Carrie Underwood’s Good Girl Gets HAC Ads Date – Crossover Attempt?

Good Girl, the lead single off Carrie Underwood’s fourth studio album, Blown Away, will be given a chance to crossover to formats other than country where it currently sits at #8, 6 weeks after being released.

On April 23rd, Hot Adult Contemporary format radios (HAC) are invited to add Good Girl to their rotation. The song is currently #42 on the HAC charts, due to airplay from stations that added it upon requests.

This is Carrie’s first song since Before He Cheats (Last Name got an adds date but was later pulled) to get an adds date for a radio format other than country.

I guess crossover promotion is a go. If Good Girl turns out to be a hit on HAC, Top 40 won’t be that far off.

Smeds Knefe and Pizza ads: Sex, Breasts & Food?

The new ads by Smeds for their mozarella cheese are nothing but sexually inferring. Without them telling you what they’re advertizing, you’d think Antoinette Akiki has a new sex-ed show, à la Lezem Ta3ref, on YouTube.

I’m not a marketing expert. But if someone intends to sell some food item, is associating it with talk about breasts and a man bringing his wife to orgasm a decent strategy?

In other words: food and vulgar ads, do they go hand in hand (no pun intended) or is it a grave misstep here?

I’ll leave the answer to the pros.

To me, I think sex sells. But not cheese.

Here are the ads:

Where Do We Go Now (W Halla2 La Wein) Released on DVD & Blu-Ray

For those searching for torrents or a way to download Where Do We Go Now, you might want to stop searching and go buy the DVD for the movie, which will be released today.

Check out my review of the movie here.

What Once Was (Album Review) – Lee Dewyze

After winning American Idol’s 9th season, Lee Dewyze struggled to find his sound in a music industry that creates a niche for artists and traps them in it. With his newest offering, What Once Was, Dewyze is going back to basics – literally. This album is a collection of recordings that he had finished prior to his participation in American Idol, between 2006 and 2010.

The album was independently recorded with WuLi records prior to Lee’s participation in American Idol and until recently, the songs were unheard of. But that is no longer the case.

What Once Was isn’t produced by a major label and as such, it is unpolished and organic and rough. This feel clearly translates to song. But it works to a certain extent, giving the album a somewhat refreshing feel.

On “Snaps,” the collection’s opening song, Lee bemuses “come with me and I’ll take away to a place where only flowers and the children play. You’re alone but it feels so right. You can bathe in the sun or dance in the moonlight….” Snaps is also the album’s most interesting and engaging song. The finger snaps in the background help to that effect of it being the catchiest song on this record.

On “Fallen,” Dewyze croons the heartfelt chorus before shaking it up with a rocking sound on “Princess Reprise.

When She Dances” features an exotic, latin feel as Dewyze sings about how infatuated he is by the girl in question.

Overall, What Once Was is a collection of songs that showcase Dewyze as a credible songwriter and performer. Fans of the American Idol will find something in the 9 songs EP for their taste. Overall, however, the EP feels like it’s lacking an extra punch, after a successful start with “Snaps.”

Perhaps that is why Lee had a hard time finding a record label prior to American Idol – the overall feel of the songs is amateurish at some points. However, the sound conveyed through the songs is promising. It will be interesting to see which sound Lee Dewyze adopts for his upcoming full feature album, after being released from his contract with RCA.

Either way, he is a talented young man and this EP sure proves that.

6.5/10

The full track-listing:

1 – Snaps

2 – Never There

3 – Maybe I Might

4 – Fallen

5 – Princess Reprise

6 – When She Dances

7 – Green With Me

8 – Worth Waiting

9 – Bridge Burns

 

Titanic 3D Released in Lebanon For ALL Audiences: Fail!

Yes, I went to watch Titanic 3D (my review) – Sue me!

The fact that the movie has become engrained in pop culture until it became nausea-inducing doesn’t mean it’s not a good movie in itself. But I don’t need to explain myself.

When I went to a screening of the movie with a friend, I never thought I’d be sitting next to two ten year old boys, in front of three twelve year old girls and behind a new mom with her two year old toddler.

Perhaps the crowd waiting at the door should have been enough to warn me of what awaited. The average age of those entering the theatre was nowhere near an acceptable range for a movie like Titanic. Since when is it acceptable to admit eight year olds to a movie with nudity, a sex scene and people dying in the dozens?

So here’s the story – the two boys next to us behaved exactly as you’d expect two prepubertal boys to behave: wolf-whistling at Kate Winslet’s breasts (we did that when we watched the movie fifteen years ago, the main difference being we were not allowed to watch it at the cinema) and as it is, they were also all over their BlackBerry and iPhone, answering phone calls, BBMing, Whatsapping – you name it. Telling them more than once to shut it wasn’t enough for them to get the hint until they decided, with about fifteen minutes to go, that they’ve wasted their day watching the movie since they obviously know the ending. Duh!

The toddler, on the other hand, decided that a three hour movie, half of which consists of flashing lights and people drowning, was more than she could handle. So she broke into a crying frenzy. Terrible twos redefined. Were the cinema personnel anywhere to be found? Absolutely not.

The girls behind us behaved as you’d expect preteen girls to act – except they were more than a decade late in fan-girling over Leo Dicaprio. But of course, the level of annoyance didn’t stop there – it had to go further when they decided that talking about their private lives was highly appropriate. One of them decided that cinema chairs are appropriate to catch up on sleep, down to the kicks we got in the back as a result.

So naturally, being so careless about social etiquette, I told them to shut up or leave. They gladly obliged.

Upon leaving Grand Cinemas, I demanded to speak with the manager  and apparently Lebanon’s General Security saw nothing in the movie that warrants limiting it to certain ages. He understood the nuisance I had to go through but he couldn’t do anything. He would be sued if he implemented an age limit. The movie was ruined, big deal. Apparently, I should have spent the entire screening going back and forth to the worker at the theatre door to ask him to come talk to the kids, despite him knowing that the screening was having such problems to begin with: some people had been asked to leave at one point for being a nuisance. So after promising my friend, who had never seen the movie, to take her to watch it, we had to spend three hours trying to act as supervisors to a bunch of kids in a movie they shouldn’t have been present in.

I really don’t get how American Reunion is 18+ and Titanic is for general audiences. I’m fairly certain I wouldn’t have found this many kids in Beauty and the Beast. I actually thought we had mixed movies for a second there. Get a hint, right?

And what’s worse – what parents in their right minds would send their children alone to a movie like Titanic fully knowing what the movie contained? Oh wait, silly me – generations have changed. They must have thought their kids were mentally ready for such a movie, after all owning a smartphone the day you turn 5 is growth-inducing these days. Sorry to break it to them though, their children have the emotional range that ten year olds should have – that of a mustard seed. And their parenting skills are atrocious if they think it’s absolutely fine to send their children to such a movie unattended.

All in all, big fail on Grand Cinemas’ part, big fail on General Security’s part and an even bigger fail on some parents’ reckless neo-parenting. Welcome to Lebanon!