4 (Album Review) – Beyonce

Beyonce - 4 - album cover

I have to admit. When I first heard “Run The World” my expectations for this album by Beyonce sank lower than the Dead Sea. I am not the biggest Beyonce fan but I’ve come to appreciate her as an artist and come to like a few of her songs (Halo, Sweet Dreams, If I Were A Boy, Listen, Irreplaceable…) so it was with caution that I approached listening to this album.

And it is drastically different from what I expected it to be. If the norm is for an artist to release a sample of the album’s sound with the leading single, Beyonce simply shattered that. “Run The World” has nothing to do with any other song on the album. And that’s a very, very good thing.

4 is an album full of ballads where Beyonce showcases her amazing vocals. She’s the kind of artists that’s always underestimated when it comes to her vocal chops, mostly because she caters to an audience that doesn’t really care about such things. So with 4, she shows impeccable growth in that department and she delivers the album that she wanted to make, regardless of how much it would sell or how well radio would respond to its singles.

4 is also an album that could well be the exact theme opposite of the Adele’s brilliant “21”. Where the latter was an album about sweet heartbreak, 4 is an album about falling in love. Even the heartbreak ballads on 4 are songs about how Beyonce still has love for her significant other.

The album opens with the gut-wrenching ballad “1+1”, which I reviewed earlier after Beyonce debuted it in an impeccable performance on American Idol. And if you thought that performance was great, a video of Beyonce singing the song in her dressing room for select friends and family where she was even better, showing that what you get on stage is who she is – not just a synthetically improved gimmick.

The album continues to a song titled “I Care,” a balland about Beyonce’s significant other not caring about her anymore but she can’t help it that she still cares about him. On “I Miss You,” Beyonce sings: “It hurts my pride to tell how I feel but I still need to… I miss you.” Another album highlight.

“Best Thing I Never Had” is the album’s second – and much better – single, where Beyonce declares to the person she was interested it that he doesn’t deserve her tears and she was the best thing he never had.

A change of tempo in the upward direction comes in the form of “Party”, a song that I cannot wrap my head around, mostly because it feels like sub-quality compared to the songs around it. But for those who like dancey Beyonce sound, this song is for you.

On “Rather Die Young,” another vocal-showcase ballad, Beyonce declares to her love interest that even though he smoked too much and drove too fast, he gave her a rush – made her feel like she was seventeen – and she’d rather die young than live her life without him.

“Start Over” is another album highlight where Beyonce acknowledges that the relationship reached a very rough patch, but she can’t help that she still loves the guy. And then she invites him to “start over” because they can’t let their good love die.

“Love On Top” is another declaration of love on the album where Beyonce’s love interest put her love on the top list of his priorities. How he’s the one she always calls, how his lips taste like champagne, etc…

I cannot also wrap my head around “Countdown,” another song for uptempo Beyonce fans. The song is basically a countdown from ten to one that ends with him being the one.

“End of Time” is rumored to be a strong contender for the upcoming single off 4. Many people are loving this song but I feel the album has many stronger songs but I do get the radio potential in this. And after all, you need a strong radio performance of a single to sell the album. On this song, Beyonce declares that she’ll “love you until the end of time.” The song is filled with a tribal-like rhythm.

“I Was Here” is the album’s most personal song. It is a testament of Beyonce’s achievements, what she has accomplished and what she still wants to do: “I wanna leave my footprints on the sands of time… When I leave this world, I’ll leave no regrets. Give something to remember so they won’t forget I was here, I lived, I loved. I did, I’ve done everything that I wanted…”

And the album is concluded with “Run The World (Girls),” which after the series of brilliant songs that precede it sounds like an out of place song on a much superior record. You start thinking what Beyonce was thinking when she released this song as the album’s lead single when she had much stronger songs that could have helped her sell the album more.

It’s always refreshing when a capable artist decides to deliver true artistic songs that display their talents and not just some brainless pop songs that only get you to dance. 4 is an album with many influences, the most prominent of which is an 80s RnB sound. It feels to be a natural evolutionary step for an artist who made her career by walking across genre lines. 4 is a great album that could be considered as Beyonce’s best.

Songs to download:

1+1, I Care, I Miss You, Best Thing I Never Had, I Was Here.

Transfomers: Dark Of The Moon – Review

It’s not hidden from anyone that I really enjoyed the first two Transformers movies. So when the news that a third one was being prepared surfaced, I was both excited and cautious. After all, the other previous movies were a sight to see, a true cinematic experience in everything bombastic so I was positive this one would be at least as visually satisfying. But there was no Megan Fox in it and how far can you stretch a story about aliens and robots that turn into cars and vice versa without stretching it too far?

Transformers: Dark Of The Moon is probably my favorite movie of 2011 so far. If Thor had ignited this year’s summer movie season, Transformers 3 is burning and torching the field left and right, up and down. And then down. And then up. Just for good measure.

Shia LaBeouf returns as quirky Sam Witwicky, the guy always at the wrong place and time when it comes to this alien species of Autobots and Decepticons. He’s all grown up now, freshly graduated, and searching for a job. Megan Fox dumped him and he replaced her with an even hotter girlfriend named Carly, portrayed by Rosie Huntington-Whiteley, a newcomer British actress. Carly has a job, working for her shady employer, played by Patrick Dempsey, who is more on the McDreary side than the McDreamy side here. And let’s just say, Sam Witwicky has got some kick ass luck when it comes to hooking the undeniable hotties of the world.

But the story of the movie starts decades before Sam was even born and builds on the conspiracy theories revolved around man’s landing on the moon. In the early 1960s, an Autobot spacecraft crashed on the dark side of moon. It was discovered soon after by the humans, launching the space race between the US and USSR. In 1969, Neil Armstrong lands on the moon. He utters his famous words and then everyone loses contact with him. That is everyone except 35 people in a locked NASA room. They investigate the spacecraft and return back home. Soon enough though, missions to the moon are canceled and all of the info is buried in Sector 7.

But the Autobots discover a fragment of that spaceship in Chernobyl and set out to recapture their long lost leader from the wreckage. But the Decepticons are more deceptive this time. They have infiltrated the human rankings like they’ve never before. They have allies in the least excepted of places and their plan is devilishly well-woven.

Transformers 3 is such a gloriously visual movie that you are transfixed from moment one and left as such well into the credits. Granted, I love the Paramore song so that’s why I stayed, but still. It’s a two hour and a half movie that leaves you staring at the screen for most of that duration. We can talk forever about those visual effects. Absolutely stunning. Glass-shattering, robots transforming, things exploding, people flying and frying… everything was so meticulously done with the utmost consideration for detail. The creators of this movie knew their strong suit would be the visuals and they did well by excelling in that regard.

Speaking of the duration, the storyline around the 1969 landing and the spaceship on the dark side of the moon could have definitely been cut down by about ten minutes, shortening the movie by a little amount. But I’m not complaining, I loved every minute of it.

The storyline is drastically different from the first two in the sense that you don’t need to have watched the first two movies to understand what this one is about. It starts off from scratch, serving at some sort of reboot for a franchise that some felt was sagging with its previous outing. I still do not get, however, how mankind is still oblivious to the fact that such alien species roam around us. Haven’t they effectively almost destroyed a bunch of capital cities in the previous movies? And why does Sam have to be leading a crappy life (girlfriend aside) whenever each movie starts? The character actually wonders if the government should give him a job, right at the beginning of the movie. And I have to agree. The storyline could use some tweaking for continuity and logic but it works for what it is.

On the acting side, you can say that most of the actors and actresses in the movie are, in biological terminology, linker sequences. How so? they help bring the movie together but their overall role is somewhat useless. Or if you don’t want to be harsh, you can question its use or think it is somewhat in the eye of the beholder so to speak. Is there much use for Shia and the new hottie Rosie in this movie? You might say they serve as some sort of catalyst. But that’s pretty much it. Even if you take them out, you’d still be left for a very solid movie. They just add to it. After all, one of the opening scenes has Rosie strutting around in underwear. Just saying.

Overall, Transformers 3 is an awesome addition to the franchise that carries it. It is a highly, highly (yes, twice for emphasis) movie that allows you to sink right in. It is huge in the sense that it submerges you with its grand sounds that accompany the eye-popping visual effects. Michael Bay presents a movie that is much better than the previous Transformers movie, although I still stand by Revenge of the Fallen being a good movie as it was. Some great actors were featured in very minute roles, such as John Malkovich in about five minutes of screen time as Sam’s employer and legend astronaut Buzz Aldrin has a cameo at one point. He was one of the original astronauts who landed on the moon. At the end of the day, Transformers 3 is a movie that you know you’re going to watch because of its metal-crunching and awesome action sequences. You do not expect to go there for some heavy mental stimulation. And for what it’s worth, it delivers brilliantly.

If I Die Young (Single Review) – The Band Perry

 

Newly released to American pop radio after dominating the country charts last year, If I Die Young is the second single by country newcomers: The Band Perry.

Already certified 2x platinum, you feel such a success is the most natural thing for a song of If I Die Young’s caliber.

“If I die young,” Kimberly Perry starts the song that she wrote by herself, “bury me in satin, lay me down in a bed of roses, sink me in a river at dawn, send me away with the words of a love song.”

The opening lyric sets the hypothetical tone of the acoustic-leaning song. And it is through that tone that the narrator, Kimberly, continues her story. “Lord, make me a rainbow, I’ll shine down on my mother. She’ll know I’m safe with you when she stands under my colors.”

The whole song is a testament to Kimberly Perry’s command of language and crafting interesting images that do not feel forced. On the contrary, the whole song, though the theme might be morbid to some, is a jubilation to life. And everything in it fits like the pieces of a puzzle. If I Die Young boasts very sharp lyrics with highly imaginative detail, building a story of a girl who’s contemplating how it would be if she were to die young.

On the second verse, the narrator laments on the fact that she never knew love. “There’s a boy here in town, says he’ll love me forever. Who would have thought forever could be severed by the sharp knife of a short life? Well, I’ve had just enough time.”

And as is natural with everyone thinking about death, the prospect of value comes up. It’s a recurrent topic how the things you own get more valuable when you pass away. And that issue is tackled in If I Die Young as well.

A penny for my thoughts, oh no, I’ll sell ’em for a dollar
They’re worth so much more after I’m a goner
And maybe then you’ll hear the words I been singing
Funny, when you’re dead how people start listening

And then the song comes full circle with the narrator singing the chorus one last time before elaborating on what the love song should be: “The ballad of a dove, go with peace and love. Gather up your tears, keep ’em in your pocket… save them for a time when you’re really gonna need them, oh”

If I Die Young might be a song with death in its title but it’s mostly about living. It’s not about the narrator inviting the listener to live to the fullest, but it’s more saying that: “even though my life was cut short, I am satisfied with the time I’ve had – I’ve had just enough time.”

Nothing is more testament to how people perceive If I Die Young than the response the three members of The Band Perry received because of that song. The most famous story regarding the song comes in the form of a letter than Kimberly received, containing a necklace with a letter from an eighteen year old girl who lost her best friend to cancer. The girl was contemplating suicide, mourning her friend, and If I Die Young came on the radio. The girl heard so much life in that song that she sent The Band Perry her most prized possession, the necklace her friend gave her before passing away.

If I Die Young is also a song that touched people from older generations. While performing the song at a concert, The Band Perry saw an older woman standing in the scorching heat with a sign on which the words: “She died young” were written, signed with her daughter’s name.

Kimberly Perry delivers the song brilliantly. She doesn’t under or over-sing. She handles the melody with restraint and impeccable nuances. Her slightly weathered voice adds magnificence to the song, as well as the subtle harmonies that her brothers deliver in the background.

You cannot listen to If I Die Young without feeling something. It is a song that crosses age boundaries and touches everyone regardless of personal background or even musical preference. We’ve all had someone who died young. It is a song that calls after you to live and enjoy life. It calls on you to love your life and to always have no regrets. It’s no wonder it stands out on pop radio among all the electronic music being played. It rises way beyond clubbing songs that you would hear before and after it, simply because this is a raw, authentic and real.

Listen to If I Die Young here:

True Blood – Season 4 Premiere: She’s Not There

This post contains a few spoilers. So if you haven’t watched the episode, proceed at your own risk.

This is the first time I had to wait for a True Blood season. I watched all three previous seasons back to back last December and I was hooked.

The accurate description for a show like True Blood would be vampire porn. There’s more nudity in it than any other show you’ve watched and it’s about vampires, werewolves, witches, fairies and other fairytale elements.

Well, season 4 premiered on Sunday with a brand new episode titled “She’s Not There” and the episode sets the tone for what is looking to be a great season ahead.

At the end of season 3, Sookie found out that she’s half fairy and that vampire Bill Compton had a mission by the queen of Louisiana to get her trust so they can harvest her blood and soon enough, she was transferred to some sort of parallel realm full of similar fairies. But she starts to get suspicious in that realm, as season four starts. Something doesn’t feel right. And soon enough, she finds out that these fairies are harvesting humans. She escapes and gets back to Bon Temps, her hometown, only to find out that the ten minutes she was in that realm are equal to a year on Earth.

I never thought True Blood would go the time jumping route but it simply made sense. Imagine Sookie going back to her hometown only ten minutes after the end of season 3? It wouldn’t have left any room for substantial plot advancement. And the plot advances considerably to basically allow the viewer to have some sort of “blank” slate for season 4, one that doesn’t need to strongly build on previous seasons. This also marks the first time there’s a substantial time difference between True Blood seasons. The previous two picked up where the one before them left off.

Her friend Tara is apparently now a lesbian who goes by the name of Toni and has moved out of Bon Temps. Sam Merlotte is going to a weird anger management program and his brother is very much still alive, albeit being shot in his leg and needing physical therapy. Jessica Lamby is still with Hoyt but their relationship is struggling as they try to get used to the differences between them: her being vampire and him being human. He takes her out to Fangtasia, the show’s favorite pub, where she meets a human that entices her but she stops herself from acting on her impulse.

Lafayette is still dating the male nurse/witch and they go to a seance, with a very interesting twist, signaling a very substantial role for witches this season. The leader of the witch coven is a named Marnie, played by Irish actress Fiona Shaw, known for her role as aunt Petunia in the Harry Potter movies.

Jason Stackhouse, Sookie’s brother, is now a cop. He has also sold her house because he thought she was dead and the house had too much memories for him to take.

Bill Compton is now the king of Louisiana and has a new love interest in the form of Any Belfleur’s sister: Portia, a local lawyer. Eric Northman is the one that has changed the least and as he tells Sookie, he’s the only one who was sure she wasn’t dead. The vampires are still battling for their civil rights and Eric starts playing a role with the PR of the movement.

The premiere had a few off moments though. How could a fairy godmother be a guy with a six pack is the first WTF moment of the season. Add to that seeing Tara/Toni making out with a girl in a dark alley somewhere and you start wondering: when did she decide to turn lesbian?

All in all, it was a highly entertaining season premiere. But get this, next week’s episode looks to be much better!

Sparks Fly (Single Review) – Taylor Swift


Taylor Swift just announced Sparks Fly as the upcoming single off her 3x platinum album: Speak Now.

The song, which has existed for a few years now, was given a slight makeover and included, due to overwhelming fan demand, on Taylor’s newest album: Speak Now.

The song opens: “the way you move is a full on rainstorm and I’m a house of cards…”, a line that I think is lyrical gold. It also sets the bar very high for the song to have such a line open it, add to that the very catchy music to which this line goes.

Taylor then proceeds: “you’re the kinda reckless that should send me running but I kinda know that I won’t get far… and you stood there in front of me, close enough to touch, close enough to hope you couldn’t see what I was thinking of.”

Sparks Fly is a song about falling for someone you shouldn’t fall for: be it someone older, someone younger… but at the same time, you can’t but be mesmerized by that person.

“Drop everything now, meet me in the pouring rain, kiss me on the sidewalk, take away the pain. Cause I see sparks fly whenever you smile. Get me with those green eyes, baby as the lights go down. Give me something that’ll haunt me when you’re not around” Taylor sings on the chorus. And the chorus is very heartfelt and raw. You feel on it the helplessness of Taylor as she tries to get away but she’s too tangled by him.

“My mind forgets to remind me you’re a bad idea”, she sings on the second verse, on which lies most of the change from the original version of Sparks Fly, which was sung live at a concert a few years back. She declares: “I’m on my guard with the rest of the world but with you, I know it’s no good. And I could wait patiently but I really wish you would drop everything now, meet me in the pouring rain…”

And then comes the song’s bridge. Up to this point, Sparks Fly could have easily been on Taylor’s previous albums. It has the rhythm, the catchy tune and the lyrics that would have definitely worked with the theme adopted by Taylor for her previous album Fearless. But then she reworked the bridge to make it sound like this:

I run my fingers through your hair
And watch the lights go wild
Just keep on keepin’ your eyes on me
It’s just wrong enough to make it feel right
And lead me up the staircase
Won’t you whisper soft and slow
I’m captivated by you baby
Like a firework show

And this is where the song rises. Some might think these lyrics are corny but think about it this way. If Sparks Fly plays out in real life with these lyrics in the bridge, you know what will happen after being led up the staircase. It’s that simple. This is a theme that Taylor wouldn’t have tackled on her previous album.

Ultimately, Sparks Fly will be the song off Speak Now that will be Taylor’s smash hit on the charts, possibly recreating the monster success of “You Belong With Me” and “Love Story“. Why so? because it manages to merge together two key elements: the authentic Taylor sound that she had with Fearless, along with the maturity that is present throughout Speak Now. It is definitely not the best song on the album on which it is found but for its purpose of giving Taylor a sure radio hit, Sparks Fly will excel. After all, this is a song that sustained years of being put on a shelve and that is a testament on its power. Don’t be surprised if sparks fly when this comes on the radio.

Listen to Sparks Fly here: