Russell Peters in Lebanon – Show Review: Lame

Russell Peters’ show yesterday could be divided as follows:

40% of the time, he was picking on a man named Bassel.

20% of the time, he was picking on a 16 year old Saudi teenager called Khaled.

20% of the time, he was rehashing old jokes made at previous shows.

20% of the time, he was offering the audience new things.

The end conclusion is 100% of lameness.

I have watched most of his previous DVDs. So the idea I had pre-conceived about Russell Peters was that he was a good enough comedian to have a great show, albeit with a few slow moments stranded here and there. I wasn’t complaining. You can’t have it all over the top.

But what I had to go through on Saturday night at Platea Hall was definitely not something I had expected. Not in the least.

To begin with, the sound quality of the hall was horrible. Being on a limited monetary income, we couldn’t splurge to get the high-end tickets of the “lucky” front-rowers. So us, the poor commoners in the back, had to sharpen our hearing senses to be able to hear Russell Peters who seemed determined not to get the mic close to his mouth. Some had even tried to shout at him that “we couldn’t hear” but he was busy going at it with Bassel, a 38 year old man who happened to have huge eyebrows. Or caterpillars as Russell called them.

At the times when he wasn’t making fun of Bassel’s eyebrows, he was alluding to the masturbatory habits of 16 year old Khaled from Saudi Arabia. It might have been funny at first but when he interrupts a joke more than once to allude to it, it gets redundant and silly.

After feeling Khaled and Bassel became worn-out issues with the crowd, he moved on to a rehash of his previous jokes, the most famous of which is his father’s Indian heritage and accent. Car blinkers, child punishments – all retold with an Indian approach. Been there, done that.

The newer jokes, however, were not all that bad and some, especially those culturally relevant to Lebanon, were quite good. My favorite was an observation about how rampant plastic surgery has become in Lebanese society. Even the government is giving loans for people to do plastic surgery. We can’t accept ugly people here, he joked. Then a fashionably late Lebanese woman walks in. Peters looks at her and complements her breasts – or governmental breasts.

This leads me to another observation of the night. Lebanese people have redefined the concept of fashionably late and Russell Peters pointed it out. The show was supposed to start at 9:00 pm. It started at 9:30 with an opening act. Russell Peters was on stage at 9:45 and some people were still being ushered to their seats at around 10:00 pm. How hard could it be to get there on time, I have no idea.

When the opening act was better than the main show, you know something was messed up. I felt Russell Peters was unenthusiastic, disinterested, going through the motions to simply get things done and be out of there. He wasn’t really performing like he usually does. He was reciting.

I may be either too serious a person or Lebanese people are way too easily entertained because some were going gaga over the show as it ended. I’d like to think it’s the latter because I can appreciate a good comedy show when I see one. This was not one.

6/10

Lebanon 3rd on Best Places to Celebrate Easter List

20120324-202331.jpg

A recent list published by Reuters features Lebanon as the third best place in the world to celebrate Easter. The list was compiled by “Cheapflights” and says Lebanese streets, shops and restaurants are decorated for Easter with chocolate eggs and bunnies. Selling chicks in many shops is common.
Good Friday celebrations where the Stations of the Cross enactment is spoken about. Easter Sunday is described as a big celebration and the “maamoul” sweets are also highlighted.

Easter is one of my favorite times of the year. I love the spirit of it and I’m glad that Easter in my country is apparently distinctive enough. Way to go Lebanon!

The full rankings are as follows:
1 – Argentina
2 – Greece
3 – Lebanon
4 – Scotland
5 – Spain
6 – Sweden
7 – France
8 – Germany
9 – United States
10 – Canada

The Hunger Games is NOT Twilight

I had no intention to write such a post. But when I saw people on various platforms saying that The Hunger Games is just another Twilight, I simply had to step in to say no. Just no. And I think I am a qualified person to make the comparison. How so? Well, I’ve actually read both book series before the hype for their movies set in.

1 – The Books

There is a drastic difference between the themes of the books to begin with. The Hunger Games does not have supernatural human beings, let alone vampires or werewolves that have been so ruined in their portrayal that they’ve become a common source for jokes. The main characters of The Hunger Games are not driven by their incessant need to be loved but by their primal instinct for survival. Both may be intended for young adults and have a central female character but when it comes to the plot, protagonists and reception, the two series couldn’t be more different. Twilight is a fantasy love story, while The Hunger Games is an adventure about survival. That alone create a huge difference in the central elements of the book: where characters in one search for a boyfriend, the characters in another prepare for a revolution.

This brings me to point 2.

2- Katniss Everdeen and Bella Swan:

Bella’s struggles in Twilight is to choose between the sparkly vampire Edward and the transform-at-will werewolf Jacob. Her character is also nauseatingly one dimensional, useless and completely infatuated with mundane things, making her unlikeable.

Katniss is the exact opposite. Where Bella had things handed for her on a silver platter (boyfriend trouble don’t count as life problems), Katniss has to survive a world where the government has made the people hungry, where her mother is disconnected from the world and where she has to care for her only sister. Katniss’ world does not revolve around a boy, unlike Bella.

Bella is driven by her infatuation with Edward. Katniss is driven by her need to survive a cruel world. Katniss is a character young readers should look up to. Bella Swan is not.

3 – The Movies

Both movie series are turning out to be immensely popular. The Hunger Games has grossed over $25 million from midnight screenings alone. Twilight movies have broken records. Where they differ, however, is in the drastic critical reception. The Hunger Games has an aggregate score of more than 90% of positive reviews. Every single Twilight movie has been certified rotten by critics. You can read my review of The Hunger Games here. I didn’t even find it in me to review the latest Twilight movie. Enough said.

Perhaps both The Hunger Games and Twilight can be considered as a “teen” series. How that’s a bad thing, I’m not sure. The difference remains that one is absolutely relevant to what we’re living through today: revolutions, war, famine while the other lives in lala land. The fact remains that people need to get it in their heads that not anything that rings true with young adults needs to be compared with a preceding cultural phenomenon. Twilight was compared to Harry Potter. The Hunger Games is being compared to Twilight. How ridiculous, I know. When will such unfounded thoughts end? I have no clue.

Gas Prices in Lebanon: 38,000LL and Counting. Where Do We Go Now?

The wages increase that workers got lately is being eaten away fast by dramatically increasing prices all around. But none is more prominent, perhaps, than gas prices which are nearing an all-time high at 38,000LL. It is expected to reach over 40,000LL in the coming weeks.

I remember when prices were even less than this last year and people were up in a fit against the former governmental establishment. Former minister of finance Rayya Hassan got into a byzantine debate with current minister of energy Gebran Bassil before a 5000LL fee got deducted from gas prices.

Where’s that 5000 now? We’ve already gotten it back and then some. Why isn’t anyone discussing this? Why isn’t anyone doing anything about it?

The sad fact is that half of that 38,000LL goes to the government in taxes. One of those taxes is progressive, increasing as oil prices increase worldwide. More money for our country’s coffers, surely. We’re not paying for a product. We’re paying for a privilege.

So from now on, fellow Lebanese, simply do not warm up the car when you turn it on. That’s over 5000LL of gas right there, wasted. Don’t leave the car turned on while you’re stuck in traffic. That’s at least a gallon wasted. If you’re having a hard time to find a parking place in Beirut, don’t be stingy, take the car to a parking lot. You’ll actually be saving money.

Or you know what, the weather is beautiful, spring is here. How about we take some camels and wander around Downtown Beirut? You know the tourists will be happy, it’s eco-friendly and it will fit right in with the stereotypes.

I remember the long gone days when Gebran Bassil said he’d never sign on gas price increases.

Where do we go now? to the stables, of course.

 

Carrie Underwood – Blown Away Tracklisting

These are the tracks that will be on Blown Away, Carrie Underwood’s 4th studio album:

1. Good Girl (Carrie Underwood/Chris DeStefano/Ashley Gorley) – 3:24
2. Blown Away (Chris Tompkins/Josh Kear) – 4:00
3. Two Black Cadillacs (Carrie Underwood/Hillary Lindsey/Josh Kear) – 4:58
4. See You Again (Carrie Underwood/Hillary Lindsey/Dave Hodges) – 4:06
5. Do You Think About Me (Cary Barlowe, Hillary Lindsey, Shane Stevens) – 3:37
6. Forever Changed (Tom Douglas, Hillary Lindsey, James Slater) – 4:02
7. Nobody Ever Told You (Carrie Underwood/Hillary Lindsey/Luke Laird) – 4:10
8. One Way Ticket (Carrie Underwood/Luke Laird/Josh Kear) – 3:56
9. Thank God For Hometowns (Ashley Gorley, Luke Laird, Hillary Lindsey) – 4:01
10. Good In Goodbye (Carrie Underwood/Ryan Tedder/Hillary Lindsey) – 4:17
11. Leave Love Alone (Gordie Sampson/Hillary Lindsey/Troy Verges) – 3:19
12. Cupid’s Got A Shotgun (Carrie Underwood/Chris Tompkins/Josh Kear) – 3:43
13. Wine After Whiskey (Carrie Underwood/Tom Shapiro/Dave Berg) – 3:51
14. Who Are You (Mutt Lange) – 3:55.

Wine After Whiskey, which I had blogged about previously, has made the album while the Lori McKenna track, Nobody Knows, has not.

All in all, the titles are quite interesting. I’m very interested in hearing the Ryan Tedder track, Good in Goodbye actually. The album features 8 Carrie Underwood co-writes and 8 Hillary Lindsey co-writes. This should be a good mix.