Ziad El Rahbani’s “Bennesbeh La Bokra Chou?” Was Beautiful; “Film Ameriki Tawil” In Cinemas Soon

Belnesbeh La bokra Chou Ziad el Rahbani play movie

Let me start out by saying that I am a Ziad el Rahbani uninitiated.

The tag-line for “Bennesbeh La Boukra Chou?” went: “you’ve been listening to it for 35 years, now come and watch it.” Well, I haven’t to say the least. In fact, apart from the occasional references to Ziad el Rahbani’s golden lines here and there among my acquaintances, my knowledge about his plays would’ve been essentially zero. It’s not something I’m proud of – to be so ignorant of a Lebanese icon is not one of my stronger suits I have to say – but I vehemently refused to listen to plays knowing that sometime in the near future I might be able to watch them.

Well, that future is now.

I was lucky to attend the Lebanese premiere – or the cinematic premiere that is – of “Bennesbeh Laboukra Chou?,” dedicated to the memory of Joseph Saker and Layal Rahbani, which will be in cinemas starting next Thursday, and I have to say: I’m thoroughly impressed.

No, this is not about the play’s sentences that everyone has memorized, or the songs that are engrained in our memories, even mine. This is about the entire experience of it: from film, to seeing the sheer joy on the faces of those watching it, to their reaction to finally seeing the play they’ve known so well on screen in the way that it is.

For starters, the play is filmed well enough for it to be shown in cinema. It’s not Kubrick, of course, but it is decent to the extent that a few minutes in you’ll forget that you’re watching rescued footage of a nearly four decades old play and simply fall into it. In fact, the grainy texture even gives it character: this is not a glossy movie, it’s rustic, full of life and quite charming. It feels documentary-like, which is also the purpose of the play at hand.

No one needs me to talk about the content of course, but I have to say that I was grossly impressed. Ziad’s satirical take on the Lebanese way of life then, the clash of classes and the struggle of the prolitariat, could not be truer even today. In fact, the movie/play starts: there have been many tomorrows after that, but what has changed? The fact of the matter is, so little has, and things are probably worse today than they were back then. Ziad’s monologue towards the end, about the need for work, about providing and trying to escape poverty is chills-inducing. It’s beautiful to see the lines many have repeated over the years be said in front of you “live,” and it’s even more beautiful to see the audience that knows those lines so well react to them.

I asked someone how it felt to watch the play they had listened to endlessly for years, and they said that it felt exactly as they had expected. I had to agree: you may be used to the voices, but the acting is exquisite. I have to say, Ziad el Rahbani may be a great playwright, but he’s an even better actor: the energy that man exuded on his stage is near-unparalleled in these times. No wonder audiences back then fell for him: it brought me such joy to see him perform in the way that he did, and I’m sure it will do the same to you.

You don’t need my words to tell you to watch “Bennesbeh Laboukra Chou?” if it’s something you planned. But let me tell you this: the people singing along to the songs, muttering those lines under their breathes or simply clapping along was an experience in itself, one full of nostalgia and wonder, one that I recommend wholeheartedly.

Film Ameriki Tawil

And, for those of you who want more, a list you can now add me to, there will be more: Film Ameriki Tawil, the even better play as I was told, will be in cinemas in the coming months as well (a source told me in around 2 months), and here’s part of the trailer:

The Relativity of Freedom of Speech in Lebanon

The last few days have taught me that the statement: “I believe in freedom of speech” has to be amended to become the following: “I believe in freedom of speech as long as I agree with the speech.” Beyond that point of agreement, all bets of civility of discourse are off. Bigot, ignorant, racist, condescending, extremist, hypocrite, illiterate or any derogatory word of choice gets dropped in order to counter a point, regardless of what that point may be.

Santa Muerte, Santa Ejre:

I didn’t want to go over anything related to this issue again. It was blown way out of proportion. But my words were taken out of context. Lebanon’s self-anointed blogging police started to ridicule what I had to offer. Somehow this blog being nominated for Blog of the Year at the Social Media Awards became a mark of shame for some people – as if that changed things. News outlets started contacting me for their stories. And I realized that, even though I had actually blogged about the issue, I had never gotten the chance to say what I had to say for my input was very brief. In spite of the issue being overdone at this point, I believe it is my right to tell my point of view in detail. You may want to read it and you may not but here it goes.

I found Bershka shirt, aptly called shirtgate – the Mexican Embassy IS opening a shrine – offensive. Is it my right to find it offensive? You bet it is. Did I call for the shirt to be banned from Lebanese markets? No. Did I say it wasn’t a person’s right to wear the shirt? No I didn’t.

You don’t need google to consider the shirt offensive. Any person’s first impression of what the shirt says is with what they connect it. I believe it was Descartes’ school of thought which said our perceptions are the actions of our mind on our senses. The actions of your mind come from your previous experiences. When Lebanese people look at that shirt, the first thing they’d see is what they previously know: Mary icons present in churches or homes.

What people don’t seem to get is that people have different red lines whose crossing means getting offended. If people are offended by the shirt, it’s okay. If people are not, it’s okay as well because those people have their own lines as well and if they are crossed then they will bring their own fury to being. What’s not okay is some people calling those who are offended bigots, ignorants, etc… For not being aware of Santa Muerte, which 90% of the Lebanese populace wasn’t even aware of prior to yesterday.

This brings me to another point: Santa Muerte is irrelevant. It is not culturally relevant here and it’s being used to iron out the issue by those who want to portray all religious folk in Lebanon as a bunch of narrow-minded individuals. Is the shirt Santa Muerte? It could be. At least that’s what Bershka said. But it could be Our Lady of Guadelupe as well, which is actually present in many Lebanese churches, one of which is in my hometown which could be why I found the shirt print familiar.

The point is: the fact that Santa Muerte is not something most Lebanese are familiar with means that the shirt will be taken offensively. People do not have to google a shirt print. You judge it based on what you know. As an example, alcohol is allowed in Lebanon but it’s not culturally permitted in Saudi Arabia. Would you walk in their streets with a Jack Daniels shirt? Cow meat is allowed here but it’s not culturally allowed in India… how about a shirt with a burger on it? The list goes on.

You may not want to be culturally limited even if you are aware but what I believe many need to realize is there’s more to the world than the space between them and their computer and Twitter followers and, if a person has a blog, readers. We talk and analyze and extrapolate but the fact of the matter remains that less than a third of the Lebanese population has smartphones and not everyone has access to the internet and not everyone likes to read our English-written blogs. I may not get up in a fit if I see someone wearing that shirt on the street but are you willing to bet no one else would?

Only today, I had my legs crossed at a bank in Tripoli when a man asked me to uncross them because he was offended by my shoes’ sole being in the far corner of his eyesight.

Another important thing to note is that Santa Muerte is not a saint nor is it a holy figure. It’s Mexican folklore. Lebanese people who are not aware of their own folklore are supposed to know international folklores as well now? The Catholic Church of Mexico considers those who worship Santa Muerte as heretics-lite. This may not be relevant to those who don’t care what any religious institution has to say but it does for those who do, of which I am not. But there is another aspect to the conversation that is being disregarded because it doesn’t fit with the perfect Santa Whatever explanation.

After all, why would Mexican relatives of mine find the shirt print offensive if it were all that “innocent?”

Another point being raised is that Bershka is simply bringing in their entire collection to Lebanon, which I find to be non-sensical. Do companies always automatically import everything they make into this country without any form of market study or market appraisal? Any look at the shirt would have sufficed to realize it might cause a backlash among many of their customers. The shirt may have not been brought into the country but the price tag of 49,000LL means there was a will to bring it in.

The bottom line is: both sides of the story have arguments in their favor. It goes down to what you believe in. If you believe holy figures should not be demonized then the shirt offends you. If not, then the shirt will not. But people from both sides attacking each other is unacceptable as I witnessed firsthand with people calling me ignorant, a bigot, condescending and a bunch of other things just for the fun of it.

Ziad el Rahbani vs AUB Students:

Nothing can beat Santa Muerte when it comes to attention over the past few days. But the man of whom I am not a fan Mr. Ziad el Rahbani had an open dialogue session at AUB during which a bunch of attendees protested his political stance against the Syrian revolution and called him out on it.

The interesting part, though, is that I found out about the Ziad el Rahbani protest not from someone who is supportive of those students but one who was absolutely outraged because they made AUB students look like fools in front of such a man. That person, typically, felt it appropriate to call those students every word imaginable from the belt down. And he wasn’t alone at it.

The protesting students had their share of supporters as well who felt what they did was absolutely noble. I am personally with what those students did because it was 1) peaceful, 2) a demonstration of their basic right of free speech and 3) it didn’t interfere with the session’s proceedings.

I believe it is their right to protest in the way that they did. Their right stops in a hypothetical scenario where they wreck the hall or attack Mr. Rahbani himself.

I am personally supportive of what the students did and I commend them on it. But isn’t it the right of both who are against and supportive of Ziad el Rahbani to be heard?

George Abdallah:

On the other side of the political spectrum, many Lebanese are protesting what they are calling the French authorities unjustly keeping Lebanese George Abdallah behind bars. To that extent, they set up protests outside of the French embassy occasionally, most of which were peaceful and only served to prove the point being raised.

I do not agree with the protests, nor do I agree with the whole “unjust imprisonment” idea. But isn’t it their right to voice their disdain of the situation as well without having irrelevant me ridiculing them for it?

Boycotting Guns ‘N Roses, BDS, Israel:

Prior to the Guns ‘N Roses concert in Lebanon, a movement calling to boycott the concert was started. Many Lebanese may have not gone to the concert because of it but many other did. After all, the concert was a success. The boycott call was picked up by many Lebanese and often ridiculed.
The only question that popped in my head was: are they bothering me if they are not attending a concert without calling for the concert to be canceled?
The only answer that answered my question satisfyingly was: no they are not.

So I shrugged it off and didn’t write about it. Let them have their fun. I don’t think we should panic every time an artist who has set foot in Israel decides to hold a concert here. But what if someone wants to have a panic attack because of it? Simply, let them have it.

I draw the line when those movements start expanding to some form of neo-culutral terrorism whereby they get the concert in question to be canceled, the artist to cower from coming over and, sometimes, Lebanese acts to suffer in the process.

The bottom line:

Be it a shirt, a political movement, a concert, a dialogue session or a simple conversation, people are allowed to differ in opinion and have their opinion heard even if others find it subpar, unconvincing or unacceptable. What is becoming clearer to me, however, is that the concept of freedom of speech in Lebanon is relative. You get to enjoy its perks as long as you conform to what the vocal bunch expects of you to write or say.

But you know what, the past few days have also shown me that if being ignorant, a bigot and condescending comprises of what I did, then I am all those three and more and I’m proud of it.

Do you regret the whole Bershka shirt post, I was asked over the past two days. My answer was and will always be: definitely not.

Notta-Bene:

For those who were up in a fit how we weren’t discussing more “relevant” issues in Lebanon today, I invite you to read the following articles which I have written over the past two weeks:

It’s not my problem the only time you read is when a post goes viral enough for you to get a link.

Ziad el Rahbani’s Sheep

Many bloggers have already posted this video of a dispute at Ziad el Rahbani’s concert which took place a few days ago:

But I’m actually baffled by the reaction of some of the people attending. There’s a limit to how much crap you can take from an artist. He was 90 minutes late, the event’s organization was a royal mess – and yet because he’s Ziad, no one is allowed to complain?

Spare me the hipstery all-hail-to-Ziad attitude. I am not a Ziad el Rahbani fan and after the above video, I will never be. I will never listen to his plays nor will I quote his useless lines nor will I be taken by his music. There are plenty of much better musicians out there that he can only dream of approaching that I’d rather listen to.

What can I make out of an artist that doesn’t respect his fanbase enough to even apologize for wasting over an hour and a half of their time while they sat and waited for him and then has the decency to actually call them out for speaking up?

That’s not an artist I can respect.

What do you make out of an artist that treats the people who were pissed because he was late so callously and is met by applause from an audience who stood by him, non-caring about the time of their life that was wasted?

I’m sure his plays have some “witty” line about apologies somewhere. I won’t bother. The only sheep here are those who blindly worship everything this man touches and who don’t give a rat’s ass about their time which was wasted and who actually call his reply as “polite.”

The sad part is his “fans” believe that people don’t have the right to complain because Ziad is sharing their art with them. They actually think the people complaining are doing so because they’re bothered by his success – as if they would have bothered snatching up those rare and pricey tickets in the first place if the only thing they wanted to do was cause a riot at the concert.

In any decent country, this delay would have warranted a refund. Except in Ziad el Rahbani land, an artist that wants your money and wants to insult you for wanting to get your money’s worth.

“Iza mannak mabsout, 3a shou ba3dak hon?” Ye2ta3 habal l 3alam yalli mfakkrin enno heik shi ma2boul.

Ziad el Rahbani’s Concert: A Failure?

Ziad el Rahbani Concert Lebanon

Many of my friends went to Ziad el Rahbani’s concert yesterday and all of them had not very nice things to say about it.

Apparently the seating arrangement was a mess. Those who paid for the $40 tickets got much better seats than those who paid for $60. Some of those who paid for the pricier tickets couldn’t even see the performers.

The organization of the event was all over the place. Ziad el Rahbani and his artists were more than 90 minutes late to the concert. And to top things off, the concert itself wasn’t impressive: Ziad sang a couple of phrases in the whole concert. His artists sang the entire setlist.

I personally don’t have time to go nor am I that big of a fan. However, I would expect the artist in question and the event organizers not to take everyone who’s attending for granted and handle things much better than they did.

Two concerts remain – hopefully they’ll be better for those who can’t wait to see him. For those who couldn’t go, it looks like you’re not missing out on much, except on a serious test to your anger management.

Ziad el Rahbani Concert in Lebanon Next Week

For Ziad el Rahbani lovers, he’ll be holding a concert next week on December 20th and 21st. The event was just announced.

Ziad el Rahbani Concert Lebanon

Nothing was announced regarding where “les artistes” fit into the whole equation. Ticket prices are $40, $60 and $90. They include an open buffet and 2 drinks. (Thanks to @_Evention for the tip).  Tickets will be sold at Al-Akhbar, Boueiry Press in Kaslik and Maarouf Saad Cultural Center in Saida starting Monday.

Cue people freaking out in 3..2…

My favorite Ziad el Rahbani song is probably “Bala Wala Shi.” He has also written my favorite Fairuz song “Kifak Enta.” Yes, I may not be a fan but I am not completely ignorant.