Gérald Dahan, a French imitator and comedian, faked being Louis Alliot, the #2 man of Le Pen’s right-wing Front National, and called UMP candidate to the legislative elections and former minister Nadine Morano, who’s of Italian origins.
Asking Morano about Le Pen, she replies that she thinks Le Pen has lots of talent and that there are many aspects of her policies upon which she agrees.
It’s worth noting that Morano was struggling in the polls of her corresponding district and was obviously in need to schmooze the many voters of the National Front.
Seconds later, a seemingly busy Morano hurries to end the conversation and does so by pitching a final idea which she believes should be enough to bring the fake-Alliot to her side. She declares her support for Marine Le Pen’s proposal not to let foreigners vote in France. Her argument?
“J’ai pas envie que ça devienne le Liban chez moi.”
I don’t want it becoming Lebanon here.
Listen to the conversation:
Many French-Lebanese expressed outrage at the analogy she turned our country into. But I have to wonder, doesn’t she have a point?
I’m assuming she means the following: I don’t want France becoming a country where every other nation gets a say.
Isn’t that the case in Lebanon? Don’t we always nag about our decision not being in our hands?
I guess it’s different when some “outsider” tells it to our faces.
On the other hand, it’s not like things are much better in Morano’s native Italy.
I was reading the past couple of days sports articles about how a Croatia-Spain 2-2 tie would see Italy out, even if they beat Ireland by 10 goals.
So I asked people about that because it didn’t make sense to me and I was linked to the tie-breaker regulations, which are as follows:
If Spain ties Croatia, they would both have the same number of points as Italy in the case of Italy beating Ireland. In that case, they’ll go down through the above criteria in order. The first two, a & b, do not break the tie. Point c, however, which precedes goal difference, does. Italy tied Croatia 1-1. In the event of Spain tying Croatia 2-2, the number of goals scored by Spain and Croatia in their own game is higher and therefore, they would both advance. Unfair? Well, it’s the way things are.
Either way, sports blog figo29 has taken his time to write out a detailed scenario for all the different possibilities for the next few days playing out. So if you want to know, for example, how Holland can actually still advance despite having lost twice, I invite you to read this very simple analysis here.
The famous Lebanese author of “Le Rocher de Tanios” became a few days ago the first Lebanese ever to be inducted at the elite French Academy (l’Académie française) as one of of 40 living members chosen by the academy to represent the French language.
While being inducted, Maalouf wore the traditional academy clothes and held a sword on which he engraved a verse in Arabic written by his father, as well as the names of his wife and his 3 sons.
The sheath had the Cedar tree engraved on it, as well as the National French symbol. Maalouf had the following to say regarding the occasion.
“I bring with me everything that my two homelands have given me: my background, my languages, my convictions, my doubts and, more than anything perhaps, my dreams of harmony, progress and coexistence.”
Minister of Culture Gaby Layoun was present at the induction and commended Maalouf for the honor that he brought upon Lebanon with his achievment.
Banque de Liban has issued 1000 silver pieces with Maalouf’s face carved on them as a tribute to the honor he bestowed upon himself and his native country.
Kalam el Nas had an interesting interview with Maalouf in which he discussed the “Arab Spring” and his next novel. Make sure you watch it here:
Why didn’t this get the attention it deserves among Lebanese blogs and people? Because we were rolling our heads in the dirt of Myriam Klink and Nemr Abou Nassar while Amin Maalouf lifted his head up high in Paris.
Dry lightning cracks across the sky, those storm clouds gather in her eyes. Daddy was a mean old mister, mama was an angel in the ground. The weatherman called for a twister. She prayed blow it down.
To an incessant heartbeat-like drum, Carrie Underwood’s newest single opens. Blown Away, the second single off the album of the same title, is the darkest song on the album in question and a drastic departure from anything Underwood had given before, be it musically or lyrically.
As Carrie Underwood’s voice breaks in a delivery echoing the character’s need for peace, the song shifts into an ethereal production where Underwood goes into a multi-layered lower register to sing the song’s most haunting line, which confirms what the opening verse makes you think of.
There’s not enough rain in Oklahoma to wash the sins out of that house. There’s not enough wind in Oklahoma to wash the sins out of that past.
Carrie Underwood may have not been the victim of abuse but she sings Blown Away with so much conviction that it’s hard to think her life wasn’t the struggle she portrays. As she feigns power to sing the song’s chorus, you can’t but hear a faint cry in her voice as she pleads to have her problems blown away by the impeding twister.
Shatter every window till it’s all blown away. Every brick, every board, every slamming door blown away. Till there’s nothing left standing, nothing left to yesterday. Every tear-soaked whiskey memory blown away, blown away.
As the tornado nears her house, the character in Underwood’s song hides away in the cellar of the house, leaving her “daddy laid there passed on the couch.” As she listened to the screaming of the wind, the song exemplifies the amount of hurt the girl has been put through in her life.
Some people called it taking shelter. She called it sweet revenge.
As Underwood shifts between impeccable falsettos and power-singing in her delivery, she delivers an excellent song that is unlike anything else on any form of mainstream radio today. Carrie Underwood is not only singing about whiskey-soaked abuse memories, she’s also telling the story of a daughter leaving her father’s breathing body to the mercy of a wind that knows no mercy, all to a chilling production.
The country-pop production is another instance in which Underwood pushes the envelope further for country radio after a country-rock first single in Good Girl. In Blown Away, the dramatic production proves necessary to bring full effect to a song that desperately cried for such an epic dramatic feel, be it on the thundery chorus or the chilling pre-chorus.
Chris Tompkins and Josh Kear, the creators of Underwood’s biggest hit Before He Cheats, have given her the song that might just rival that. Some country audiences will be rubbed the wrong way with the theme of this song but with something this incredible, Underwood shouldn’t care the least. In fact, she should be proud pf that because it’ll be the mark of how great a song this is. With Blown Away, Carrie Underwood has yet again thrown caution to the wind and let her guards get blown away.
Blown Away is a song you can’t resist getting blown away with.
As it is with Lebanese artists, you’d have no idea they are releasing an album until the album actually drops. There’s no such thing as releasing a single ahead of an album launch in order to promote it or setting a release date way in advance.
But I like Elissa. I appreciate her candidness when it comes to many issues. Yes, her political views being one of those issues she’s honest about.
Elissa’s album, titled As3ad Wa7da, will be released on June 25th. I’ll attempt reviewing it then but no promises for that. The title song off the album was released today. Bakkir, eih?
Here it is:
A few comments.
1) When will radios learn that inserting those annoying voice overs only ruin a song for the listener? What are they trying to achieve with their annoying “Rotana exclusive” balderdash thrown every 30 seconds?
2) When will the current top female Lebanese singers actually release a Lebanese song as their first single off any album?
3) Based on the previews of the album that I’ve listened to, there are far better songs than this one. I don’t think this one is bad – just very similar to what Elissa has released before: Start off normally then insert a trance-ish beat out of nowhere, revert to normality and repeat. But I like it nonetheless.
4) I’m not getting the idea behind the album pictures that were released so far. Is she trying to go all “virgin Mary-ish” with this one? It reminds me of Harissa for some reason.
Also, what’s the point behind the following one?
Yes, that expression on your face was the same as mine when my brother emailed me this picture. Horrible covers aside, what do you think of the song?
A Separate State of Mind | A Blog by Elie Fares 