Carrie Underwood Covers “Fix You” by Coldplay at Royal Albert Hall Concert

Proving yet again that she can deliver songs better than their original performer, Carrie Underwood took on one of Coldplay’s most famous songs “Fix You” at her UK debut concert at the prestigious Royal Albert Hall.

If the name sounds familiar, it’s because Adele released a DVD late last year of her concert at the same venue.

Reporters and UK personalities present at the concert were gushing over Underwood’s vocals.

Some examples:

Dan Wooton from The Daily Mail tweeted the following:

@carrieunderwood That was one of the best performances I have ever seen. Thank you for a very special night x

ChartShowTV: Wow! @carrieunderwood was too good tonight in London! Her version of Coldplay’s Fix You was stunning!

And so I don’t bore you, here you go:

Pictures from Old Beirut

Have you ever wondered how the Lebanese capital looked before it got turned into the concrete maze it is today? Well, I blogged a while back about Lebanon in its golden age. Since then, I’ve found many pictures of Beirut that precedes the rabid urbanism of today.

Beirut – 1900

Bourj Hammoud, circa 1930

Raouche, around 1925

Martyr’s Square, 1930

AUB, 1930

Martyr’s Square (Previously Bourj Square) – circa 1898

Ain el Mraysseh, 1930

Koraytem, around 1945

Gemmayze – 1900

Nahr el Mot, 1965

Place de l’Etoile – 1950

Ramlet el Bayda – 1974

Ain el Mraysseh – 1972

On Fathers’ Day

When my mother suggested I’d get a flower for my father for father’s day, I looked at her like she had gone crazy. “But it’s a nice gesture,” she said.

Flowers is just not something you do on fathers’ day. And you know what, I don’t know why’s that.

Among the days specified by some unknown entity for us to remember our parents, fathers’ day takes a backseat for the more “important” mothers’ day. Even companies don’t bombard you with the same quantity of ads and you don’t even feel as guilty for not worrying about what gift you’d be getting your father.

It could be that fathers are always less emotional than mothers and you’d therefore assume they don’t care as much about their day as mothers care about theirs. But a gift must be bought!

I actually have no idea what gift someone can get their father for their day. What sort of gift would make your father transiently happy?

Then I remembered something. My father is prouder of me than my mother, if that’s even possible. And while I hate it when I find myself in a social setting and he starts bragging about what a son he has, I can see exactly how much that means to him.

With each passing day where my brothers and I make my father proud, we’re turning his day into father’s day.

God Bless my father. God Bless all the fathers whose influence over our lives is very under-appreciated. And may all of the people I know who have lost their father find solace on this day.

On a happier, less depressing note, check out this very poignant comic by Sareen Akharjalian whose blog is full of awesome and funny material (check her blog here):

Sex in Lebanon: How About We Stop Calling Our Women Whores?

The following is a guest post by an anonymous Lebanese woman.

I didn’t like my first time. Not because I was underprepared. Not because of the little pain I felt. Not because I didn’t feel pleasure after it. But because of what I thought people would think of me now that my hymen had been sloughed off.

I was 17 back then. Don’t faint. Yes, I was sexually active as a teenager. I’m 23 now. A lot has happened in 6 years.

I dumped my most recent boyfriend a while back. I had slept with him as well. Little did I know, however, that I’d get word that this so-called boyfriend was busy calling me a “whore” behind my back, letting everyone know about his exploits with me. He thought he had led me on. He thought I was so gullible I’d fall prey to his irresistible charm.

Time for a mini-vomit moment? Yes.

The thing my horrendous ex doesn’t know is that I wanted to sleep with him as much as he wanted to sleep with me. The thing I think most Lebanese guys don’t know is that we, Lebanese women, need sex as much as them. The only thing stopping us from pursuing it like they do is our fear from society turning on us.

“Chefto heide? Bento la flen? Eh heide charmou*a.”

I’m not afraid to walk around Hamra, my neighborhood, today with my head held high. I have nothing to be ashamed of. Who should be ashamed is every single person in Lebanese society who has no problem deflowering a girl or penetrating her, both literally and figuratively, and then pretend it was her fault for being receptive.

I have to ask those men busy calling women whores. Who are you sleeping with exactly? Dolls? Fleshlights? I rest my case.

For the women criticizing other women who sleep around, why don’t you do something useful instead? Like trying to get us into power, like trying to lobby against our current laws which are way more degrading to us than a reputation you think I’m forcing on you. Instead, you’re busy bringing down every other women who doesn’t fit into the conservative mold society has implanted in your head. I’m not judging you because of it. You have the right to be critical. But I’m pretty sure there are lots of things I can criticize about you. You don’t see me doing that, right?

People with glass houses shouldn’t throw stones.

Lebanese society, when it comes to sex, is slowly opening up. No pun intended. But we have a long way to go. No one has a problem admitting sex is a beautiful thing. And it sure is. But many have a problem acknowledging that people are actually having sex.

I spent last summer in Paris and it was one of the most liberating experiences of my life. I wasn’t afraid of what people would think of me if I had a little more than I should to drink at a pub. I didn’t care about what some guys would think if I was obviously hitting on them. I didn’t think what other girls would think about me being happy on a Saturday night.

I do that in Lebanon too.

But the thing is, the girls and guys of Paris didn’t care as well. Their equivalent in Lebanon would be eyeing me either as a potential prey or as a threat. Take your pick.

I recently read an article on NowLebanon by Angie Nassar titled “A Culture of blame” and while I believe her analogy between what happened with Myriam Klink and NewTV’s Ghadi Francis is a little far-fetched for my taste, I have to say that the most poignant point is made early on:

If a woman steps outside the strict boundaries of behavior prescribed to her, she faces communal rejection, stigmatization, violent assault (as in the case of Francis), and even death by way of “honor killing.”

The sad thing is that everyone’s participating in painting the box that women are allowed to be free in: the men, the women and our media.

For example, when it comes to the Myriam Klink incident, no one had a problem rejecting Nemr Abou Nassar for calling her a whore. Her song is sexually suggestive? Of course. But what right does that give anyone for calling her a whore, regardless of how “obvious” you might believe that is?

When it comes to the Ghadi Francis incident, if the SSNP – horrible as that party may be – had beaten up a man, wouldn’t that have caused a bigger stir than the basically irrelevant ripple that the Francis incident caused?

When it comes to everything in our society today, don’t you find that there’s a flagrant double criteria applied to women, the most simple of which is the issue of sex? Men are allowed to have sex. Women are not. If men become promiscuous, then they are deemed as studs. If we fool around, then we are whores.

People tell me that I need to appreciate my body and not let it defiled in the way that I think should be permitted. But I have to ask, what business does my body have to do with you? Isn’t this my skin, my muscles, my face, my breasts and – gasp – my vagina? Don’t I own all these things? Aren’t they the byproduct of my parents having sex to bring me here? Aren’t these my property and no one else’s? Don’t I get to do anything I want with something I own as long as it doesn’t hurt you?

I don’t see how me having sex is hurting you.

I don’t see how me having sex can be hurting anyone.

I don’t see how me having sex should elicit any response apart from the question from my girlfriends “so how was it?”

Sadly enough, getting to that point is still so far that the questions many of my girlfriends as me today is “how could you? After only the first date?”

Perhaps I’m a little hasty and upfront. Perhaps I should be a little slower. But the whole point is the reputation of Lebanon doesn’t rest on my body. Stop making it seem as if me having sex is hurting our country indefinitely. Stop making it seem as if the whole Lebanese situation rests on my hymen. Stop making it seem as if the whole solution of the sectarian system is contingent upon me being forever untouched. Stop making it seem as if being a good person can only happen with me not spreading my legs – ever – except for my future husband. Stop making it seem as if the only interaction men would want with a girl like me is to get into my pants. Not gonna happen.

If me spreading my legs for you will make you go all conservative on my reputation behind my back, then let me tell you something quite honestly. It’s going to be you and your hand every single night.

Elissa’s New Album: As3ad Wa7da – Review

Remember when I told you Lebanese artists have absolutely no system for releasing albums and that Elissa actually setting a release date for her album was a good thing?

Well, I was wrong. Instead of releasing the album on June 25th, as planned, Elissa’s new album As3ad Wa7da (The Happiest One) was just released, a full week early. I believe it’s due to an early leak which is no excuse for a rush release. I doubt though that her fans are displeased.

The reason I’m reviewing this album, with it not being English music, is that I like Elissa. She is one of my favorite contemporary Lebanese singers, regardless of what some people might say about her vocal abilities. What impresses me the most about her is the fact that she is vocal about her beliefs, be it her religion or political views, in a region where that is frowned upon. I also liked the fact that her albums would usually be balanced between Egyptian and Lebanese songs, not exactly giving one dialect an upper hand over the other.

That last point changed with her newest release. The album holds 14 songs, 2 of which are covers of songs by the late Salwa el Atrib and Warda. Out of the remaining 12 songs, which constitute the new material, 3 are Lebanese songs and the rest is Egyptian. I don’t want to sound xenophobic but I would expect a little more balance from an artist who hails Lebanese nationalism as her politics of choice.

But I digress.

The quality of Elissa’s new album is average compared to her previous releases. After different album covers surfaced, the official one being the one at the top of this post, I was skeptical at what might come out of this. But it was a more or less an enjoyable listen.

Opening with the Egyptian dialect-song “Fi Ouyonak” (In Your Eyes), she caters to the people who await such a style from her: the slow, mellow romantic songs. And then as the album moves through songs, its level doesn’t die down. It remains more or less consistent, giving songs here and there that would please different parts of Elissa’s core fanbase which has been awaiting her album for more than two years now.

Te3ebt Minnak, my favorite song on the album, comes as the fifth track on the album and is as song about a relationship gone sour where the protagonist in Elissa’s song is tired from the person she’s singing to. “I wait for one sweet word from you and when I hear it, I forgot I lived less than an ordinary life with you”

Corny, perhaps. But effective. Of course, that’s my loose translation of one of the song’s lyrics.

Other interesting songs on the album are the Lebanese: Kerehtak Ana and Eghmerni. The former comes around the middle of the album while the latter follows it a song later. Kerehtak Ana is obviously about the end of the relationship while Eghmerni is the total opposite, boasting some interesting poetic nuances from writer Siham el Sha3sha3. However, both of them could have been so much better – they both needed an extra revision to bring them to their full potential, be it musically or production-wise.

Elissa’s take on Salwa el Atrib’s  “Alouli el Eid” is interesting but I’m a fan of the song to begin with while her cover of Warda’s “Lola el Malama” shows a side of her vocals that most people would have doubted otherwise. Lola el Malama is also better-delivered from Elissa than Alouli el Eid.

As3ad Wa7da could have used the touch of Marwan Khoury who delivered some of Elissa’s best songs (Betmoun comes to mind), but overall it will satisfy those who like her. However, once the initial hype sets down, one wonders is this really the best Elissa can come up with after a two year and a half wait?

Judging by her more superior previous albums, As3ad Wa7da is an album that made Elissa transiently happy and will make her fans also happy that their favorite singer delivered a new album for them to listen to. But as a casual fan, As3ad Wa7da does almost nothing for me, apart from the few songs on there that I consider as interesting. In fact, I think it lacks anything that would jump at you like her previous albums did (the previous one had Aa Bali Habibi, the one before had Betmoun). Some songs on there are also entirely dispensable that I’ve found myself completely losing interesting halfway through them.

Overall, As3ad Wa7da has the exact formula that an Elissa album would have, except the songs are not as striking: the romantic slow songs, the upbeat dancey songs and the midtempos with trance verses interspersed in them.

6/10

Listen to: Te3ebt Minnak, Kerehtak Ana, As3ad Wa7da.