

Mirror Mirror – Movie Review

2012 can definitely be considered as the year of Snow White. The story has two movies coming out this year, one of which is Mirror Mirror, and a TV series, Once Upon a Time, by the creators of Lost no less.

This adaptation of the infamous fairytale strives to balance comedy with drama – it seeks out light-hearted moments and intersperses them among the storyline’s darker elements, giving a rather refreshing approach to the story we all know.

The movie starts with the Evil Queen (Julia Roberts) telling what she calls her story of which the little girl, whose skin is white as snow and hair dark as night and so called that pompous obnoxious name, Snow White, is of little importance. As Snow White grew and her father, the king, realized he was unable to teach her everything she needed to know, he decided to remarry. The king was bewitched by the dazzling beauty and charm of a woman – the Evil Queen compliments herself plenty – and marries her. But a dark magic sweeps the land and the king is forced to go save his kingdom, never to be seen or heard from again.

As Snow White grows, the Evil Queen tries to keep her at bay, safely tucked away at the castle. But the Evil Queen knows that there will come a time when Snow must do what snow does best and Snow must fall.

Julia Roberts is riveting as the Evil Queen. Even though the movie is not really her story, she manages to make it all about her and she pulls it off remarkably. Whenever she’s on screen, she dominates – be it with her charm or uncanny ability to fool you with an innocent looking smile. Julia is a major contributor to Mirror Mirror‘s two faces. She can be hilarious at times and  downright chilling at others. In fact, the moment the credits started rolling, the people I was watching the movie with were positively surprised that Julia Roberts had it in her to portray an evil role. Even the comic relief moments she introduces here and there are of evil nature. For the doubters about Roberts’ ability to portray the Evil Queen, you will be impressed.

The rest of the cast, even Snow White (Lilly Collins), do very well with the characters they’re given. Those that are asked for seriousness are serious and those from whom comedy is required are often hilarious. Acting-wise, Mirror Mirror is simply charming and fun to watch, especially with the interactions of Snow White with the Dwarves or the Evil Queen with her minion.

The interesting thing about Mirror Mirror is that it doesn’t go along the typical Snow White storyline we’ve all known. The whole poisoned apple storyline is downplayed, the Evil Queen doesn’t want to kill Snow White because of her ethereal beauty but because she got active in the affairs of the kingdom. The band of dwarves, usually thought as kind, happy or grumpy or sleepy or whatever their names are, are not like that at all in Mirror Mirror – they are a band of thieves who pry on unsuspecting strangers passing along their path. These little detours from the fairytale we’ve all memorized are what keep Mirror Mirror an interesting movie to watch.

Mirror Mirror is a fun and entertaining movie, be it with its plentiful humor, Julia Roberts’ sarcasm, Lilly Collins’ innocence or Prince Alcott’s (Armie Hammer) facial expressions. As the title implies, the movie has two sides: one is comedy, the other is a fairytale and both work really well together. The happy ending doesn’t feel forced on it, the movie builds to it – what it doesn’t build to, however, is that Indian dance scene it concludes with. But even that ridiculously out of place ending sequence cannot derail what is a strong movie from being bogged down. Even Game of Thrones fans will be surprised by a brief appearance of the series’ most prominent characters and that’s always a good thing.

7.5/10